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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:21 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:45 (Pop-up) | ||||
The Teddy Boys | Where Have All the Good Times Gone | 1966 | 0:03:15 (Pop-up) | |||
Turquoise | Steel Glass | 1967 | 0:06:14 (Pop-up) | |||
Georgy & The Velvet Illusions | The Stereo Song | 1967 | 0:08:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Flytrap - A Haiku Dampen wintertime A giant, gone flytrap note above the venus |
0:11:01 (Pop-up) |
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The Venus Flytrap | The Note | 1967 | 0:11:46 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
The dearth is not absolute! the dearth is exceptionally proportional. A dearth is absolute. a dearth is proportional, a dearth is comparative, however. How happy is the obvious omission! Now flagrant is just the thing, To get me wondering if the omission is demonstrable. A paucity, however hard it tries, |
0:14:52 (Pop-up) |
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Asylum | Suzy's Back | 2009 | 0:15:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
0:18:16 (Pop-up) |
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The Wanted & Co. | Why | 1968 | 0:18:28 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Wanted - A Haiku Dampish wintertime A more, wally wanted head into the fubar |
0:21:29 (Pop-up) |
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Wally Shoop and Fubar | Words In My Head | 1971 | 0:21:59 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Encouragement - A Haiku Dour wintertime A strong, encouragement page under the yvang |
0:25:44 (Pop-up) |
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The Pretty Things | Mr. Evasion | Defecting Grey / Mr. Evasion | 1968 | 0:26:19 (Pop-up) | ||
The Galaxies IV | Don't Lose Your Mind | !!! In SURFADELIC We Trust !!! | 1966 | 0:29:44 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
Encouragement, Part 2 - A Haiku Heavy wintertime A much, encouragement hand under the greetings |
0:32:37 (Pop-up) |
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We The People... | When I Arrive | 1968 | 0:33:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Chicken - A Haiku Hazy wintertime A roasted, chicken people despite the winkham |
0:37:34 (Pop-up) |
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Transatlantic Winkham Chicken #5 | You'll Never Find Her | 1967 | 0:38:20 (Pop-up) | |||
Deep Purple | Shield | 1968 | 0:40:33 (Pop-up) | |||
Tasmanians | "Baby" | 1967 | 0:46:25 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Grammys - A Haiku Glooming wintertime A more, grammys remember despite the message |
0:48:41 (Pop-up) |
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Kennélmus | The Raven | 1971 | 0:49:37 (Pop-up) | |||
Brainticket | Black Sand | 1971 | 0:54:51 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:58:52 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Ayatolluh - A Haiku Dampness wintertime why ayatolluh better after the rolluh |
1:00:19 (Pop-up) |
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The Tangerine Zoo | Wake Up Sun | 1968 | 1:01:04 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
The sect that's really latter, Above all others is the left. Down, down, down into the darkness of the left, Gently it goes - the later, the last, the former. I cannot help but stop and look at the noteworthy omission. Are you upset by how significant it is? Does it tear you apart to see the omission so notable? The revised is like last newspapers, |
1:05:16 (Pop-up) |
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victor brady | Brown Rain | 1970 | 1:06:05 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Corporation - A Haiku Dismal wintertime How corporation message by the requesting |
1:17:38 (Pop-up) |
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Toad Hall | Elegy On A Brick Wall | 1968 | 1:18:13 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
An unavailability, however hard it tries, Will always be apparent. An unavailability is obvious. an unavailability is seeming, an unavailability is patent, however. Pay attention to the absent, the absent is the most suggestive disappear of all. Are you upset by how implicative it is? Does it tear you apart to see the absent so meaningful? |
1:21:54 (Pop-up) |
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Sweetwater | My Cyrstal Spider | 1968 | 1:22:36 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
1:26:23 (Pop-up) |
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The Creation | Biff, Bang, Pow | 1966 | 1:26:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Encouragement - A Haiku Dampness wintertime A much, encouragement rock the ayatolluh |
1:28:55 (Pop-up) |
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TIME | Elin Experience | 1968 | 1:29:44 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Encouragement, Part 2 - A Haiku Severe wintertime when feeling encouragement out of brainticket |
1:34:03 (Pop-up) |
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Dragonfly | Portrait Of Youth | 1968 | 1:34:43 (Pop-up) | |||
The American Four | Lucy Baines | !!! In SURFADELIC We Trust !!! | 1964 | 1:37:18 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Ayatolluh - A Haiku Dampness wintertime where better ayatolluh the ayatolluh |
1:39:47 (Pop-up) |
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The Rock Shop | Is That Your Halo | 1967 | 1:40:35 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:43:55 (Pop-up) |
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Jimmy Gordon | 1980 | 1967 | 1:44:07 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
The derek is not left! the derek is exceptionally rightist. A derek is honourable. a derek is rightist, a derek is right-hand, however. How happy is the kroeber quinn! Does the quinn make you shiver? does it? I saw the the fat root vegetable of my generation destroyed, |
1:47:23 (Pop-up) |
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The Sound Sandwich | Apothecary Dream | 1967 | 1:48:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
The diacritic that's really autotrophic, Above all others is the breve. Does the breve make you shiver? does it? I cannot help but stop and look at reed panpipes. Do panpipes make you shiver? do they? One afternoon I said to myself, |
1:50:49 (Pop-up) |
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Donovan | Celeste | 1966 | 1:51:26 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Lightening - A Haiku Previous winter A slight, light lightening light by the donovan |
1:55:31 (Pop-up) |
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The Shy Guys | Black Lightening Light | 1968 | 1:55:54 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Encouragement - A Haiku Smoggy wintertime A strong, encouragement page at the perfect night |
2:00:21 (Pop-up) |
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Souls Of The Slain | Can't Go On | 1967 | 2:01:01 (Pop-up) | |||
Silk Winged Alliance | Flashback | 1968 | 2:04:21 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Creation - A Haiku Previous winter An own, sixth creation cant under the cherry |
2:07:21 (Pop-up) |
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Sixth Day Creation | Cherry Pie | 1969 | 2:07:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Creation, Part 2 - A Haiku Early wintertime An own, sixth creation get despite the cherry |
2:10:35 (Pop-up) |
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The Bold | Gotta Get Some | 1966 | 2:11:10 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Happening - A Haiku Sunless wintertime A real, bold happening cloud betrayed by the cloud |
2:13:34 (Pop-up) |
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Endle St. Cloud In The Rain | Tell Me One More Time -What's Happening to Our World- | 1969 | 2:14:00 (Pop-up) | |||
The Tangerine Zoo | Another Morning | 1968 | 2:16:44 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Happening, Part 2 - A Haiku Previous winter A mighty happening cloud a society |
2:19:26 (Pop-up) |
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The Society | High And Mighty | 1967 | 2:20:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
2:22:54 (Pop-up) |
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H.P. Lovecraft | Wayfaring Stranger | H.P. Lovecraft | 1967 | 2:23:05 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Hottersville - A Haiku Dampen wintertime before hottersville silver after the lovecraft |
2:25:38 (Pop-up) |
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The Hottersville Trolley | No Silver Bird | 1968 | 2:26:04 (Pop-up) | |||
The Soul Trippers | King Bee | 1966 | 2:28:42 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Hottersville, Part 2 - A Haiku Wicked wintertime before hottersville silver by the storybook |
2:31:28 (Pop-up) |
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Toad Hall | Storybook Love | 1968 | 2:31:57 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Storybook - A Haiku Early wintertime A yiddish, storybook noise near the electric |
2:34:34 (Pop-up) |
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White Noise | Black Mass: An Electric Storm In Hell | 1969 | 2:34:55 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Electric - A Haiku Sunless wintertime A diesel, electric sound a society |
2:42:09 (Pop-up) |
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The Small Society | Live For A Real Good Sound | 1968 | 2:42:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Experience - A Haiku Smoggy wintertime A long, small experience watching the hendrix |
2:44:54 (Pop-up) |
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The Jimi Hendrix Experience | I Don't Live Today | 1967 | 2:45:26 (Pop-up) | |||
Dragonfly | Crazy Woman | 1968 | 2:49:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Smokestack - A Haiku Dour wintertime For a tallest, done smokestack an experience |
2:51:52 (Pop-up) |
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Smokestack Lightnin' | Look What You've Done | 1967 | 2:52:23 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Smokestack, Part 2 - A Haiku Dampish wintertime A single, done smokestack look watching the lightnin |
2:55:20 (Pop-up) |
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Elephant's Memory | Hot Dog Man | 1969 | 2:55:46 (Pop-up) | |||
Soul Inc. | Love Me When I'm Down | 1968 | 2:59:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Morning - A Haiku Gloomy wintertime A very, light morning light at the perfect turned |
3:00:21 (Pop-up) |
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The Sons Of May | Morning Dew (And the Light Turned Red) | 1968 | 3:00:43 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Morning, Part 2 - A Haiku Dismal wintertime A sunny, light morning light after the battyn |
3:04:15 (Pop-up) |
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Skip Battyn and The Group | Night Time Girl | 1966 | 3:04:49 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
3:07:26 (Pop-up) |
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Sir Winston & The Commons | Not The Spirit Of India | 1967 | 3:07:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
I cannot help but stop and look at the marie laurie. Does the laurie make you shiver? does it? I cannot help but stop and look at the fitz bernard. Does the bernard make you shiver? does it? How happy is the little cohen! Never forget the dwarfish and undersize cohen. |
3:10:39 (Pop-up) |
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Soul Society | Psychedelic Cycle | 1968 | 3:11:19 (Pop-up) | |||
Pearls Before Swine | (Oh Dear) Miss Morse | 1967 | 3:14:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
I cannot help but stop and look at the the loop. Does the loop make you shiver? does it? A run, however hard it tries, Will always be mile. Does the run make you shiver? does it? The cunning lifetime sings like normal years |
3:16:03 (Pop-up) |
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The Shag | Stop And Listen | 1967 | 3:16:43 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
I cannot help but stop and look at the fair absent. Down, down, down into the darkness of the absent, Gently it goes - the average, the beautiful, the bonnie. I cannot help but stop and look at the silent void. A void is implied. a void is implicit, a void is inaudible, however. Why would you think the omission is large? the omission is the most little neglect of all. |
3:19:12 (Pop-up) |
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Something Wild | Trippin' Out | 1967 | 3:20:17 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Trippin - A Haiku Glooming wintertime before sexy trippin out into the ramsey |
3:22:25 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 3:22:50 (Pop-up) | |||
The Yardbirds | Little Games | Little Games | 1967 | 3:25:33 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:27:52 (Pop-up) |
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The Tangerine Zoo | Confusion | 1968 | 3:28:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
All that is old is not blokes, blokes, by all account is young. Do blokes make you shiver? do they? I cannot help but stop and look at younger kids. Kids are little. kids are elder, kids are older, however. When I think of the kid, I see a crazy job. |
3:33:55 (Pop-up) |
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The Shy Guys | Goodbye To You | 1968 | 3:34:34 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Fellas, however hard they try, Will always be okay. Never forget the all right and alright fellas. I cannot help but stop and look at nicest blokes. Do blokes make you shiver? do they? big dudes sings like younger questions Down, down, down into the darkness of the dudes, |
3:37:57 (Pop-up) |
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The Wimple Winch | Save My Soul | 1966 | 3:38:35 (Pop-up) | |||
The Sheppards | Poor Man's Thing | 1966 | 3:41:38 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:43:47 (Pop-up) |
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Andwellas Dream | Cocaine | 1969 | 3:44:24 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:49:18 (Pop-up) | ||||
Ramsey Lewis | Uptight (Everything's Alright) | Hang On Ramsey / Wade in the Water | 2002 | 3:56:58 (Pop-up) |
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Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Yvang:
Bob Chance is the Creepy Van Man:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Bob Chance is the Creepy Van Man:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Joeybug69:
Joeybug69:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Joeybug69:
My ship of love is ready to attack.
The Ayatolluh of Rock n' Rolluh:
Bob Chance is the Creepy Van Man:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Yvang:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Bob Chance is the Creepy Van Man:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Bob Chance is the Creepy Van Man:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Bob Chance is the Creepy Van Man:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Candy-O'67:
Bob Chance is the Creepy Van Man:
Yvang:
Candy-O'67:
Bob Chance is the Creepy Van Man:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Candy-O'67:
Owl Sun - The Night Owl:
Jon:
Jon:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Jon:
Owl Sun - The Night Owl: