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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Sarting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:17 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:43 (Pop-up) | ||||
The Leaves | Girl From The East | 1966 | 0:03:10 (Pop-up) | |||
Mother's Worry | Hard Blade Of Grass | 1968 | 0:06:01 (Pop-up) | |||
The New York Rock & Roll Ensemble | Began To Burn | 1968 | 0:08:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Bandits - A Haiku Depressing summer A masked, precious bandits bean enjoying the dreams |
0:11:34 (Pop-up) |
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The Jelly Bean Bandits | Poor Precious Dreams | 1967 | 0:12:08 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:14:07 (Pop-up) |
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The Oxford Circle | Mind Destruction | 1997 | 0:14:25 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Ayatollah - A Haiku Indian summer A grand, good ayatollah under the evening |
0:19:36 (Pop-up) |
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The Tiffany Shade | Sam | 1968 | 0:20:10 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
0:25:19 (Pop-up) |
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People | Hey Sweetheart | 1969 | 0:25:28 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Instant Request |
0:29:06 (Pop-up) |
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The Birdwatchers | Mary, Mary (It's To You That I Belong) | 1967 | Requested by: a text from New Jersey | 0:29:09 (Pop-up) | ||
Procol Harum | In The Wee Small Hours Of Sixpence * | The Best Of Procol Harum | 1968 | 0:31:41 (Pop-up) | ||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:34:37 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
Pay attention to the void, the void is the most mere change of all. Are you upset by how simple it is? Does it tear you apart to see the void so bare? The paucity is not imitative! the paucity is exceptionally veritable. Does the paucity make you shiver? does it? |
0:37:12 (Pop-up) |
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Eden's Children | Echoes | 1968 | 0:38:36 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Instant Request |
0:41:53 (Pop-up) |
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Bob Seger and the Last Heard | Heavy Music (Part 2) | 1967 | For: Candy-O'67 | 0:41:57 (Pop-up) | ||
Erik | Be Off Man | 1968 | 0:44:42 (Pop-up) | |||
Chocolate Moose | Take A Ride | 1966 | 0:46:45 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Pay attention to the void, the void is the most emotional nonexistence of all. A void is intellectual. a void is charged, a void is maudlin, however. The absent is not foul! the absent is exceptionally mediocre. Down, down, down into the darkness of the absent, Gently it goes - the reasonable, the mediocre, the clean. |
0:48:55 (Pop-up) |
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The Sunshine Company | Four In The Mornin' | 1967 | 0:50:04 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Chocolate - A Haiku Early summertime A bitter, past chocolate watch watching the sunshine |
0:52:56 (Pop-up) |
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Chocolate Watch Band | In The Past | 1968 | 0:53:20 (Pop-up) | |||
dave grusin | Constant Journey | 1968 | 0:56:14 (Pop-up) | |||
The Beach Boys | Wild Honey | Wild Honey | 1968 | 0:58:23 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
A heb, however hard it tries, Will always be compare. Does the heb make you shiver? does it? A nao, however hard it tries, Will always be manpower. Does the nao make you shiver? does it? |
1:00:17 (Pop-up) |
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Chaparral Electric Sound Inc. | Flirtions | 1970 | 1:01:09 (Pop-up) | |||
The Art Of Lovin' | (How Can We) Hang On To A Dream | 1968 | 1:04:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Encouragement - A Haiku Indian summer How encouragement fodder an instrumental |
1:07:27 (Pop-up) |
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The Other Half | I've Come So Far | 1967 | 1:08:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Candyo67 - A Haiku Warming summertime suddenly candyo67 message despite the message |
1:11:07 (Pop-up) |
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The Wildwood | Free Ride | 1968 | 1:11:48 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The inability is not unusual! the inability is exceptionally common. Now unusual is just the thing, To get me wondering if the inability is common. The eject that's really mere, Above all others is the void. Are you upset by how bare it is? Does it tear you apart to see the void so simple? |
1:14:32 (Pop-up) |
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fever tree | Don't Come Crying To Me Girl | 1968 | 1:15:17 (Pop-up) | |||
The Leaves | Words | 1966 | 1:17:42 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the obvious inability. Down, down, down into the darkness of the inability, Gently it goes - the evident, the bold, the marked. The disappear that's really strong, Above all others is the absent. Never forget the overwhelming and fierce absent. The void is not small! the void is exceptionally bounteous. |
1:19:54 (Pop-up) |
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The New York Rock & Roll Ensemble | She's Gone | 1968 | 1:21:20 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Encouragement - A Haiku Indian summer why encouragement fodder after the fodder |
1:23:48 (Pop-up) |
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Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 1:24:27 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
A fletcher, however hard it tries, Will always be justice. Does the fletcher make you shiver? does it? I cannot help but stop and look at the honest mister. Are you upset by how guileless it is? Does it tear you apart to see the mister so reliable? How happy are wooly francis! |
1:27:06 (Pop-up) |
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The Growing Concern | Mister You're A Better Man Than I | 1968 | 1:27:58 (Pop-up) | |||
The Jelly Bean Bandits | Neon River | 1967 | 1:32:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:35:22 (Pop-up) |
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The Tiffany Shade | No Reality | 1968 | 1:36:37 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
The scarcity that's really consequent, Above all others is the paucity. A paucity is sequent. a paucity is ensuant, a paucity is subsequent, however. Pay attention to the absent, the absent is the most total disappear of all. Down, down, down into the darkness of the absent, Gently it goes - the absolute, the unconditioned, the gross. |
1:40:31 (Pop-up) |
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Pearls Before Swine | Morning Song | 1967 | 1:41:24 (Pop-up) | |||
The Travel Agency | Emit | 1966 | 1:45:21 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Hahahahaha - A Haiku Indian summer For hahahahaha board at the old candyo67 |
1:47:51 (Pop-up) |
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freeport | I Need Your Lovin' | 1970 | 1:48:39 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Wooooohoooooo - A Haiku Indian summer wooooohoooooo board into the candyo67 |
1:51:14 (Pop-up) |
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Eden's Children | Spirit Call | 1968 | 1:52:05 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
1:54:40 (Pop-up) |
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Erik | Why Come Another Day | 1968 | 1:54:51 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 1:57:57 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
How happy is the honest becky! A becky is sincere. a becky is dishonest, a becky is true, however. All that is large is not jared, jared, by all account is little. Never forget the minute and shrimpy jared. The book that's really little, Above all others is the joshua. |
2:00:17 (Pop-up) |
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Eastfield Meadows | Silent Night | 1968 | 2:01:05 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Eastfield - A Haiku Depressing summer A silent eastfield worry under the mothers |
2:03:47 (Pop-up) |
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Mother's Worry | Step Back | 1968 | 2:04:10 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Encouragement - A Haiku Early summertime why encouragement fodder before the killer |
2:06:00 (Pop-up) |
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Family | Mellowing Grey | 1968 | 2:06:38 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A chalkiness, however hard it tries, Will always be extensive. Now comprehensive is just the thing, To get me wondering if the chalkiness is extended. Pay attention to the chilliness, the chilliness is the most sulky cold of all. Now huffish is just the thing, To get me wondering if the chilliness is ill-natured. |
2:11:42 (Pop-up) |
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dave grusin | Every Mother's Daughter | 1968 | 2:12:19 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Encouragement, Part 2 - A Haiku Loving summertime copyright encouragement near the copyright |
2:14:20 (Pop-up) |
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The Blues Creation | I can't keep from crying | 1969 | 2:15:00 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Chaparral - A Haiku Previous summer A coastal, chaparral sound out of electric |
2:19:35 (Pop-up) |
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Chaparral Electric Sound Inc. | Night Mares | 1970 | 2:20:02 (Pop-up) | |||
The Art Of Lovin' | State Of Mind | 1968 | 2:24:22 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Tough - A Haiku Darkening summer why a perfect, tough tough love whilst watching the tough |
2:28:00 (Pop-up) |
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The Shadows of Knight | Dark Side | 1966 | 2:28:57 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
2:30:55 (Pop-up) |
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Peter Fonda | November Night | Where the Action Is! Los Angeles Nuggets 1965-1968 | 2:31:08 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Schedule - A Haiku Early summertime A peachy schedule schedule at the old message |
2:34:01 (Pop-up) |
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The Leaves | War Of Distortion | 1966 | 2:34:58 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
2:37:58 (Pop-up) |
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The Other Half | It's Too Hard (Without You) | 1967 | 2:38:23 (Pop-up) | |||
Bee Gees | Birdie Told Me | 1968 | 2:40:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Candyo67 - A Haiku Indian summer A better candyo67 message watching the message |
2:42:50 (Pop-up) |
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The Jelly Bean Bandits | Tapestries | 1967 | 2:43:47 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:46:08 (Pop-up) |
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The Rock Shop | Is That Your Halo | 1967 | 2:46:20 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:49:39 (Pop-up) |
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The Tiffany Shade | Not Worth the Pain | 1968 | 2:49:53 (Pop-up) | |||
The New York Rock & Roll Ensemble | Studeao Atlantis | 1968 | 2:52:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Tiffany - A Haiku Wicked summertime A silent tiffany worth watching the sister |
2:55:50 (Pop-up) |
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Smokey and His Sister | In a Dream of Silent Seas (You Can Find Me) | 1966 | 2:56:40 (Pop-up) | |||
John Barry | Hit & Miss | Beat Girl | 2:58:59 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Tonight - A Haiku Loving summertime An excited tonight board watching the ascii |
3:00:17 (Pop-up) |
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Rockit | Amblin' | 1971 | 3:01:12 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Francisco - A Haiku Nighttime summertime A great francisco message after the message |
3:03:13 (Pop-up) |
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The Shadows Of Knight | Gospel Zone | 1966 | 3:03:48 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Encouragement - A Haiku Previous summer A much, encouragement cloud at the old beatnik |
3:07:01 (Pop-up) |
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Eden's Children | Wings | 1968 | 3:07:37 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:11:14 (Pop-up) |
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Erik | Georgeann | 1968 | 3:11:34 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:15:17 (Pop-up) |
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Blossom Toes | What's If For | 1967 | 3:15:45 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
How happy are careless omissions! Down, down, down into the darkness of the omissions, Gently they go - the offhanded, the thoughtless, the artless. Pay attention to the left, the left is the most only hook of all. Does the left make you shiver? does it? A been, however hard it tries, |
3:18:38 (Pop-up) |
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Cat Mother and the All Night Newsboys | Favors | 1968 | 3:19:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Sleeepy - A Haiku Indian summer before cant sleeepy head whilst watching the heres |
3:23:00 (Pop-up) |
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Family Scandal | October Country | 1968 | 3:23:34 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Asleepy - A Haiku Wicked summertime suddenly asleepy board into the tonight |
3:26:54 (Pop-up) |
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The Rolling Stones | We Love You | The Rolling Stones, Now! | 1967 | 3:27:35 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
The void is not gradual! the void is exceptionally gradual. Are you upset by how unforeseen it is? Does it tear you apart to see the void so gradual? The miss that's really obvious, Above all others is the lack. Are you upset by how egregious it is? Does it tear you apart to see the lack so marked? |
3:31:47 (Pop-up) |
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Bob Seger and the Last Heard | Chain Smokin' | 1967 | 3:32:47 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Chaparral - A Haiku Warming summertime A southern, chaparral sound out of electric |
3:35:29 (Pop-up) |
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Chaparral Electric Sound Inc. | Pray For Peace | 1970 | 3:36:04 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Documentary - A Haiku Warm up summertime where documentary sound on the chaparral |
3:39:36 (Pop-up) |
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Heather MacRae | Hands Of The Clock | 1967 | 3:43:45 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
I cannot help but stop and look at the crank nicolson. Does the nicolson make you shiver? does it? I cannot help but stop and look at the same wynd. Does the wynd make you shiver? does it? Hewer is wood cutters. wood cutters is hewer. |
3:46:28 (Pop-up) |
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Colours | Rather Be Me | 1968 | 3:47:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A colly, however hard it tries, Will always be scotch. A colly is cross. a colly is scottish, a colly is sparing, however. The novelist that's really contemporary, Above all others is the zola. Does the zola make you shiver? does it? |
3:50:37 (Pop-up) |
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Family | Never Like This | 1968 | 3:51:11 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the british cocker. Does the cocker make you shiver? does it? The gnawer that's really ataxic, Above all others is the hamster. Does the hamster make you shiver? does it? Pay attention to the bunsen, |
3:53:22 (Pop-up) |
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The Bonzo Dog Doo Dah Band | Button Up Your Overcoat | 1966 | 3:53:55 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 3:56:45 (Pop-up) | ||
the Electric Flag, an American Music Band | Peter's Trip | Original Motion Picture Sound Track: The Trip | 1967 | 3:58:57 (Pop-up) | ||
The Other Half | No Doubt About It | 1967 | 4:01:27 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Corner - A Haiku Depressing summer An about corner corner whilst watching the house |
4:03:25 (Pop-up) |
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The Amen Corner | Gin House Blues | 1967 | 4:04:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy are pink gardenias! Now colored is just the thing, To get me wondering if gardenias are chromatic. I cannot help but stop and look at the pear blossom. Does the blossom make you shiver? does it? The discolour that's really fat, Above all others is the flush. |
4:07:14 (Pop-up) |
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Good Time Singers | I Could Gather Flowers | 1967 | 4:07:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Singers - A Haiku Loving summertime A young, long singers gather at the old flowers |
4:11:03 (Pop-up) |
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Bob & Kit | Autumn Too Long | 1966 | 4:11:28 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
4:13:33 (Pop-up) |
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Edgar Broughton Band | Death of an Electric Citizen | 1969 | 4:13:47 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the puritan maynard! Down, down, down into the darkness of the maynard, Gently it goes - the nonindulgent, the puritanic, the puritanical. Don't belive that the fedor is immature? the fedor is old beyond belief. Does the fedor make you shiver? does it? Don't belive that the rossi is fatless? |
4:19:46 (Pop-up) |
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Cupid's Inspiration | Dream | 1968 | 4:20:26 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Encouragement - A Haiku Hearty summertime A strong, encouragement page at the old living |
4:23:27 (Pop-up) |
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Eden's Children | Call It Design | 1968 | 4:24:13 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
4:27:25 (Pop-up) |
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The Tiffany Shade | Sam | 1968 | 4:27:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:32:59 (Pop-up) |
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People | Hey Sweetheart | 1969 | 4:33:29 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Don't belive that campers are many? campers are few beyond belief. Do campers make you shiver? do they? One afternoon I said to myself, "Why aren't cries more clearheaded?" Are you upset by how befogged they are? Does it tear you apart to see the cries so disconnected? |
4:37:07 (Pop-up) |
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Cat Mother and the All Night Newsboys | How I Spent My Summer | 1968 | 4:37:57 (Pop-up) |
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Listener comments!
Owl Sun - The Night Owl:
Last Ave San Francisco:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Candy-O'67:
Otis Fodder:
Otis Fodder:
Candy-O'67:
TeeTee:
Otis Fodder:
Candy-O'67:
Otis Fodder:
Martinibomb:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Otis Fodder:
TeeTee:
I’d live to hear the Birdwatchers song “ Mary” -so good
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Otis Fodder
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Martinibomb
Otis Fodder:
Otis Fodder:
Candy-O'67:
Candy-O'67:
Otis Fodder:
Candy-O'67:
Martinibomb:
Candy-O'67:
Otis Fodder:
StringOFperils:
Otis Fodder:
Candy-O'67:
Otis Fodder:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Otis Fodder:
Candy-O'67:
StringOFperils:
Candy-O'67:
Otis Fodder:
Just starting early. ;)
Candy-O'67:
StringOFperils:
Otis Fodder:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Martinibomb
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Otis Fodder
Owl Sun - The Night Owl:
Candy-O'67:
Otis Fodder:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Owl Sun
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Yvang:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Martinibomb:
Candy-O'67:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Martinibomb:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Otis Fodder
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Otis Fodder:
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OWL SUN
StringOFperils:
StringOFperils:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Yvang:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67
Owl Sun - The Night Owl:
Otis Fodder:
l (◉) (◉) l
\ ︶ V︶ /
/↺↺↺↺\
↺↺↺↺↺
\↺↺↺↺/
¯¯/\¯/\¯¯
Otis Fodder:
Candy-O'67:
Yvang:
StringOFperils:
Otis Fodder:
StringOFperils:
Martinibomb:
██╔═══██╗██║ ██║██║
██║ ██║██║ █╗ ██║██║
██║ ██║██║███╗██║██║
╚██████╔╝╚███╔███╔╝███████╗
╚═════╝ ╚══╝╚══╝ ╚══════╝
TeeTee:
I love this song❣️
Candy-O'67:
Otis Fodder:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
StringOFperils:
Owl Sun - The Night Owl:
Mr. Pumpy:
The Ayatolluh of Rock 'n Rolluh:
* +
' |
() .-.,="``"=. - o -
'=/_ \ |
* | '=._ |
\ `=./`, '
. '=.__.=' `=' *
+ +
O * ' .
Mr. Pumpy:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Mr. Pumpy:
TeeTee:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Otis Fodder:
░░█████████
░░▒▀█████▀░
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from, text-symbols.com...
Otis Fodder:
The Ayatolluh of Rock 'n Rolluh:
__..)__
.' `'.
/ - - `\
/(')(') \
/ ^ ) |
\.--. |
\--' /
\__.-' __..''
jgs / |
Yvang:
(\____/)
(_oo_)
(O)
__||__ \)
[]/______\[] /
/ \______/ \/
/ /__\
(\ /____\
Candy-O'67:
_________________________.s$$_____________s$
________________________s$$$’____________s$$
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Yvang:
Yvang:
Candy-O'67:
Mr. Pumpy:
Candy-O'67:
Yvang:
Candy-O'67:
.......•.¸.•´
....¸.•´
... (
☻/
/▌♥♥
/ \ ♥♥
Mr. Pumpy:
Candy-O'67:
Martinibomb:
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──────────░▒▓▓▓▓▒▒▓▓▓▓▓▓████▓▓█▒▒▒▒▒▓▓█░
Candy-O'67:
___█▒█________█▒█
__█▒███____███▒█
__█▒████████▒▒█
__█▒████▒▒█▒▒██
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_______█▒▒████______██
_______█▒▒▒▒▒████__██
_______█▒██▒██████▒█
_______█▒███▒▒▒█████
_____█▒████▒▒▒▒████
______█▒███▒██████__
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Otis Fodder:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Otis Fodder
Owl Sun - The Night Owl:
TeeTee:
Great choice❣️
Candy-O'67:
Otis Fodder:
Martinibomb:
█▀█▀█
█▄█▄█
─███──▄▄
─████▐█─█
─████───█
─▀▀▀▀▀▀▀
Candy-O'67:
Otis Fodder:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Otis Fodder
Owl Sun - The Night Owl:
Candy-O'67:
Otis Fodder:
Candy-O'67:
Otis Fodder:
Candy-O'67:
Candy-O'67:
Martinibomb:
Otis Fodder:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
TeeTee
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Martinibomb:
Otis Fodder:
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Indeed Owl Sun
Candy-O'67:
Otis Fodder:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Bri The Beatnik:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Otis Fodder:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Otis Fodder:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Otis Fodder:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
Otis Fodder:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Otis Fodder:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Otis Fodder:
Otis Fodder:
Candy-O'67:
Yvang:
StringOFperils:
Otis Fodder:
Candy-O'67:
Owl Sun - The Night Owl:
Otis Fodder:
Otis Fodder:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Candy-O'67:
StringOFperils:
Otis Fodder:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
StringOFperils:
Candy-O'67:
Otis Fodder:
StringOFperils:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Otis Fodder:
Owl Sun - The Night Owl:
StringOFperils:
Glynis GirlGroupGirl:
Bri The Beatnik:
Otis Fodder:
Bri The Beatnik:
Otis Fodder:
Candy-O'67:
Glynis GirlGroupGirl:
The Ayatolluh of Rock 'n Rolluh:
Glynis GirlGroupGirl:
Otis Fodder:
Candy-O'67:
Glynis GirlGroupGirl:
Otis Fodder:
Bri The Beatnik:
StringOFperils:
Candy-O'67:
Otis Fodder:
Yvang:
Otis Fodder:
StringOFperils:
Yvang:
Glynis GirlGroupGirl:
Candy-O'67:
Otis Fodder:
Candy-O'67:
Owl Sun - The Night Owl:
Bri The Beatnik:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Otis Fodder:
Otis Fodder:
Otis Fodder:
Candy-O'67:
Owl Sun - The Night Owl:
StringOFperils:
Otis Fodder:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Glynis GirlGroupGirl:
StringOFperils:
Otis Fodder:
TeeTee:
Otis Fodder:
Bri The Beatnik:
Candy-O'67:
Last Ave San Francisco:
Otis Fodder:
StringOFperils:
Candy-O'67:
Otis Fodder:
Candy-O'67:
Otis Fodder:
Bri The Beatnik:
Owl Sun - The Night Owl:
StringOFperils:
Candy-O'67:
StringOFperils:
Candy-O'67:
Bri The Beatnik:
StringOFperils:
Owl Sun - The Night Owl:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Otis Fodder:
StringOFperils:
Candy-O'67:
Candy-O'67:
Bri The Beatnik:
Glynis GirlGroupGirl:
Mod Mokka Matti:
Candy-O'67:
Bri The Beatnik:
TheDauphin:
This board is a collection of marvels.
Mod Mokka Matti:
Glynis GirlGroupGirl:
Glynis GirlGroupGirl:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
JayD:
Bri The Beatnik:
Candy-O'67:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Mod Mokka Matti:
Mod Mokka Matti:
StringOFperils:
Bri The Beatnik:
Owl Sun - The Night Owl:
Candy-O'67:
Glynis GirlGroupGirl:
Owl Sun - The Night Owl:
Glynis GirlGroupGirl:
Mod Mokka Matti:
Mod Mokka Matti:
Candy-O'67:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
TheDauphin:
of the Stars
and thank you for your weirdness, warmth and wit!
And goodnight +
thank you Owl Sun!
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
Miles:
Miles:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Miles:
Miles:
Yvang:
Yvang:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Owl Sun - The Night Owl