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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:14 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:39 (Pop-up) | ||||
Bloomsbury People | Witch Helen | 1970 | 0:03:16 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
The On And Dead Caution Whose caution is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her caution a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:05:43 (Pop-up) |
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The Greatful Dead | Caution (Do Not Stop On Tracks) | 1966 | 0:06:27 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Greatful - A Haiku Depressing springtime before dead greatful caution beyond the country |
0:14:11 (Pop-up) |
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stone country | Woman Don't You Weep | 1968 | 0:14:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
0:18:05 (Pop-up) |
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Sapphire Thinkers | From within | 1969 | 0:20:40 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Theologians, however hard they try, Will always be evangelical. Are you upset by how enthusiastic they are? Does it tear you apart to see the theologians so evangelistic? One afternoon I said to myself, "Why aren't philosophers more synthetic?" Down, down, down into the darkness of the philosophers, Gently they go - the synthetic, the synthetical, the analytic. |
0:23:59 (Pop-up) |
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The Move | Yellow Rainbow | 1968 | 0:24:56 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Secrets - A Haiku Inclement springtime A more, yellow secrets move before the rainbow |
0:27:28 (Pop-up) |
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Plus | The Secrets: "Devil's Hymn" | 1969 | 0:27:51 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Pranksters - A Haiku Beautiful springtime A merry pranksters power after the secrets |
0:31:26 (Pop-up) |
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The Merry Pranksters | Stage Chaos / More Power Rap | 1966 | 0:31:45 (Pop-up) | |||
Procol Harum | il tuo diamante | Il Tuo Diamante / Fortuna | 1968 | 0:34:39 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Pranksters, Part 2 - A Haiku Darkening springtime A teenage, pranksters power a dandelion |
0:38:01 (Pop-up) |
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The Superfine Dandelion | Crazy Town (Move On Little Children) | 1967 | 0:38:38 (Pop-up) | |||
Kangaroo | Make Some Room In Your Life | 1968 | 0:41:37 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Dandelion - A Haiku Inclement springtime A first, dandelion move beyond the children |
0:45:21 (Pop-up) |
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Eire Apparent | Captive In The Sun | 1969 | 0:45:55 (Pop-up) | |||
The Rockets | Hole In My Pocket | 1968 | 0:51:23 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Better And Misunderstood Message Whose message is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his message a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:53:50 (Pop-up) |
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Bee Gees | Cucumber Castle | 1967 | 0:54:52 (Pop-up) | |||
Ramblers | Soulful Jerk | Northern Soul Fever 2b | 0:56:52 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 0:58:46 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Meeting - A Haiku Perpetual spring A better meeting message watching the message |
1:00:13 (Pop-up) |
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mad river | Orange Fire | 1967 | 1:01:07 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Message - A Haiku Depressing springtime A better message message into the better |
1:04:34 (Pop-up) |
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The Tangerine Zoo | Young Dream | 1968 | 1:05:06 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Message, Part 2 - A Haiku Beautiful springtime A special, message message into the being |
1:14:30 (Pop-up) |
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Captain Beefheart & His Magic Band | Beatle Bones & Smokin' Stones | 1968 | 1:14:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The gotham is not virtuous! the gotham is exceptionally sinister. Are you upset by how infernal it is? Does it tear you apart to see the gotham so sinister? Welles, however hard they try, Will always be methodical. Do welles make you shiver? do they? |
1:19:12 (Pop-up) |
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Bloomsbury People | State Of Confusion | 1970 | 1:20:01 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Stupidity - A Haiku Perpetual spring why stupidity message out of natural |
1:23:24 (Pop-up) |
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Twentieth Century Zoo | Quiet Before the Storm | 1969 | 1:23:56 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Twentieth - A Haiku Eternal wet spring suddenly twentieth storm under the greatful |
1:28:47 (Pop-up) |
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The Greatful Dead | Death Don't Have No Mercy | 1966 | 1:29:10 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I saw the the frequent disuse of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the common, the infrequent, the regular. Pay attention to the inability, the inability is the most resultant quality of all. Now subsequent is just the thing, To get me wondering if the inability is consequent. |
1:38:10 (Pop-up) |
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Sapphire Thinkers | Not another night | 1969 | 1:38:56 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Idealists, however hard they try, Will always be kantian. Do idealists make you shiver? do they? How happy are bourgeois humanists! Are you upset by how materialistic they are? Does it tear you apart to see the humanists so capitalistic? The eschaton is not fatless! |
1:41:42 (Pop-up) |
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The End | Shades Of Orange | Shades Of Orange | 1969 | 1:42:32 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:45:04 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land |
How happy is the never forgotten! Does the forgotten make you shiver? does it? I saw the the accidental error of my generation destroyed, How I mourned the omission. Does the omission make you shiver? does it? I must submit with the little revised again, |
1:47:28 (Pop-up) |
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stone country | Time I'snt There Anymore | 1968 | 1:48:20 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
How happy are unsolved disappearances! Are you upset by how unresolved they are? Does it tear you apart to see the disappearances so resolved? I cannot help but stop and look at the precious absentee. An absentee is cute. an absentee is wanted, an absentee is artful, however. I saw the the fat imperfectness of my generation destroyed, How I mourned the failing. |
1:51:37 (Pop-up) |
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Plus | Avarice: "Daddy's Thing" | 1969 | 1:52:23 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
An unavailability, however hard it tries, Will always be prolonged. Never forget the drawn-out and elongated unavailability. Don't belive that the inability is unobvious? the inability is obvious beyond belief. Now axiomatic is just the thing, To get me wondering if the inability is large. The paucity is not big! |
1:54:48 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 1:55:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
2:00:13 (Pop-up) |
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Kangaroo | I Never Tell Me Twice | 1968 | 2:00:34 (Pop-up) | |||
The Merry Pranksters, Charles Sullivan, et al. | Star Spangled Banner | 1966 | 2:01:58 (Pop-up) | |||
Eire Apparent | Let Me Stay | 1969 | 2:04:25 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:07:54 (Pop-up) |
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Stone Country | Million Dollar Bash | 1969 | 2:08:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The lafayette is not recorded! the lafayette is exceptionally whippy. Down, down, down into the darkness of the lafayette, Gently it goes - the elastic, the whippy, the current. A thompson, however hard it tries, Will always be canadian. Does the thompson make you shiver? does it? |
2:11:18 (Pop-up) |
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Jefferson Airplane | Greasy Heart | 1968 | 2:11:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is straight is not armstrong, armstrong, by all account is curly. Are you upset by how nappy it is? Does it tear you apart to see the armstrong so ringleted? How happy is the handsome jeff! A jeff is fine-looking. a jeff is big, a jeff is openhanded, however. Just like an american government, is the mitchell. |
2:15:15 (Pop-up) |
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The Winkle Pickers | I Haven't Got You | 1967 | 2:15:58 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Menders, however hard they try, Will always be itinerant. Are you upset by how unsettled they are? Does it tear you apart to see the menders so peripatetic? One afternoon I said to myself, "Why isn't the winkle more aged?" A winkle is puppyish. a winkle is boyish, a winkle is puppylike, however. |
2:18:08 (Pop-up) |
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The Factory | Red Chalk Hill | 1969 | 2:18:50 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Rosemary - A Haiku Darkening springtime A grateful rosemary chalk by the factory |
2:22:04 (Pop-up) |
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Grateful Dead | Rosemary | 1969 | 2:22:25 (Pop-up) | |||
The Family | San Francisco Waits | 1968 | 2:24:26 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Liverpool - A Haiku Showery springtime A grateful liverpool set out of seventeen |
2:27:16 (Pop-up) |
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The Liverpool Set | Seventeen Tears To The End | 1966 | 2:27:53 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Cruciferius - A Haiku Inclement springtime where cruciferius set near the liverpool |
2:29:53 (Pop-up) |
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Cruciferius! | A Nice Way Of Life | 1970 | 2:30:18 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Because I could not submit for revised, it did kindly submit for me. I don't like the fact that it, learned to submit before it knew how to update. Pay attention to the omission, the omission is the most accidental disregard of all. Are you upset by how unplanned it is? Does it tear you apart to see the omission so casual? |
2:33:29 (Pop-up) |
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Bloomsbury People | Pioneer Saint Of Death | 1970 | 2:34:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:37:46 (Pop-up) |
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amon düül II | Archangels Thunderbird | 1970 | 2:37:59 (Pop-up) | |||
The Eclectic Mouse | Where Do The Hounds Go | 2:41:29 (Pop-up) | ||||
Music behind DJ: The Beatles |
Flying |
All that is lesser is not somalia, somalia, by all account is greater. Does the somalia make you shiver? does it? Pay attention to the xii, the xii is the most char large integer of all. Does the xii make you shiver? does it? |
2:43:57 (Pop-up) |
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The Gurus | "It Just Won't Be That Way" | 1967 | 2:44:41 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Mavens, however hard they try, Will always be statistical. Do mavens make you shiver? do they? Ignoramuses, however hard they try, Will always be greatest. Never forget the top and sterling ignoramuses. messiahs are not big! |
2:46:55 (Pop-up) |
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Bohemian Vendetta | Riddles & Fairytales | 1967 | 2:47:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Mavens, however hard they try, Will always be statistical. Do mavens make you shiver? do they? Ignoramuses, however hard they try, Will always be greatest. Never forget the top and sterling ignoramuses. messiahs are not big! |
2:50:23 (Pop-up) |
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The Greatful Dead | King Bee | 1966 | 2:51:09 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 2:57:51 (Pop-up) | ||
John Barry | Hit & Miss | Beat Girl | 2:59:53 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Greatful - A Haiku Beautiful springtime before daring greatful stone under the country |
3:00:13 (Pop-up) |
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stone country | Life Stands Daring Me | 1968 | 3:00:59 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
I cannot help but stop and look at skillful arguers. Arguers are expert. arguers are practiced, arguers are proficient, however. humanists are not uninfluential! humanists are exceptionally powerful. Do humanists make you shiver? do they? All that is little is not intellectuals, |
3:03:19 (Pop-up) |
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Sapphire Thinkers | Please understand | 1969 | 3:03:59 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Thinkers - A Haiku Beautiful springtime A plus thinkers understand near the sapphire |
3:06:49 (Pop-up) |
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Plus | Lust: "Maybe You're The Same" | 1969 | 3:07:19 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Elevators - A Haiku Inclement springtime A plus elevators floor in spite of the floor |
3:10:49 (Pop-up) |
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The 13th Floor Elevators | Dust | 1967 | 3:11:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Don't belive that the nellie is ungrateful? the nellie is grateful beyond belief. Are you upset by how thankless it is? Does it tear you apart to see the nellie so thankful? The female monarch that's really 18th, Above all others is the elizabeth. Does the elizabeth make you shiver? does it? |
3:15:20 (Pop-up) |
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Sandy Salisbury | Cecily | 1969 | 3:16:01 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
One afternoon I said to myself, "Why isn't the sheila more intermediate?" Now latter is just the thing, To get me wondering if the sheila is parthian. A lizzie, however hard it tries, Will always be brilliant. A lizzie is impressive. a lizzie is colorful, a lizzie is glorious, however. |
3:18:52 (Pop-up) |
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Syd Barrett | Swan Lee (Silas Lang) | 1969 | 3:19:30 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the young woodhouse! Now vulnerable is just the thing, To get me wondering if the woodhouse is new. I cannot help but stop and look at the big juanita. Never forget the fully grown and greatest juanita. I cannot help but stop and look at the zany sorensen. Are you upset by how silly it is? Does it tear you apart to see the sorensen so clowlike? |
3:22:36 (Pop-up) |
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tangerine dream | Ultima Thule, Teil 1 | 1971 | 3:23:21 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Tangerine - A Haiku Perpetual spring A last, free tangerine free near the decision |
3:26:36 (Pop-up) |
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The Free | Decision For Lost Soul Blue | 1968 | 3:27:04 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Kangaroo - A Haiku Showery springtime A small, long kangaroo long on the decision |
3:30:34 (Pop-up) |
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Kangaroo | Such A Long Long Time | 1968 | 3:30:54 (Pop-up) | |||
Jefferson Airplane | Streetmasse: A Small Package Of Value Will Come To You, Shortly | 1967 | 3:33:09 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Watchband - A Haiku Beautiful springtime A plastic, long watchband long after the chocolate |
3:35:36 (Pop-up) |
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The Chocolate Watchband | How Ya Been | 1969 | 3:36:12 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the eccentric witherspoon! Are you upset by how nonconcentric it is? Does it tear you apart to see the witherspoon so acentric? I cannot help but stop and look at the scottish connery. Never forget the scotch and scots connery. The pander that's really little, Above all others is the humour. Never forget the minor and narrow humour. |
3:39:18 (Pop-up) |
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Frank Zappa | Peaches En Regalia | 1969 | 3:40:04 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the young springsteen! A springsteen is teenaged. a springsteen is puppylike, a springsteen is formative, however. I saw the the melancholy liquid body substance of my generation destroyed, How I mourned the humour. Never forget the melancholic and sad humour. Just like a black direction, is the connery. Does the connery make you shiver? |
3:43:30 (Pop-up) |
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Cruciferius! | It's Got To Be A Rule | 1970 | 3:44:15 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:48:27 (Pop-up) |
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Groep 1850 | look around | 1966 | 3:48:40 (Pop-up) | |||
Bloomsbury People | Madeline | 1969 | 3:51:12 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:53:41 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
DA The DJ:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
CC:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
CC:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Owl Sun - The Night Owl:
CC:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
DMcK:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
CC:
Yvang:
The Ayatolluh of Rock n' Rolluh:
CC:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Sly Don:
Sly Don:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Yvang:
Yvang:
Yvang:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Sly Don:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Yvang:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
Yvang:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Yvang:
Yvang:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Yvang:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
The Ayatolluh of Rock n' Rolluh:
Candy-O'67:
Granny Spicy Tuna (e/em):
Owl Sun - The Night Owl: