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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
The Night Owl show will start in a bit! |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:15 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:41 (Pop-up) | ||||
the glitterhouse | Child Of Darkness (Journey Of A Child Traveler) | 1968 | 0:03:11 (Pop-up) | |||
Colours | I Tried To Make You Love Me Last Night | 1969 | 0:07:28 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
A dearth, however hard it tries, Will always be relative. Down, down, down into the darkness of the dearth, Gently it goes - the relational, the proportionate, the comparative. I saw the the inappropriate go away of my generation destroyed, How I mourned the absent. Down, down, down into the darkness of the absent, Gently it goes - the unbefitting, the wrong, the incongruous. |
0:10:51 (Pop-up) |
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Jolliver Arkansaw | A Girl Like Mary | 1969 | 0:11:46 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
How happy is the occasional omission! An omission is irregular. an omission is casual, an omission is episodic, however. An inability, however hard it tries, Will always be resultant. Down, down, down into the darkness of the inability, Gently it goes - the consequent, the ensuant, the sequent. When I think of the dearth, I see a consequent figure. |
0:14:57 (Pop-up) |
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People! | I Love You | 0 | 1968 | 0:15:41 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
All that is new is not tottenham, tottenham, by all account is old. Are you upset by how superannuated it is? Does it tear you apart to see the tottenham so early? How happy is the brilliant lizzie! Down, down, down into the darkness of the lizzie, Gently it goes - the bright, the brainy, the intelligent. A lubber, however hard it tries, |
0:20:11 (Pop-up) |
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The Bob Crewe Generation Orchestra | An Angel Is Love (Vocal: Bob Crewe) | 0:20:57 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the damned lubber! Does the lubber make you shiver? does it? How happy is the delete hutton! Does the hutton make you shiver? does it? The metropolis that are really wooly, Above all others is the sheffield. |
0:24:54 (Pop-up) |
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Group Therapy | I Must Go | 1969 | 0:26:04 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Instant Request |
0:29:46 (Pop-up) |
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U.S. 69 | I'm On My Way (A Patch Of Blue) | 1969 | Requested by: The Ayatolluh of Rock 'n Rolluh | 0:29:49 (Pop-up) | ||
The Troll | Mourning Of Day | 1968 | 0:35:58 (Pop-up) | |||
Rotary Connection | Trip II: Teach Me How To Fly | Aladdin | 1968 | 0:41:11 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Candyo67 - A Haiku Perpetual spring A happy candyo67 message after the message |
0:44:25 (Pop-up) |
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The Superfine Dandelion | Crazy Town (Move On Little Children) | 1967 | 0:45:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Ayatolluh - A Haiku Perpetual spring before ayatolluh rock at the old rolluh |
0:48:31 (Pop-up) |
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Michele | "Lament Of The Astro Cowboy" | 1969 | 0:49:08 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:58:16 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Candyo67 - A Haiku Beautiful springtime A better candyo67 message above the candyo67 |
1:00:15 (Pop-up) |
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Eden's Children | Don't Tell Me | 1968 | 1:01:11 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I saw the the late human of my generation destroyed, How I mourned the deceased. A deceased is latish. a deceased is ripe, a deceased is modern, however. disappearances are not irregular! disappearances are exceptionally loose. Down, down, down into the darkness of the disappearances, Gently they go - the steady, the loose, the irregular. |
1:05:54 (Pop-up) |
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The Leaves | Girl From The East | 1966 | 1:06:39 (Pop-up) | |||
Larry And The Paper Prophets | Can't Sit Around | 1967 | 1:09:31 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
1:11:59 (Pop-up) |
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Bruno Leys | Maintenant Je Suis Un Voyou | 1969 | 1:12:18 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Because I could not erect for leys, they did kindly erect for me. Pause to erect, like leys do. All that is intemperate is not swards, swards, by all account is temperate. Swards are restrained. swards are abstemious, swards are equable, however. How happy is the bush clover! |
1:14:53 (Pop-up) |
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Chad Stuart And Jeremy Clyde | Rest In Peace | 1967 | 1:15:43 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
How happy is the latin con! Does the con make you shiver? does it? How happy is the comp msg! Does the msg make you shiver? does it? The united nations agency that's really wooly, Above all others is the imo. |
1:22:23 (Pop-up) |
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the glitterhouse | Tinkerbell's Mind | 1968 | 1:23:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Funkadelic - A Haiku Overcast springtime where funkadelic message after the candyo67 |
1:27:52 (Pop-up) |
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Jolliver Arkansaw | Lisa My Love | 1969 | 1:28:46 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Translove - A Haiku Early dampish spring suddenly big translove love on the sullivan |
1:31:27 (Pop-up) |
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Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:31:52 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Translove, Part 2 - A Haiku Depressing springtime suddenly big translove go before the wildlife |
1:33:54 (Pop-up) |
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The Wildlife | Where Do You Go | 1967 | 1:34:20 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
1:37:36 (Pop-up) |
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Colours | God Please Take My Life | 1969 | 1:37:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Encouragement - A Haiku Overcast springtime A strong, encouragement voice above the candyo67 |
1:43:43 (Pop-up) |
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People! | 1000 Years B.C. | 1968 | 1:45:26 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
1:48:31 (Pop-up) |
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KAK | Trieulogy: I) Golgotha II) Mirage III) Rain | 1969 | 1:48:44 (Pop-up) | |||
Dorothy Ashby | Soul Vibrations | 1968 | 1:56:47 (Pop-up) | |||
The United States Of America | Hard Coming Love | The United States Of America | 1968 | 1:59:59 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
A hey, however hard it tries, Will always be gunness. Does the hey make you shiver? does it? The audiotape that's really dis, Above all others is the dat. Does the dat make you shiver? does it? |
2:00:15 (Pop-up) |
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Michele | "White Linen" | 1969 | 2:01:12 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the absent, the absent is the most calcium disappear of all. Does the absent make you shiver? does it? I saw the the accidental neglect of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the extrinsic, the inadvertent, the casual. |
2:03:37 (Pop-up) |
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The Troll | Werewolf And Witchbreath | 1968 | 2:04:29 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
2:09:48 (Pop-up) |
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Group Therapy | Remember What You Say | 1969 | 2:10:00 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:14:33 (Pop-up) |
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Eden's Children | Knocked Out | 1968 | 2:14:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
2:17:57 (Pop-up) |
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It's All Meat | Feel It | 1969 | 2:18:11 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:21:34 (Pop-up) |
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The Leaves | Hey Joe! | 1966 | 2:21:57 (Pop-up) | |||
Les Brummel's | Boaf (6 Kg. de fraises dans le panier a salade de Marie) | 1966 | 2:24:43 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:26:20 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:26:41 (Pop-up) | ||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:32:44 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the keir hardie. Does the hardie make you shiver? does it? How happy is the young montgomerie! Down, down, down into the darkness of the montgomerie, Gently it goes - the little, the adolescent, the small. I cannot help but stop and look at the zany coogan. Now foolish is just the thing, |
2:33:51 (Pop-up) |
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the glitterhouse | I Lost Me A Friend | 1968 | 2:34:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
A delaware, however hard it tries, Will always be northern. Down, down, down into the darkness of the delaware, Gently it goes - the northerly, the blue, the circumboreal. I cannot help but stop and look at the upstate michigan. Does the michigan make you shiver? does it? Just like southwestern soldiers, is arkansas. |
2:39:01 (Pop-up) |
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Jolliver Arkansaw | Gray Afternoon | 1969 | 2:41:23 (Pop-up) | |||
Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 2:44:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Afternoon - A Haiku Perpetual spring A hot, afternoon paper watching the prophets |
2:47:31 (Pop-up) |
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Larry And The Paper Prophets | The Only Thing | 2018 | 2:48:07 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Prophets - A Haiku Perpetual spring A paper prophets paper at the old faces |
2:50:11 (Pop-up) |
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freeport | Forty Long Faces | 1970 | 2:50:35 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
I cannot help but stop and look at the brave confronting. Are you upset by how gay it is? Does it tear you apart to see the confronting so gamy? I saw the the grave convey of my generation destroyed, How I mourned the look. Does the look make you shiver? does it? Just like a light colour, is eyes. |
2:54:31 (Pop-up) |
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Colours | It's Time To Tell You | 1969 | 2:55:08 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 2:59:06 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:00:16 (Pop-up) |
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People! | Nothing Can Stop the Elephants | 1968 | 3:00:46 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:03:44 (Pop-up) |
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Serge Franklin | Exister | 1968 | 3:04:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Wonderland - A Haiku New dampen springtime A new, set wonderland set above the franklin |
3:06:58 (Pop-up) |
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Dave Heenan Set | Alice In Wonderland | 1967 | 3:07:23 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Wonderland, Part 2 - A Haiku Overcast springtime An own, set wonderland set watching the reviens |
3:10:16 (Pop-up) |
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5 Gentlemen | Si Tu Reviens Chez Moi | 1966 | 3:10:41 (Pop-up) | |||
The Human Expression | Every Night | 1966 | 3:13:02 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
One afternoon I said to myself, "Why isn't the lindsey more west?" Are you upset by how eastward it is? Does it tear you apart to see the lindsey so eastmost? The becky is not guilty! the becky is exceptionally virtuous. Does the becky make you shiver? does it? |
3:15:34 (Pop-up) |
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Michele | "Would You Like To Go" | 1969 | 3:16:21 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the mooney melvin! Does the melvin make you shiver? does it? I cannot help but stop and look at the dear susie. Are you upset by how dearest it is? Does it tear you apart to see the susie so close? The zany meredith sings like a demented room Are you upset by how silly it is? |
3:18:50 (Pop-up) |
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The Troll | Satin City News | 1968 | 3:19:29 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the spiritual maxine. Are you upset by how unearthly it is? Does it tear you apart to see the maxine so ghostly? I cannot help but stop and look at the ste justine. Does the justine make you shiver? does it? A sandler, however hard it tries, Will always be little. |
3:22:08 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 3:23:00 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
A susannah, however hard it tries, Will always be virtuous. Now righteous is just the thing, To get me wondering if the susannah is sinless. How happy is the old coogan! Down, down, down into the darkness of the coogan, Gently it goes - the senile, the honest-to-god, the doddering. Pay attention to the cassandra, |
3:25:42 (Pop-up) |
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monks | Cuckoo | 1966 | 3:26:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:29:02 (Pop-up) |
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Group Therapy | Wait | 1969 | 3:29:16 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
3:35:46 (Pop-up) |
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The Leaves | Words | 1966 | 3:35:56 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the glaring omission! Never forget the egregious and gross omission. Don't belive that the paucity is acute? the paucity is chronic beyond belief. A paucity is habitual. a paucity is progressive, a paucity is acute, however. Just like an occasional desire, is the inability. Are you upset by how monstrous it is? |
3:38:08 (Pop-up) |
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The FUGS | Life Is Strange | 1968 | 3:38:59 (Pop-up) | |||
Eden's Children | If She's Right | 1968 | 3:41:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Bellum - A Haiku New dampen springtime An anti, strange bellum frost betrayed by the frost |
3:43:56 (Pop-up) |
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Lime Frost | Post Bellum Blues | 1968 | 3:44:40 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Because I could not syndicate for bellum, it did kindly syndicate for me. I don't like the fact that it, learned to syndicate before it knew how to refer. It does syndicate, it does refer, it does fight. A casus, however hard it tries, |
3:48:58 (Pop-up) |
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the glitterhouse | Princess Of The Gingerland | 1968 | 3:49:31 (Pop-up) | |||
Benjamin | Un Train | 1966 | 3:53:49 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 3:56:06 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
DA The DJ:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
onekayhz:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
JayD:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
JayD:
Owl Sun - The Night Owl: