Serious Moonlight Sonatas with Carol:
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from May 10, 2020
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An odyssey of the ears powered by the moon, the stars, & a pixie dusting of ecstatic electricity...
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May 10, 2020: Cool Moon Luke or Synthesized Moon In The Morning with Florian
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| Artist | Track | Album | Label | Year | Comments | New | Approx. start time | |||
|---|---|---|---|---|---|---|---|---|---|---|
| Source Vibrations |
Galactic Heart - 528 Hz
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Solfeggio Harmonics Vol. 2 | Source Vibrations | 2015 | Known as the “love” frequency, the 528 Hz frequency is the most significant of the ancient Solfeggio Frequencies. It has a deep-rooted relationship with nature, and is present in everything from Chlorophyll to human DNA. It also supposedly has mathematical significance and proven healing potential. Dr. Leonard Horowitz notes that 528 Hz is central to everything in the universe and the “musical, mathematical matrix of creation”, including the air we breathe, the water we drink, the grass beneath our feet, and the sun’s rays on our face. Its vibrations connect and resonate with everything within us and around us, on both a material and spiritual level. / When Dr. Joseph Puleo researched the Latin meanings of the ancient “Mi” tone, 528 Hz, he found it described as: an extraordinary occurrence that surpasses all known human powers or natural forces and is ascribed to a divine or supernatural cause, esp. to God; & a superb or surpassing example of something; wonder, marvel. Perhaps that’s why the priests and healers of the most advanced civilizations of the ancient world were known to use 528 Hz to heal, to bless, and to manifest miracles. / One of the most famous songs composed in 528 Hz is John Lennon's "Imagine" | 0:00:00 (Pop-up) | ||||
| r beny |
Round Glass And Concrete Prism
|
Natural Fiction | r beny | 2020 | AKA Austin Cairns (synthesizers, samplers, tape machines,& voice) / Recorded and mixed December 2019-March 2020 in Northern California | * | 0:10:18 (Pop-up) | |||
| Early Fern |
Seratonin Cascade
|
Music For Baths - Volume 1 | Small Measures | 2020 | Music for Baths Vol. I is the debut album from former Georgia resident Early Fern, and the inaugural release from new Métron Records project/sub-label small méasures - which aims to donate funds to organizations and causes of the artists choosing. / "Early wanted to use the profits from this release to support an organization close to their heart. Seeding Sovereignty is an indigenous womxn led collective which seeks to dismantle colonial structures and policies in politics, agriculture, and justice. These songs were recorded on colonized land, and by donating to them Early seeks to undo some of the harm of colonial structures and, in a small way, offset some of the privilege from which they benefit in a colonized nation (seedingsovereignty.org)." (bandcamp) | * | 0:15:23 (Pop-up) | |||
| Wanderwelle |
Decay
|
A State Of Decrepitude | A Strangely Isolated Place | 2020 | Amsterdam-based duo Phil van Dulm & Alexander Bartels / 4th full-length album | * | 0:18:25 (Pop-up) | |||
| David Behrman, Paul DeMarinis, Fern Friedman, Terri Hanlon, Anne Klingensmith |
Archetypal Unitized Seminar
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She's More Wild... | Black Truffle | 2020 | this version was recorded live at The Kitchen, 1980 / David Behrman (electronics, viola); Fern Friedman (keyboards [Inflatable Keyboard]; Terri Hanlon (lyrics [English Lyrics], cymbal [Asian Indian Cymbals]; Anne Klingensmith (vocals) / Album recorded at the Center for Contemporary Music, Mills College | * | 0:22:36 (Pop-up) | |||
| Seth Coburn |
Not A Rainstick
|
Acoustiphobia Volume 1 (V/A) | Sublingual | 2001 | "Acoustiphobia v. 1" album is a 2-CD collection with the 2nd CD containing pieces from the students of the Sonic Arts Program at the School of the Museum of Fine Arts in Boston (The 1st CD contains 4 works by Christian Marclay, Elliott Sharp & Ikue Mori recorded live at the School of the Museum of Fine Arts, Boston, Jan. 31, 2000) | 0:29:48 (Pop-up) | ||||
| Ruth Anderson |
I Come Out Of Your Sleep / The Pregnant Dream
|
Here | Arc Light Editions | 2020 | "I Come Out Of Your Sleep" was originally composed in 1979 & revised in 1997 / "The Pregnant Dream" was composed in 1968 / Anderson was a composer, conductor, and flutist. After studying music at the University of Washington in Seattle, Anderson became the founder & director of Hunter College's Electronic Music Studio from 1968-1979. She studied composition with Nadia Boulanger, worked as an orchestrator for NBC and began composing for tape as early as 1958. Anderson was the partner of Annea Lockwood. | * | 0:30:17 (Pop-up) | |||
| David Matorin |
Clock Phase
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Acoustiphobia Volume 1 (V/A) | Sublingual | 2001 | 0:52:43 (Pop-up) | |||||
| David Weber |
Suitcase: Playback Unit 3
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Acoustiphobia Volume 1 (V/A) | Sublingual | 2001 | 0:54:32 (Pop-up) | |||||
| Stefan Weglowski |
A4
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What Is Hidden | Stefan Weglowski | 2020 | album was created as a part of exhibition "What is Hidden" by Bartek "Arobal" Kociemba which was a part of the program of the Biennale Industrii implemented by Silesian Museum in Katowice, Poland / composer from Warsaw | * | 1:05:42 (Pop-up) | |||
| Leighton Craig |
Self-Portrait Underwater
|
11 Easy Pieces | Room40 | 2008 | debut album / Leighton Craig (keyboards [Casio Mt40, Casio Vl-tone, Casio Cps-80, Yamaha Portasound Pss-270], turntables, synthesizer [Yamaha Cs01]) / "Make a sound by rubbing two memories together. Make a sound by pulling two memories apart." - Nathan Shepherdson | 1:14:27 (Pop-up) | ||||
| Samuel Goff |
Pikeville
|
Transmissions | Cacophonus Revival | 2020 | debut solo album & debut release of new imprint Cacophonous Revival Recordings who is releasing this in conjunction with Pennsylvania’s experimental label Orb Tapes / Goff is the co founder and drummer of Among The Rocks And Roots active in the Richmond, VA. area since February 2014. He is also co founder, percussionist and producer of RAIC (Richmond Avant Improv Collective) | * | 1:16:19 (Pop-up) | |||
| Jonny Nash & Suzanne Kraft / George Kennedy, Paul Newman, Jo Van Fleet, Strother Martin |
Breath Chant (Extended Mix) / Nobody Ever Eat 50 Eggs / You Was Born The Hell Out Of All Of Us / What We've Got Here Is A Failure To Communicate / Let Me Know It!
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Breath Chant / Cool Hand Luke | Melody As Truth | 2020 | Amsterdam-based duo Jonny Nash & Suzanne Kraft have released a track for all of us stuck at home. "Breath Chant," recorded in 2019, has since provided Nash & Herrara with "private moments of peace," so they put it out for free early into the quarantine. The tone of the track isn't happy or sad. Rather, it's a soundtrack for acceptance, and the peace that comes with the understanding that whatever will be, will be. (Resident Advisor) | * | 1:23:55 (Pop-up) | |||
| Tim Buckley |
Once I Was
|
Goodbye and Hello | Elektra | 1967 | 2nd album / Buckley was born in Washington, D.C. to Elaine (née Scalia), an Italian American, and Timothy Charles Buckley Jr., a decorated WWII veteran & son of Irish immigrants from Cork. He spent his early childhood in Amsterdam, New York. At 5 years old, Buckley began listening to his mother's progressive jazz recordings, particularly Miles Davis. Buckley's musical life began after his family moved to Bell Gardens in southern California in 1956. His grandmother introduced him to the work of Bessie Smith & Billie Holiday, his mother to Frank Sinatra & Judy Garland and his father to the country music of Hank Williams & Johnny Cash. When the folk music revolution came around in the early 1960s, Buckley taught himself the banjo at age 13 | 1:53:44 (Pop-up) | ||||
| Iggy Pop / Kraftwerk |
Asparagus Hunting
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no album | Iggy Pop | The lyrics of Kraftwerk's "Trans-Europe Express" reference the album "Station to Station" and meeting with musicians Iggy Pop & David Bowie. Hütter and Schneider had previously met up with Bowie in Germany and were flattered with the attention they received from him. Ralf Hütter was interested in Bowie's work as he had been working with Iggy Pop, lead singer of the Stooges; one of Hütter's favorite groups. | 2:00:38 (Pop-up) | |||||
| Kraftwerk |
Radioactivity (Live)
|
Live Show | Kraftwerk | 2011 | Thank you, Florian Schneider / Morse Code: .-. .- -.. .. --- .- -.-. - .. ...- .. - -..-- Radioactivity .. ... / .. -. / - .... . / .- .. .-. / ..-. --- .-. / -.-- --- ..- / .- -. -.. / -- . Is in the air for you and me .-. .- -.. .. --- .- -.-. - .. ...- .. - -..-- Radioactivity -.. .. ... -.-. --- ...- . .-. . -.. / -... -.-- / -- .- -.. .- -- . / -.-. ..- .-. .. . discovered by Madame Curie .-. .- -.. .. --- .- -.-. - .. ...- .. - -..-- Radioactivity - ..- -. . / .. -. / - --- / - .... . / .-.-.- .-.-.- .-.-.- -.- .-. .- ..-. - .-- . .-. -.- [Note: Kraftwerk in Morse Code is -.- .-. .- ..-. - .-- . .-. -.-] | 2:01:30 (Pop-up) | ||||
| Florian Schneider & Esleben |
A-100 To The Future
|
no album | no label | German: 'Analogsynthese mit System klanglich, optisch angenehm technisch, logisch, funktionell prototypisch und speziell modular und variabel leicht, kompakt und transportabel Für ein Musikabenteuer A-100, nicht zu teuer Midi-Kontrolle vom Computer A-100 to the Future! English: Systematical analogue synthesis nice in sound and looks technical, logical, functional prototypical and specialised modular and variable light, compact and transportable For a musical adventure A-100, not expensive Midi-controlled by the computer A-100 to the future! | 2:09:17 (Pop-up) | |||||
| Steve Martin |
King Tut
|
Live on SNL - May 22, 1978 | Steve Martin | 1978 | Martin was born in Waco, Texas / While he has played banjo since an early age, and included music in his comedy routines from the beginning of his professional career, Martin has increasingly dedicated his career to music since the 2000s, spending much of his professional life playing banjo, recording, and touring with various bluegrass acts, including Earl Scruggs. He released his 1st solo music album, "The Crow: New Songs for the 5-String Banjo," in 2009 | 2:14:43 (Pop-up) | ||||
| Ghost |
Guru In The Echo
|
Temple Stone | Drag City | 1994 | track recorded live at Waseda Salvation Church, 1993 / 3rd album / Junichi Yamamoto (bass, flute, percussion); Taishi Takizawa (cello, flute, saxophone, percussion); Masaki Batoh (guitar, hurdy gurdy, vocals); Kazuo Ogino (piano, organ, recorder, horn, harp) | 2:17:45 (Pop-up) | ||||
| Josh Winer |
Windowseat
|
Acoustiphobia Volume 1 (V/A) | Sublingual | 2001 | 2:21:42 (Pop-up) | |||||
| Echo & The Bunnymen |
Silver
|
Ocean Rain | Sire | 1984 | 4th album from UK group: Les Pattinson (bass); Pete De Freitas (drums); Will Sergeant (lead guitar); & Ian McCulloch (vocals) w/ Adam Peters on piano & cello | 2:22:25 (Pop-up) | ||||
| Devo |
Whip It
|
Freedom Of Choice | Warner | 1980 | track co-written Gerald Casale & Mark Mothersbaugh / 3rd full-length album by Gerald Casale (bass), Mark Mothersbaugh (vocals; keyboards), Bob Casale (keyboards; guitar), and Bob Mothersbaugh (guitar) / "Whip It" was recorded using API mixing consoles, 3M tape machines, and Minimoog & Prophet-5 synthesizers. Throughout the song, there are whip-cracking noises that were recorded using an Electrocomp 500 synthesizer and Neumann KM 84 and U 87 microphones / Casale wrote the lyrics, which were intended to satirize American optimism & took inspiration from Communist propaganda posters and "Gravity's Rainbow" by Thomas Pynchon, a 1973 novel that contains satirical limericks about capitalist can-do clichés. Casale incorporated lyrics that would sound like motivational clichés if taken out of context. Mothersbaugh offered a different interpretation of the lyrics, saying they were written in the form of a subtle pep talk for US President Jimmy Carter during the 1980 presidential election. The members of Devo supported Carter and feared the Republican candidate Ronald Reagan would win the election. Mothersbaugh jokingly once said in an interview: "Come on Jimmy, get your shit together." | 2:25:38 (Pop-up) | ||||
| Talk Talk |
Life's What You Make It
|
The Colour Of Spring | EMI | 1986 | Thank you, David, for the request! / 3rd album / Paul Webb (backing vocals); Lee Harris (drums); David Rhodes (guitar); Tim Friese-Greene (organ, mellotron); Martin Ditcham (percussion); Mark Hollis (vocals, piano) | 2:28:12 (Pop-up) | ||||
| Maria Teriaeva |
Paris Texas
|
Conservatory Of Flowers | Hidden Harmony Recordings | 2020 | 2nd album by this Siberian-born, Moscow-based musician & composer / Maria Teriaeva (on modular synthesizers, guitar) w/ Саша Елина (on bass flute) | * | 2:32:35 (Pop-up) | |||
| Kasumi Watanabe(?) |
Sakura
|
no album | no label | performed on 25-stringed koto | 2:35:57 (Pop-up) | |||||
| Andrey Vinogradov |
Reverse Dance
|
Distant Calls: Music For the Hurdy Gurdy | Andrey Vinogradov | 2020 | Vinigradov was born in Ekaterinburg (Northern Ural) / Vinogradov plays modern hurdy-gurdy (viola) crafted by Wolfgang Weichselbaumer, Vienna / According to the "Oxford English Dictionary," the mid 18th century origin of the term hurdy-gurdy is onomatopoeic in origin, after the repetitive warble in pitch that characterizes instruments with solid wooden wheels that have warped due to changes in humidity or after the sound of the buzzing-bridge. Alternately, the term is thought to come from the Scottish and northern English term for uproar or disorder, hirdy-girdy; or from hurly-burly, an old English term for noise or commotion. The instrument is sometimes more descriptively called a wheel fiddle in English, but this term is rarely used among players of the instrument. Another possible derivation is from the Hungarian "hegedűs" (Slovenian variant "hrgadus") meaning a fiddle. | * | 2:40:08 (Pop-up) | |||
| Plone |
Build A Small Fire
|
Puzzlewood | Ghost Box | 2020 | 3rd (or 2nd?) album from Billy Bainbridge & Mike Johnston | * | 2:43:39 (Pop-up) | |||
| Lewis Black |
It's A Fact!!
|
no album | Lewis Black | 2010 | 2:51:08 (Pop-up) | |||||
| Lewis Black |
Milk
|
no album | Lewis Black | 2:57:01 (Pop-up) | ||||||
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Listener comments!
Pablexa™:
CarolCrow:
CarolCrow:
Nulsh:
Hey Carol! How are ya'?
Mornin' Ruth!
Pabs!!!
CarolCrow:
Pablexa™:
And yeah I shoulda said Hi to Ruth too!
Ruth Booth:
12539:
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Baja Joe:
CarolCrow:
David in London:
Nulsh:
CarolCrow:
CarolCrow:
CarolCrow:
Nulsh:
CarolCrow:
CarolCrow:
Sem:
we stand and marvel
sleeping our noons away.
--Matsunaga Teitoku
Good morning, Ms. Crow, Ruth, moonlit ones everywhere.
CarolCrow:
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Sylvia (France-NYC):
craplivion:
CarolCrow:
David in London:
CarolCrow:
Sem:
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Stanley:
So glad I'm here and you're there.
CarolCrow:
Nulsh:
Tried to catch you on the accu earlier this week, did you see this?
bleedingcool.com...
CarolCrow:
David in London:
Sem:
upstate sean:
CarolCrow:
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CarolCrow:
CarolCrow:
Stanley:
Stanley:
Dave in Vermont:
LiXiviated Life:
Happy Mother’s Day
CarolCrow:
Stanley:
Ignatatus666:
Take me home Carol.....
CarolCrow:
Dave in Vermont:
CarolCrow:
Pascal Lis-boner:
CarolCrow:
David in London:
CarolCrow:
Nulsh:
Stanley:
CarolCrow:
CarolCrow:
Stanley:
Elaine:
Now back to the music (thank you Carol!)
CarolCrow:
Pascal Lis-boner:
Ignatatus666:
Decompression chamber with my Pooch
Earbuds in
Pascal Lis-boner:
https://soundcloud.com/openai_audio
Lyrics are killer also https://openai.com/blog/jukebox/
Pascal Lis-boner:
Wait... Thanks for sharing, Elaine!
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?:
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dale:
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I was Dave Bowman:
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I was Dave Bowman:
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CarolCrow:
David in London:
Peter from Dover NJ:
CarolCrow:
Phillippe Bastille:
dale:
Nulsh:
dale:
I was Dave Bowman:
David in London:
Nulsh:
Ah the scene where Luke says goodbye to his mum (Arletta) is brilliant.
I've watched that movie more times than is healthy!
hui:
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Nulsh:
CarolCrow:
CarolCrow:
I was Dave Bowman:
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CarolCrow:
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CarolCrow:
David in London:
Buddha of Suburbia:
Toothgrinder Tom:
CarolCrow:
David in London:
Nulsh:
Where Luke's prison number 37 comes from apparently.
Dave Conehead:
CarolCrow:
Nulsh:
She set up a Cake business in the US 'Aunt Joy's Cakes' is that still a thing?
CarolCrow:
yui:
CarolCrow:
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CarolCrow:
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TDK60:
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Toothgrinder Tom:
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Hey Biran!
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testingwithfire (she / they):
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CarolCrow:
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CarolCrow:
Stanley:
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CarolCrow:
testingwithfire (she / they):
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An iconic venue.
12539:
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Bye amigos!
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Stay safe.
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I was Dave Bowman:
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Thanks Carol and stay safe everyone.
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