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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Sarting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
Josefus | Bald Peach | 1970 | 0:03:10 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Bulgaria - A Haiku Hearty summertime A new, bulgaria peach on the josefus |
0:05:46 (Pop-up) |
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It's A Beautiful Day | Bulgaria | Track 1 | 1968 | 0:06:10 (Pop-up) | ||
Giant Crab | E.S.P. | 1969 | 0:08:47 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
A bulgarian, however hard it tries, Will always be turkish. Does the bulgarian make you shiver? does it? An azerbaijani, however hard it tries, Will always be modern. An azerbaijani is contemporary. an azerbaijani is recent, an azerbaijani is forward-looking, however. |
0:11:08 (Pop-up) |
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New York Rock & Roll Ensemble | City | 0 | 1969 | 0:12:53 (Pop-up) | ||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Ensemble - A Haiku Gloomy summertime A careful ensemble pink under the eugene |
0:16:06 (Pop-up) |
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Pink Floyd | Careful With That Axe, Eugene | Point Me At The Sky / Careful With That Axe Eugene | 1968 | 0:16:30 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Gillespie - A Haiku Dour summertime A careful gillespie mind above the eugene |
0:22:10 (Pop-up) |
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Dana Gillespie | You Just Gotta Know My Mind | 1968 | 0:22:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
How happy is the dear ricky! Now good is just the thing, To get me wondering if the ricky is sincere. How happy is the recumbent jesse! Now decumbent is just the thing, To get me wondering if the jesse is unerect. The tommy is not big! the tommy is exceptionally littlest. |
0:24:51 (Pop-up) |
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Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 0:25:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
0:28:15 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 0:28:28 (Pop-up) | ||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Millennium - A Haiku Misty summertime A through millennium friend enjoying the friend |
0:31:57 (Pop-up) |
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The Millennium | I Just Want To Be Your Friend | Begin | 1968 | 0:32:23 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Underground - A Haiku Misty summertime A nazi, underground friend near the underground |
0:34:52 (Pop-up) |
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the underground set | Motor Road Underground | 1970 | 0:35:17 (Pop-up) | |||
Pacific Ocean | I Can't Stand It | 1968 | 0:39:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Instant Request |
0:41:38 (Pop-up) |
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The Seeds | Can't Seem To Make You Mine (mono 45) | 1967 | Requested by: Yvang | 0:41:40 (Pop-up) | ||
Suzi Jane Hokom | Reason To Believe | 1969 | 0:44:12 (Pop-up) | |||
Tripsichord Music Box | It's Not Good | 1968 | 0:46:53 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Underground, Part 2 - A Haiku Darkening summer A dark, underground motor on the underground |
0:49:59 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 0:50:54 (Pop-up) | |||
The Enchanted Forest | The Word Is Love | 1968 | 0:55:05 (Pop-up) | |||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 0:57:43 (Pop-up) | ||
Music behind DJ: Deep Purple |
And The Address |
The disuse that's really purposeful, Above all others is the omission. Does the omission make you shiver? does it? I cannot help but stop and look at the conspicuous lack. Never forget the bold and open lack. How happy is the wooly unavailability! Now hirsute is just the thing, |
1:00:14 (Pop-up) |
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John Wonderling | Midway Down | 1968 | 1:01:06 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Wonderling - A Haiku Hazy summertime suddenly wonderling face before the hobbits |
1:03:29 (Pop-up) |
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The Hobbits | Artificial Face | 1968 | 1:03:49 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Dunkettle - A Haiku Warming summertime suddenly dunkettle follow at the old hobbits |
1:06:13 (Pop-up) |
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Bryan Dunkettle | I don't follow war no more | 1970 | 1:06:36 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Dunkettle, Part 2 - A Haiku Muddy summertime before blonde dunkettle follow because of the blonde |
1:11:17 (Pop-up) |
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Black Swan | Lady Blonde | 1968 | 1:11:42 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Steeplechase - A Haiku Muddy summertime A famous, wrought steeplechase at the perfect blonde |
1:13:47 (Pop-up) |
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Steeplechase | Wrought Iron Man | 1970 | 1:14:16 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:18:22 (Pop-up) |
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Josefus | America | 1970 | 1:18:34 (Pop-up) | |||
It's A Beautiful Day | Aquarian Dream | 1968 | 1:21:07 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
I saw the the near interval of my generation destroyed, How I mourned the absence. Are you upset by how nearer it is? Does it tear you apart to see the absence so dear? I saw the the second person of my generation destroyed, How I mourned the deceased. Now forward is just the thing, To get me wondering if the deceased is instant. |
1:23:49 (Pop-up) |
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Hell Preachers Inc. | Spy in space | 1968 | 1:24:35 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
One afternoon I said to myself, "Why aren't churches more nonconformist?" Do churches make you shiver? do they? How happy are missionary sermons! Do sermons make you shiver? do they? Don't belive that humanists are little? |
1:29:01 (Pop-up) |
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Eric Burdon and The Animals | Madman | 1968 | 1:29:38 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
1:34:54 (Pop-up) |
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New York Rock & Roll Ensemble | Asking Too Much | 0 | 1969 | 1:35:07 (Pop-up) | ||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:38:42 (Pop-up) |
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Dana Gillespie | Hard Lovin' Loser | 1968 | 1:38:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Because I could not perform for lovin, it did kindly perform for me. Pause to perform, like the lovin does. One afternoon I said to myself, "Why isn't the something more dark?" Never forget the daytime and dark something. The innocent that's really dearest, Above all others is the dear. |
1:42:44 (Pop-up) |
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tangerine dream | Ultima Thule, Teil 1 | 1971 | 1:43:21 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Don't belive that omissions are intended? omissions are unintended beyond belief. Down, down, down into the darkness of the omissions, Gently they go - the uncaused, the fortuitous, the inadvertent. The left is not big! the left is exceptionally dinky. A left is runty. a left is dinky, a left is weensy, however. |
1:46:37 (Pop-up) |
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Fabulous Farquahr | Night People | 1969 | 1:47:22 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Stainless - A Haiku Dampish summertime A stainless stainless people out of farquahr |
1:49:45 (Pop-up) |
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Red Crayola, The | Pink Stainless Tail | 2008 | 1:50:08 (Pop-up) | |||
bernard jamet | raison légale | 1968 | 1:53:26 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Stainless, Part 2 - A Haiku Wicked summertime An own, stainless stainless tail on the crayola |
1:55:55 (Pop-up) |
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The Bag | Red, Purple And Blue | 1968 | 1:56:24 (Pop-up) | |||
The Teddy Boys | Where Have All the Good Times Gone | 1966 | 1:59:14 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Tripsichord - A Haiku Hearty summertime A purple tripsichord box by the family |
2:00:17 (Pop-up) |
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Tripsichord Music Box | Family Song | 1968 | 2:01:38 (Pop-up) | |||
Tiny Tim | Bring Back Those Rockabye Baby Days | 1968 | 2:10:00 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
2:12:01 (Pop-up) |
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Eden's Children | Call It Design | 1968 | 2:12:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
A revised, however hard it tries, Will always be former. Revised, revised, every where, Yet not a drop to submit. I cannot help but stop and look at commendatory prefaces. Do prefaces make you shiver? do they? The omission is not small! |
2:15:34 (Pop-up) |
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The Other Half | No Doubt About It | 1967 | 2:17:06 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Coast - A Haiku Hearty summertime An african, coast unfree betrayed by the child |
2:19:39 (Pop-up) |
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The West Coast Pop Art Experimental Band | Unfree Child | 1967 | 2:19:59 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Coast, Part 2 - A Haiku Early summertime An atlantic, coast unfree whilst watching the child |
2:22:44 (Pop-up) |
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Erik | You Said / But I've Got My Way | 1968 | 2:23:10 (Pop-up) | |||
Black Swan | She Encircles Me | 1968 | 2:28:51 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:30:55 (Pop-up) |
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The Southwest F.O.B. | Smell of Incense | 2004 | 2:31:13 (Pop-up) | |||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:33:50 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
2:34:58 (Pop-up) |
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Josefus | I'm gettin' on | 1970 | 2:35:21 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
A void, however hard it tries, Will always be silent. Never forget the inexplicit and inaudible void. A dearth, however hard it tries, Will always be prolonged. A dearth is lengthy. a dearth is protracted, a dearth is drawn-out, however. All that is nonfat is not presence, |
2:38:39 (Pop-up) |
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Hell Preachers Inc. | Let me shoot you | 1968 | 2:39:28 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
A stolen, however hard it tries, Will always be other. Are you upset by how some other it is? Does it tear you apart to see the stolen so same? One afternoon I said to myself, "Why isn't the lost more close?" Now remote is just the thing, To get me wondering if the lost is far-flung. |
2:42:40 (Pop-up) |
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Kim Fowley | I'm Not Young Anymore | 1969 | 2:43:19 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
2:47:35 (Pop-up) |
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Eric Burdon and The Animals | I'm An Animal | 1968 | 2:48:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
2:53:27 (Pop-up) |
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the thirteenth floor elevators | Reverbaration (Doubt) | 1966 | 2:53:40 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 2:56:29 (Pop-up) | ||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 2:58:36 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
3:00:17 (Pop-up) |
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New York Rock & Roll Ensemble | Sing Lady Sing | 0 | 1969 | 3:00:46 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the plaintive chant! Are you upset by how sorrowful it is? Does it tear you apart to see the chant so mournful? Songs, however hard they try, Will always be folk. Do songs make you shiver? do they? Shout is, in its way, the stentorian mood of let out. |
3:03:58 (Pop-up) |
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The Amen Corner | Gin House Blues | 1967 | 3:04:40 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
3:07:49 (Pop-up) |
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Dana Gillespie | No! No! No! | 1968 | 3:07:59 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:11:15 (Pop-up) |
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Tripsichord Music Box | You're The Woman | 1968 | 3:11:29 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
I cannot help but stop and look at the little lost. Down, down, down into the darkness of the lost, Gently it goes - the micro, the diminutive, the brief. I cannot help but stop and look at the curious absence. Never forget the unusual and rum absence. Just like mysterious characters, is disappearances. Disappearances are muddled. disappearances are muzzy, disappearances are wooly-minded, however. |
3:15:03 (Pop-up) |
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The Wildwood | Free Ride | 1968 | 3:15:54 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Wildwood - A Haiku Warming summertime A deep, tiny wildwood ride because of the ride |
3:18:38 (Pop-up) |
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Tiny Tim | Hello, Hello | 1968 | 3:19:03 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Newsboys - A Haiku Warm up summertime A small, spent newsboys mother at the old mother |
3:21:14 (Pop-up) |
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Cat Mother and the All Night Newsboys | How I Spent My Summer | 1968 | 3:21:38 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Sculpture - A Haiku Dampen summertime A greek, spent sculpture mother watching the newsboys |
3:25:33 (Pop-up) |
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Love Sculpture | In The Land Of The Few | 1969 | 3:25:57 (Pop-up) | |||
The Unwritten Law | Action Speaks Louder | 1967 | 3:29:14 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Sculpture, Part 2 - A Haiku Dour summertime A modern, half sculpture love at the perfect half |
3:31:24 (Pop-up) |
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The Other Half | I Know | 1967 | 3:31:54 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Singers - A Haiku Rainy summertime A great, good singers gather above the flowers |
3:36:01 (Pop-up) |
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Good Time Singers | I Could Gather Flowers | 1967 | 3:36:25 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Licorice - A Haiku Gloomy summertime A game licorice gather into the singers |
3:38:50 (Pop-up) |
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The Licorice Schtik | The Kissin' Game | The Kissin' Game b/w Flowers, Flowers | 1968 | 3:39:10 (Pop-up) | ||
Family | Me My Friend | 1968 | 3:41:10 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Mackerel - A Haiku Dour summertime A holy mackerel game on the licorice |
3:43:10 (Pop-up) |
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The Holy Mackerel | Scorpio Red | The Holy Mackerel | 1968 | 3:43:48 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly |
Mackerel, Part 2 - A Haiku Early summertime A young, long mackerel long near the scorpio |
3:47:01 (Pop-up) |
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Bob & Kit | Autumn Too Long | 1966 | 3:47:22 (Pop-up) | |||
Skip Battyn and The Groop | High Coin | 1965 | 3:49:29 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Planetary - A Haiku Dampen summertime A non, planetary free before the concept |
3:51:56 (Pop-up) |
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the free pop electronic concept | Planetary Gospel | 1969 | 3:52:25 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Planetary, Part 2 - A Haiku Gloomy summertime A pre, planetary free near the corrina |
3:55:58 (Pop-up) |
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Bob Dylan | Corrina Corrina | 1962 | 3:56:37 (Pop-up) | |||
Lewis & Clarke | Daddy's Plastic Child | 1968 | 3:59:11 (Pop-up) | |||
Josefus | Feelin' good | 1970 | 4:01:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Preachers - A Haiku Rainy summertime A many, good preachers man above the preacher |
4:07:18 (Pop-up) |
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Hell Preachers Inc. | Preacher man | 1968 | 4:07:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
4:10:39 (Pop-up) |
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Eric Burdon and The Animals | I'm Dying, (Or Am I) | 1968 | 4:10:55 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
4:15:11 (Pop-up) |
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George Harrison | On The Bed | Wonderwall Music | 1968 | 4:16:32 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
How happy is the clive robert! Does the robert make you shiver? does it? Pay attention to the joseph, the joseph is the most machado hebrew of all. Does the joseph make you shiver? does it? When I think of the andrew, I see a handsome sir. |
4:18:48 (Pop-up) |
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Sun Ra & His Outer-Space Arkestra | The Bridge | 1968 | 4:19:31 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
The demand that's really consequent, Above all others is the lack. Never forget the subsequent and ensuant lack. The cognition that's really apparent, Above all others is the inability. An inability is visible. an inability is seeming, an inability is ostensible, however. When I think of the void, I see an extern motion. |
4:21:26 (Pop-up) |
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Dana Gillespie | Dead | 1968 | 4:22:26 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Flattering - A Haiku Early summertime A faithful flattering roll near the gillespie |
4:25:29 (Pop-up) |
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New York Rock & Roll Ensemble | Faithful Friends (And Flattering Foes) | 0 | 1969 | 4:25:51 (Pop-up) | ||
Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 4:28:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Flattering, Part 2 - A Haiku Previous summer A faithful flattering roll near the ensemble |
4:31:24 (Pop-up) |
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Pretty Things | Walking Through My Dreams | Talkin' About The Good Times / Walking Through My Dreams | 1968 | 4:32:16 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Why would you think the destiny is ignoble? the destiny is the most noble causal agency of all. Does the destiny make you shiver? does it? All that is lowborn is not longings, longings, by all account is noble. Down, down, down into the darkness of the longings, Gently they go - the monarchical, the exalted, the honourable. |
4:35:47 (Pop-up) |
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It's A Beautiful Day | Bulgaria | Track 1 | 1968 | 4:36:36 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Bulgaria - A Haiku Early summertime A new, bulgaria crab after the giant |
4:40:05 (Pop-up) |
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Giant Crab | E.S.P. | 1969 | 4:40:30 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Branch - A Haiku Indian summer An olive, giant branch branch because of the coast |
4:42:50 (Pop-up) |
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West Coast Branch | Colors Of My Life | 1967 | 4:43:13 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Branch, Part 2 - A Haiku Indian summer An olive, giant branch branch because of the coast |
4:45:32 (Pop-up) |
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the underground set | Motor Road Underground | 1970 | 4:45:56 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:26 (Pop-up) | ||||
Thee Midniters | Down Whittier Blvd. | |||||
The United States Of America | Hard Coming Love | The United States Of America | 1968 |
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Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
DA The DJ:
Tome:
The Ayatolluh of Rock 'n Rolluh:
onekayhz:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
Tome:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
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Owl Sun - The Night Owl:
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Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
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The Ayatolluh of Rock 'n Rolluh:
Yvang:
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Yvang:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
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The Ayatolluh of Rock 'n Rolluh:
Yvang:
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Owl Sun - The Night Owl:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
Yvang:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Owl Sun - The Night Owl:
Last Ave San Francisco:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun - The Night Owl:
Last Ave San Francisco:
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