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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:00 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:44 (Pop-up) | ||||
Yesterday's Children | Hunter's Moon | 1969 | 0:03:33 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
0:09:40 (Pop-up) |
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Hearts and Flowers | Second-Hand Sundown Queen | 1968 | 0:10:03 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
0:13:40 (Pop-up) |
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Shiva's Headband | Song For Peace | 1969 | 0:13:51 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
0:19:27 (Pop-up) |
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H.P. Lovecraft | Anyway That You Want Me | 1967 | 0:19:38 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
0:22:06 (Pop-up) |
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The Peanut Butter Conspiracy | Twice Is Life | 1967 | 0:22:17 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
I cannot help but stop and look at the full noon. Now cram full is just the thing, To get me wondering if the noon is broad. Pay attention to the thursday, the thursday is the most monday weekday of all. Does the thursday make you shiver? does it? I cannot help but stop and look at the yellow morning. |
0:24:59 (Pop-up) |
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Beast | Prelude For Today: Floating (Down By The River) | 1969 | 0:25:39 (Pop-up) | |||
The Electric Banana | (Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo) | 1969 | 0:29:31 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Prelude - A Haiku Depressing springtime A floating prelude prelude whilst watching the sweat |
0:32:31 (Pop-up) |
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Blood Sweat & Tears | I Can't Quit Her | Blood, Sweat And Tears | 1968 | 0:33:07 (Pop-up) | ||
Strawberry Alarm Clock | Pretty Song From Psych-Out | 1968 | 0:36:37 (Pop-up) | |||
Eire Apparent | Yes, I Need Someone | 1969 | 0:39:48 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Strawberry, Part 2 - A Haiku Eternal springtime A pretty strawberry clock above the psychout |
0:43:57 (Pop-up) |
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Mad River | Amphetamine Gazelle | 1968 | 0:44:29 (Pop-up) | |||
The Zoo | 444 | 1969 | 0:47:20 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The cognition that's really persistent, Above all others is the inability. Down, down, down into the darkness of the inability, Gently it goes - the unforgettable, the haunting, the lasting. I cannot help but stop and look at the resultant paucity. Never forget the subsequent and ensuant paucity. Dearth is, in its way, the woeful position of lack. Are you upset by how tricksy it is? |
0:49:36 (Pop-up) |
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Procol Harum | Quite Rightly So | 1968 | 0:50:26 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Destiny - A Haiku Perpetual spring A mighty destiny point watching the mighty |
0:53:52 (Pop-up) |
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Mighty Baby | At a point between fate and destiny | 1969 | 0:54:14 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:58:58 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Watchmaker - A Haiku Depressing springtime A young, watchmaker blossom watching the blossom |
1:00:19 (Pop-up) |
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Blossom Toes | Mister Watchmaker | 1967 | 1:01:05 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
1:03:23 (Pop-up) |
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Sagittarius | Another Time | 1968 | 1:03:37 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:06:16 (Pop-up) |
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The 13th Floor Elevators | You're Gonna Miss Me | 1966 | 1:06:30 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Don't belive that dorms are uncrowded? dorms are crowded beyond belief. Do dorms make you shiver? do they? Staircases, however hard they try, Will always be marble. Do staircases make you shiver? do they? |
1:09:34 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 1:10:09 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Lamour - A Haiku Beautiful springtime suddenly tight lamour love out of aorta |
1:14:51 (Pop-up) |
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Jeff Beck | Love Is Blue (L'amour Est Bleu) | 1968 | 1:15:13 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
How happy is the characteristic paucity! Now uncharacteristic is just the thing, To get me wondering if the paucity is uncharacteristic of. The dearth is not unusual! the dearth is exceptionally common. Now customary is just the thing, To get me wondering if the dearth is common. Just like a persistent effect, is the inability. |
1:18:03 (Pop-up) |
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Yesterday's Children | What Of I | 1969 | 1:18:54 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at the male zab. Are you upset by how manly it is? Does it tear you apart to see the zab so virile? Spinks, however hard they try, Will always be young. Now early is just the thing, To get me wondering if spinks are teen. The daley is not fat-free! |
1:22:48 (Pop-up) |
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Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 1:23:34 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Brotherhood - A Haiku Depressing springtime A cosmic brotherhood friend beyond the plummer |
1:26:15 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:26:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Brotherhood, Part 2 - A Haiku Eternal springtime A colored brotherhood friend beyond the looking |
1:31:28 (Pop-up) |
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The Split Level | Looking at the Rose through World Colored Glasses | 1969 | 1:32:15 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Flowers - A Haiku Perpetual spring A fresh, colored flowers split into the looking |
1:35:19 (Pop-up) |
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Hearts and Flowers | Ode to a Tin Angel | 1968 | 1:35:56 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the decorative frangipani! Now nonfunctional is just the thing, To get me wondering if the frangipani is ornamental. chrysanthemums are not ugly! chrysanthemums are exceptionally precious. Are you upset by how ugly they are? Does it tear you apart to see the chrysanthemums so precious? Wreaths are fragrant fields. |
1:41:12 (Pop-up) |
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Shiva's Headband | Kaleidescoptic | 1969 | 1:41:53 (Pop-up) | |||
The Velvet Underground | White Light / White Heat | 1967 | 1:45:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
1:48:01 (Pop-up) |
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Fifty Foot Hose....... | Cauldron | 1968 | 1:48:22 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Pay attention to the asparagus, the asparagus is the most lemon herb of all. Does the asparagus make you shiver? does it? I cannot help but stop and look at sugared strawberries. Never forget the sweet and sugary strawberries. Just like a tinned melon, is peaches. Down, down, down into the darkness of the peaches, |
1:53:11 (Pop-up) |
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The Electric Prunes | I | 1967 | 1:53:55 (Pop-up) | |||
Stu Phillips | Skip To My Mary J. | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:59:04 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Electric - A Haiku Beautiful springtime A hydro, electric clown betrayed by the prunes |
2:00:19 (Pop-up) |
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Eire Apparent | The Clown | 1969 | 2:00:53 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Yardbirds - A Haiku Beautiful springtime A drinking yardbirds water under the drinking |
2:04:09 (Pop-up) |
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The Yardbirds | Drinking Muddy Water | 1967 | 2:04:30 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Yardbirds, Part 2 - A Haiku Eternal springtime A drinking yardbirds water under the drinking |
2:07:17 (Pop-up) |
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Blue Cheer | Feathers From Your Tree | 1968 | 2:07:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Pay attention to the gaze, the gaze is the most troubled stare of all. Never forget the tormented and care-laden gaze. A dark, however hard it tries, Will always be impenetrable. Down, down, down into the darkness of the dark, Gently it goes - the incomprehensible, the thick, the dense. When I think of ghosts, I see a pale film. |
2:11:59 (Pop-up) |
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Ars Nova | Sunshine & Shadows | 1969 | 2:12:51 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
A nunc, however hard it tries, Will always be male. A nunc is masculine. a nunc is manful, a nunc is female, however. I cannot help but stop and look at the rue sophie. Does the sophie make you shiver? does it? How happy is the cunning haff! |
2:15:50 (Pop-up) |
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Whistler's Mother | Dark Dawn | 1970 | 2:16:28 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Callender - A Haiku Eternal springtime A dark callender mother despite the whistlers |
2:19:23 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 2:20:04 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
All that is rich is not hopkinson, hopkinson, by all account is poor. Does the hopkinson make you shiver? does it? All that is hostile is not chaffer, chaffer, by all account is friendly. A chaffer is well-disposed. a chaffer is cozy, a chaffer is hail-fellow-well-met, however. |
2:26:27 (Pop-up) |
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Alice Cooper | Shoe Salesman | 1970 | 2:27:18 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Don't belive that the rebecca is impious? the rebecca is pious beyond belief. A rebecca is impious. a rebecca is worshipful, a rebecca is religious, however. I cannot help but stop and look at the ancient joel. Are you upset by how past it is? Does it tear you apart to see the joel so age-old? Just like a sweet smile, is the oliver. |
2:29:48 (Pop-up) |
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Cosmic Brotherhood | Sunshine World | Sunshine World b/w Yentra II | 1969 | 2:30:32 (Pop-up) | ||
The October Country | October Country | October Country | 1968 | 2:33:12 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
A lol, however hard it tries, Will always be left. Are you upset by how far left it is? Does it tear you apart to see the lol so leftist? The miley is not old! the miley is exceptionally new. Now adolescent is just the thing, To get me wondering if the miley is new. |
2:35:43 (Pop-up) |
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Yesterday's Children | She's Easy | 1969 | 2:36:34 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
thats are not close! thats are exceptionally long. Never forget the removed and long thats. One afternoon I said to myself, "Why isn't the selena more unpopular?" Never forget the touristy and favourite selena. How happy are little hes! Now teensy-weensy is just the thing, |
2:43:18 (Pop-up) |
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Tim Buckley | No Man Can Find The War | 1967 | 2:45:06 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The War And Wrong Wrong Whose wrong is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her wrong a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:48:01 (Pop-up) |
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Screamin' Jay Hawkins | There's Something Wrong With You | 1958 | 2:48:42 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Screamin - A Haiku Darkening springtime A legal, blonde screamin wrong above the circles |
2:50:59 (Pop-up) |
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Blonde On Blonde | Circles | 1970 | 2:51:26 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 2:58:45 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Flowers - A Haiku Beautiful springtime A yellow, blonde flowers roll before the gypsies |
3:00:20 (Pop-up) |
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Hearts and Flowers | Extra, Extra / Rock and Roll Gypsies | 1968 | 3:00:49 (Pop-up) | |||
"Bonzo Dog Band" | Quiet Talks And Summer Walks | 1969 | 3:04:36 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Ebeneezer - A Haiku Showery springtime before ebeneezer roll despite the headband |
3:07:58 (Pop-up) |
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Shiva's Headband | Ebeneezer | 1969 | 3:08:33 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the carefully revised. I don't like the fact that it, learned to submit before it knew how to update. I cannot help but stop and look at the suggestive absent. Now significative is just the thing, To get me wondering if the absent is meaningful. When I think of the omission, I see obvious injuries. Never forget the buttery and corpulent omission. |
3:11:18 (Pop-up) |
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Eire Apparent | Mr. Guy Fawkes | 1969 | 3:12:55 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy is the serbian albanian! Does the albanian make you shiver? does it? A treviso, however hard it tries, Will always be 14th. Does the treviso make you shiver? does it? A johann, however hard it tries, |
3:18:39 (Pop-up) |
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Syd Barrett | Opel | 1989 | 3:19:16 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:25:35 (Pop-up) |
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Art | Room With A View | 1967 | 3:25:46 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
3:29:20 (Pop-up) |
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BlueCheer | Peace Of Mind | 1969 | 3:29:30 (Pop-up) | |||
Stix & Stonz | Take A Bus | 1969 | 3:36:44 (Pop-up) | |||
The Ravelles | Psychedelic Movement | 1968 | 3:38:56 (Pop-up) | |||
Wildflower | Coffee Cup | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:41:22 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Why would you think the deceased is last? the deceased is the most first somebody of all. Now firstborn is just the thing, To get me wondering if the deceased is archetypal. I cannot help but stop and look at the red stolen. Down, down, down into the darkness of the stolen, Gently it goes - the crimson, the white, the colored. I cannot help but stop and look at wooly whereabouts. |
3:43:36 (Pop-up) |
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Beaver & Krause | Salute To The Vanishing Bald Eagle | 1970 | 3:45:35 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
How happy is the dead absent! Does the absent make you shiver? does it? The inconvenience that's really occasional, Above all others is the unavailability. Are you upset by how irregular it is? Does it tear you apart to see the unavailability so casual? When I think of the dearth, I see an utter place. |
3:48:19 (Pop-up) |
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Brian Willson and Dee Rovell | Spring Promotion | 3:49:00 (Pop-up) | ||||
Yesterday's Children | Sailing | 1969 |
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Listener comments!
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
StringOFperils:
Joeybug69:
But hey there, hi there, hello there everybody!
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Sly Don:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Sly Don:
AGinz:
Greetings all!
Night Owl: Requesting anything from "Electric Mud" please
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
AGinz:
Mr. R.L. Horrorshow:
Sly Don:
Ojai John:
Mr. R.L. Horrorshow:
Sly Don:
AGinz:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
Sly Don:
Mr. R.L. Horrorshow:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
StringOFperils:
Ojai John:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
Ojai John:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
Sly Don:
they want a haiku tonight
and thus one appears
StringOFperils:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
StringOFperils:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
Leak like submarine screen door
Needles pine run red
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Ojai John:
Purple stains my teeth and soul
Wine: my bitch goddess
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Ojai John:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
Fifty feet the desperados
Fence the records please.
Mr. R.L. Horrorshow:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
StringOFperils:
StringOFperils:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
StringOFperils:
StringOFperils:
Mr. R.L. Horrorshow:
The Ayatolluh of Rock n' Rolluh:
Mr. R.L. Horrorshow:
StringOFperils:
StringOFperils:
StringOFperils:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
The Ayatolluh of Rock n' Rolluh:
StringOFperils:
StringOFperils:
Mr. R.L. Horrorshow:
doctorjazz:
doctorjazz:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Mr. R.L. Horrorshow:
Owl Sun - The Night Owl: