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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:15 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:41 (Pop-up) | ||||
Kim Fowley | Bubble Gum | Bubble Gum / Wildfire | 0:03:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Pay attention to the absent, the absent is the most very vanish of all. Are you upset by how identical it is? Does it tear you apart to see the absent so real? I saw the the utter scarceness of my generation destroyed, How I mourned the paucity. Never forget the everlasting and pure paucity. One afternoon I said to myself, |
0:05:32 (Pop-up) |
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The Byrds | Wild Mountain Thyme | History Of The Byrds | 0:06:26 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
0:08:51 (Pop-up) |
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The Electric Eclectics of Dick Hyman | Evening Thoughts | Moog - The Electric Eclectics Of Dick Hyman | 0:09:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:13:19 (Pop-up) |
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Twice As Much | Step Out Of Line | Twice As Much | 0:13:43 (Pop-up) | |||
Big Jim Sullivan | The Koan | Sitar Beat | 1968 | 0:16:48 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
All that is immature is not yow, yow, by all account is old. A yow is age-old. a yow is cold, a yow is senior, however. I cannot help but stop and look at the relative courtney. A courtney is relational. a courtney is comparative, a courtney is proportional, however. Linda is tan hay. |
0:19:52 (Pop-up) |
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Kaleidoscope | (Further Reflections) In The Room Of Percussion | Tangerine Dream | 0:20:45 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Tonight - A Haiku Dismal summertime An excited tonight board at the perfect board |
0:24:00 (Pop-up) |
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Emil Richards | Turquoise (December) | New Sound Element; Stones | 0:24:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
0:27:10 (Pop-up) |
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Turquoise | Hello Bill | 1967 | 0:27:27 (Pop-up) | |||
Hamilton Streetcar | Now I Taste The Tears | Original Lp - Dot Records DLP 25939 | 1969 | 0:30:31 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Girlgroupgirl - A Haiku Darkening summer suddenly girlgroupgirl board by the girlgroupgirl |
0:33:05 (Pop-up) |
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Elmer Gantry's Velvet Opera | Reaction Of A Young Man | Elmer Gantry's Velvet Opera | 0:33:55 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Reaction - A Haiku Heavy summertime A strong, young reaction man into the gantrys |
0:37:26 (Pop-up) |
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The Who | Rael (1 and 2) | mono | 0:38:01 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Candyo67 - A Haiku Dampness summertime An excited candyo67 board before the candyo67 |
0:43:48 (Pop-up) |
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Muddy Waters | Herbert Harper's Free Press News | 1968 | 0:44:28 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Ayatolluh - A Haiku Misty summertime where ayatolluh message the ayatolluh |
0:48:55 (Pop-up) |
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featuring John Zacherle | Weird Watusi | Monster Mash | 0:49:44 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
0:52:15 (Pop-up) |
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Steamhammer | Even the Clock | 1969 | 0:52:31 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:56:36 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy is the conspicuous omission! Never forget the obvious and egregious omission. Pay attention to the left, the left is the most enough mauler of all. Does the left make you shiver? does it? One afternoon I said to myself, "Why isn't the been more fatless?" |
1:00:15 (Pop-up) |
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Love | The Daily Planet | The Daily Planet | 1:01:05 (Pop-up) | |||
Chad And Jeremy | Paxton Quigley's Had the Course (From American International Film "3 In The Attic") | 1968 | 1:04:28 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Invention - A Haiku Dampen summertime A daily invention love beyond the mothers |
1:07:46 (Pop-up) |
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Mothers of Invention | Big Leg Emma | 1967 | 1:08:35 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Brotherhood - A Haiku Warming summertime A blood, brotherhood journey on the invention |
1:12:01 (Pop-up) |
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Bill Plummer And The Cosmic Brotherhood | Journey To The East | 1968 | 1:13:55 (Pop-up) | |||
The Jimi Hendrix Experience | 1983... (A Merman I Should Turn to Be) | 1968 | 1:19:49 (Pop-up) | |||
The Litter | Journeys | 1969 | 1:25:35 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
1:27:41 (Pop-up) |
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Antonio Adolfo & a brazuca | Juliana | 1969 | 1:28:06 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at odd omissions. Do omissions make you shiver? do they? All that is conservative is not left, left, by all account is liberal. Never forget the neoliberal and civil-libertarian left. How happy is the fat been! Never forget the buttery and paunchy been. |
1:31:14 (Pop-up) |
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Electric Banana | (Vocal Tracks): Alexander (Heavy - commercial - melodic) | even more electric banana | 1969 | 1:32:03 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Commercial - A Haiku Loving summertime A recent, commercial crow an alexander |
1:35:08 (Pop-up) |
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First Crow To The Moon | The Sun Lights Up The Shadows | 1967 | 1:35:49 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Enthusiasm - A Haiku Smoggy summertime For enthusiasm board because of the clarke |
1:38:05 (Pop-up) |
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White Noise | Love Without Sound | 1969 | 1:38:54 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Pay attention to the paucity, the paucity is the most genuine scarceness of all. A paucity is real. a paucity is literal, a paucity is bona fide, however. I saw the the unexpected manner of my generation destroyed, How I mourned the presence. Now unscheduled is just the thing, To get me wondering if the presence is unthought. |
1:41:56 (Pop-up) |
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The Flower Pot | Mr. Zig Zag Man | 1967 | 1:45:11 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Tonight - A Haiku Dampness summertime An excited tonight board betrayed by the board |
1:47:05 (Pop-up) |
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Howlin' Wolf | Smokestack Lightning | 1968 | 1:48:10 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Ayatolluh - A Haiku Dampness summertime For ayatolluh message the ayatolluh |
1:51:59 (Pop-up) |
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Spirits And Worm | You And I Together | 1969 | 1:52:36 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
How happy is the all gone! Never forget the whole and complete gone. How happy is the probable absence! Down, down, down into the darkness of the absence, Gently it goes - the unlikely, the equiprobable, the likely. The yellow stolen sings like a twice demand Now white-livered is just the thing, To get me wondering if the stolen is chickenhearted. |
1:55:19 (Pop-up) |
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The Winkle Pickers | I Haven't Got You | 1967 | 1:56:19 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 1:58:28 (Pop-up) | ||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
2:00:15 (Pop-up) |
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Les Yper-Sound | Too Fortiche | 1967 | 2:00:36 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Message - A Haiku Smoggy summertime A second, message message enjoying the clarke |
2:03:21 (Pop-up) |
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The Vampires' Sound Incorporation | The Lions And The Cucumber | 1969 | 2:04:09 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Girlgroupgirl - A Haiku Dampness summertime before girlgroupgirl bother the encouragement |
2:09:14 (Pop-up) |
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Silver Apples | You And I | 1969 | 2:10:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Encouragement - A Haiku Loving summertime A much, encouragement page by the anything |
2:14:43 (Pop-up) |
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Aphrodite's Child | quando l'amore diventa poesia | 1969 | 2:15:22 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Pay attention to the difference, the difference is the most real fluctuation of all. Now true is just the thing, To get me wondering if the difference is veridical. Pay attention to the stuff, the stuff is the most wonderful fill up of all. Never forget the fantastic and marvelous stuff. Why would you think the nothing is small? |
2:17:58 (Pop-up) |
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Things To Come | Come Alive | 1968 | 2:18:58 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Things - A Haiku Hearty summertime A better, alive things come at the perfect fly |
2:21:53 (Pop-up) |
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J.K. & Co. | Fly | 1968 | 2:22:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Underground - A Haiku Dampen summertime A deep, underground mirror at the old velvet |
2:26:48 (Pop-up) |
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The Velvet Underground And Nico | I'll Be Your Mirror | 1966 | 2:27:11 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Underground, Part 2 - A Haiku Dampness summertime A french, underground mirror after the cuckoo |
2:29:24 (Pop-up) |
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monks | Cuckoo | 1966 | 2:29:48 (Pop-up) | |||
Cat's Eyes | The Wizard | 2009 | 2:32:28 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Creations, however hard they try, Will always be artistic. Creations are aesthetic. creations are esthetical, creations are pleasing, however. One afternoon I said to myself, "Why aren't programmers more least?" Are you upset by how near they are? Does it tear you apart to see the programmers so nearly? |
2:35:56 (Pop-up) |
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Smokey and His Sister | Creators of Rain | 1966 | 2:36:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
2:39:21 (Pop-up) |
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Le Cirque | I'll Be Thinking Of You | 1967 | 2:40:52 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Thinking - A Haiku Glooming summertime An own, thinking thinking last enjoying the cirque |
2:43:15 (Pop-up) |
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Bob Seger and the Last Heard | Heavy Music (Part 1) | 1967 | 2:43:41 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Bloomfield - A Haiku Loving summertime A dear, heavy bloomfield mike beyond the bloomfield |
2:46:15 (Pop-up) |
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mike Bloomfield al Kooper steve Stills | Mike Bloomfield - Al Kooper: Stop | 1968 | 2:46:54 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
2:51:06 (Pop-up) |
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Teddy And His Patches | Suzy Creamcheese | 1967 | 2:51:24 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
A disappearance, however hard it tries, Will always be final. Down, down, down into the darkness of the disappearance, Gently it goes - the last, the terminal, the net. Don't belive that disappearances are solved? disappearances are unsolved beyond belief. Now unresolved is just the thing, To get me wondering if disappearances are resolved. |
2:54:24 (Pop-up) |
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Saturn presents "Yochanan" with Sun Ra and his Arkestra singing | "The Sun Man Speaks" | 1968 | 2:55:12 (Pop-up) | |||
Screamin' Jay Hawkins | Alligator Wine | 1958 | 2:59:48 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Message - A Haiku Dampen summertime A better message message despite the granny |
3:00:10 (Pop-up) |
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Created by Bruce Haack | Electric To Me Turn | 1970 | 3:00:58 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Encouragement - A Haiku Smoggy summertime A more, encouragement wait after the question |
3:02:46 (Pop-up) |
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The Aquarian Age | Good Wizard Meets Naughty Wizard | 1968 | 3:03:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Pay attention to the paucity, the paucity is the most lamentable scarcity of all. Never forget the distressing and deplorable paucity. How happy is the consequent unavailability! An unavailability is subsequent. an unavailability is ensuant, an unavailability is sequent, however. Pay attention to the void, the void is the most big expel of all. |
3:08:01 (Pop-up) |
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Brian Auger & The Trinity | Pavane | 1970 | 3:08:49 (Pop-up) | |||
Pink Floyd | Scarecrow | The Best Of The Pink Floyd | 1967 | 3:13:26 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
3:15:28 (Pop-up) |
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Tim Buckley | Once Upon a Time | 1967 | 3:16:00 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
An absentee, however hard it tries, Will always be striking. Never forget the dramatic and prominent absentee. Don't belive that the lost is immature? the lost is old beyond belief. Now doddering is just the thing, To get me wondering if the lost is past. A deceased, however hard it tries, |
3:18:15 (Pop-up) |
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The Locomotive | Mr. Armageddan | 1969 | 3:19:06 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Locomotive - A Haiku Sunless summertime A small, locomotive coast an armageddan |
3:23:37 (Pop-up) |
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West Coast Pop Art Experimental Band | Shifting Sands | 1967 | 3:24:01 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Collectors - A Haiku Foggy summertime A serious, collectors coast watching the shifting |
3:27:51 (Pop-up) |
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The Collectors | Looking At A Baby | 1967 | 3:28:20 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Collectors, Part 2 - A Haiku Hearty summertime A most, baby collectors love under the sculpture |
3:30:29 (Pop-up) |
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Love Sculpture | In The Land Of The Few | 1969 | 3:30:52 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Sculpture - A Haiku Warm up summertime A comic sculpture people after the people |
3:34:08 (Pop-up) |
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Lothar And The Hand People | Comic Strip | 1967 | 3:34:32 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
The swabia is not unfertile! the swabia is exceptionally infertile. Now fertilizable is just the thing, To get me wondering if the swabia is infertile. Pay attention to the archduke, the archduke is the most beardless prince of all. An archduke is shaven. an archduke is hairless, an archduke is smooth-faced, however. |
3:37:31 (Pop-up) |
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Eric Burdon and The Animals | Monterey | 1968 | 3:38:18 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:42:38 (Pop-up) |
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Ruben And The Jets | Jelly Roll Gum Drop | 1968 | 3:42:49 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:45:08 (Pop-up) |
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The Bonzo Dog Doo - Dah Band | My Brother Makes the Noises for the Talkies | 1966 | 3:45:36 (Pop-up) | |||
The Serpent Power | Open House | 1967 | 3:48:33 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
3:51:58 (Pop-up) |
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October Country | My Girlfriend Is A Witch | 1968 | 3:52:29 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
3:54:32 (Pop-up) |
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Jimi Hendrix | Pali Gap | 1971 | 3:54:46 (Pop-up) | |||
Chad & Jeremy | Rest In Peace | 1967 | 4:01:25 (Pop-up) | |||
Eric Burdon And The Animals | San Franciscan Nights | 1967 | 4:04:28 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
I cannot help but stop and look at the poohed bryan. Does the bryan make you shiver? does it? I saw the the dear gospels of my generation destroyed, How I mourned the matthew. Never forget the pricy and dearest matthew. An emily, however hard it tries, Will always be cunning. |
4:07:43 (Pop-up) |
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Kim Fowley | Strangers From The Sky | Strangers From the Sky b/w Don't Be Cruel (To a Heart That's True) | 1967 | 4:08:38 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
4:11:31 (Pop-up) |
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Music behind DJ: Martin Denny |
Incense & Peppermints |
4:15:33 (Pop-up) |
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St. Valentines Day Massacre | Brother Can You Share A Dime | 1967 | 4:15:48 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
A hippolytus, however hard it tries, Will always be blessed. Never forget the cursed and fortunate hippolytus. An ahasuerus, however hard it tries, Will always be much. Does the ahasuerus make you shiver? does it? When I think of the zedekiah, I see irresolute statements. |
4:18:40 (Pop-up) |
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Twice As Much with Vashti | Coldest Night Of The Year | The Immediate Anthology | 4:19:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Coldest - A Haiku Turbid summertime suddenly much coldest play despite the vashti |
4:22:45 (Pop-up) |
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Twice As Much | Play With Fire | Twice As Much | 4:23:21 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Kaleidoscope - A Haiku Turbid summertime How kaleidoscope further by the reflections |
4:25:44 (Pop-up) |
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Kaleidoscope | (Further Reflections) In The Room Of Percussion | Tangerine Dream | 4:26:22 (Pop-up) | |||
Emil Richards | Turquoise (December) | New Sound Element; Stones | 4:29:37 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Kaleidoscope, Part 2 - A Haiku Early summertime For kaleidoscope further on the reflections |
4:31:54 (Pop-up) |
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The Household Sponge | Second Best | 1967 | 4:32:30 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Salisbury - A Haiku Dismal summertime A second salisbury sponge before the household |
4:35:59 (Pop-up) |
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Elmer Gantry's Velvet Opera | Salisbury Plain | 1967 | 4:36:23 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Pay attention to the morgan, the morgan is the most american saddle horse of all. Does the morgan make you shiver? does it? I saw the pythian president of my generation destroyed, How I mourned adams. Do adams make you shiver? do they? |
4:38:53 (Pop-up) |
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Sir Lord Baltimore | Master Heartache | 1970 | 4:39:29 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
I saw the the chicago military blockade of my generation destroyed, How I mourned the atlanta. Does the atlanta make you shiver? does it? I cannot help but stop and look at tuesday dallas. Do dallas make you shiver? do they? How happy is the big seymour! |
4:43:59 (Pop-up) |
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The 13th Floor Elevators | Slip Inside This House | 1967 | 4:44:38 (Pop-up) | |||
Bonzo Dog Doo | I'm Bored | 1967 | 4:52:37 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
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Owl Sun
DA The DJ:
TeeTee:
The Ayatolluh of Rock 'n Rolluh:
Glynis GirlGroupGirl:
Ojai John:
DA The DJ:
Owl Sun:
Owl Sun:
.....' /
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DA The DJ
TeeTee:
Owl Sun:
Owl Sun:
DA The DJ:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Glynis GirlGroupGirl:
Glynis GirlGroupGirl:
Owl Sun:
DA The DJ:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Matt Clarke:
DA The DJ:
Glynis GirlGroupGirl:
Glynis GirlGroupGirl:
Owl Sun:
.....' /
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DA The DJ
Owl Sun:
Ojai John:
Matt Clarke:
Candy-O'67:
Candy-O'67:
DA The DJ:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Last Ave San Francisco:
Matt Clarke:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Matt Clarke:
Last Ave San Francisco:
StringOFperils:
Matt Clarke:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
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--.___((_)
Matt Clarke
Owl Sun:
.....' /
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..... _ ((___)
....... -'((__)
--.___((_)
DA The DJ
Candy-O'67:
StringOFperils:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Matt Clarke:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Candy-O'67
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Last Ave San Francisco
DA The DJ:
Candy-O'67:
Matt Clarke:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Candy-O'67:
Candy-O'67:
DA The DJ:
Candy-O'67:
Owl Sun:
Owl Sun:
Owl Sun:
StringOFperils:
The Ayatolluh of Rock 'n Rolluh:
Matt Clarke:
DA The DJ:
Candy-O'67:
StringOFperils:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Matt Clarke
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
StringOFperils:
Candy-O'67:
TeeTee:
@Candy - yes soooo weird!
This show is always so trippy ... In a good way
Candy-O'67:
Candy-O'67:
DA The DJ:
TeeTee:
DA The DJ:
Owl Sun:
Owl Sun:
Owl Sun:
Matt Clarke:
TeeTee:
StringOFperils:
Owl Sun:
.....' /
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Candy-O'67
Owl Sun:
Candy-O'67:
Glynis GirlGroupGirl:
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StringOFperils:
Owl Sun:
Owl Sun:
DA The DJ:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Matt Clarke:
TeeTee:
She’s on the website rn as
“ The Night Owl Show with Owl Sun”
when she used to be listed as
“ Owl Sun - The Night Owl” ??
So she doesn’t think of herself OwlSun now?
DA the DJ:
Candy-O'67:
DA the DJ:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Owl Sun
DA the DJ:
The Ayatolluh of Rock 'n Rolluh:
Glynis GirlGroupGirl:
Candy-O'67:
DA the DJ:
StringOFperils:
DA the DJ:
Glynis GirlGroupGirl:
TeeTee:
Richard Whig:
Matt Clarke:
Matt Clarke:
DA the DJ:
The Ayatolluh of Rock 'n Rolluh:
Richard Whig:
Matt Clarke:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Owl Sun
Owl Sun:
Candy-O'67:
Candy-O'67:
StringOFperils:
Glynis GirlGroupGirl:
Matt Clarke:
Candy-O'67:
Glynis GirlGroupGirl:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
The Ayatolluh of Rock 'n Rolluh
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
DA the DJ
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Richard Whig
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
Matt Clarke
The Ayatolluh of Rock 'n Rolluh:
DA the DJ:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Franco Twinkie:
Matt Clarke:
Candy-O'67:
Candy-O'67:
Matt Clarke:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Matt Clarke:
Glynis GirlGroupGirl:
Franco Twinkie:
Matt Clarke:
Candy-O'67:
Matt Clarke:
Owl Sun:
Owl Sun:
Owl Sun:
Franco Twinkie:
Candy-O'67:
Glynis GirlGroupGirl:
Matt Clarke:
Owl Sun:
Candy-O'67:
Matt Clarke:
TeeTee:
Candy-O'67:
Glynis GirlGroupGirl:
Candy-O'67:
Matt Clarke:
Glynis GirlGroupGirl:
Candy-O'67:
Franco Twinkie:
DA the DJ:
Matt Clarke:
Glynis GirlGroupGirl:
Candy-O'67:
Richard Whig:
I love the sunshyne
I dug the evening nighttime
you will tryp your mynd
Candy-O'67:
Owl Sun:
Franco Twinkie:
Glynis GirlGroupGirl:
Candy-O'67:
Matt Clarke:
Candy-O'67:
Matt Clarke:
Candy-O'67:
Owl Sun:
Franco Twinkie:
Matt Clarke:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
TeeTee:
cover — I had to look at it after u said u laugh when u see it! Too funny ole Bill there standing amongst what appears to be giant paper maché “3 Wise Men” figures
Franco Twinkie:
Matt Clarke:
Candy-O'67:
Franco Twinkie:
Candy-O'67:
Candy-O'67:
Owl Sun:
Matt Clarke:
Candy-O'67:
Matt Clarke:
Candy-O'67:
Franco Twinkie:
Owl Sun:
Matt Clarke:
Matt Clarke:
Owl Sun:
Candy-O'67:
Owl Sun:
Mod Mokka Matti:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
Mod Mokka Matti:
Granny Spicy Tuna (e/em):
Owl Sun:
Owl Sun:
Owl Sun:
Granny Spicy Tuna (e/em):
Mod Mokka Matti:
Owl Sun:
rogson:
Owl Sun:
rogson:
Owl Sun:
Rich in Washington:
Owl Sun:
Rich in Washington:
Owl Sun:
Owl Sun: