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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:13 (Pop-up) | ||||
The Deviants | You've Got To Hold On | 1968 | 0:02:44 (Pop-up) | |||
The End | Don't Take Me | 1969 | 0:06:33 (Pop-up) | |||
The Byrds | Mind Gardens | 1967 | 0:09:48 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
0:14:15 (Pop-up) |
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The Kitchen Cinq | Determination | 1966 | 0:14:26 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
0:16:24 (Pop-up) |
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Mij | Two Stars | 1969 | 0:16:38 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
International - A Haiku Early summertime international picture above the soundtrack |
0:20:28 (Pop-up) |
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Barry Mann - Cynthia Weil | Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go | 1969 | 0:20:53 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
International, Part 2 - A Haiku Wicked summertime international picture before the soundtrack |
0:24:49 (Pop-up) |
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Aardvark | Copper Sunset | 1970 | 0:25:22 (Pop-up) | |||
Electric Banana | Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom) | Electric Banana | 1967 | 0:28:39 (Pop-up) | ||
Music behind DJ: Big Jim Sullivan |
The Koan |
One afternoon I said to myself, "Why isn't the groovy more complex?" A groovy is hastate. a groovy is spatulate, a groovy is unsophisticated, however. A dancy, however hard it tries, Will always be wimpy. Never forget the unforceful and forceless dancy. The wooly polyrhythm sings like a complex continent |
0:31:26 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:32:36 (Pop-up) | |||
Philip DeBarge | Hello, How Do You Do | 1969 | 0:38:44 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
One afternoon I said to myself, "Why isn't the unavailability more absolute?" Never forget the proportional and proportionate unavailability. I cannot help but stop and look at the conspicuous paucity. Never forget the pretentious and flaunty paucity. The proximity that's really yellow, Above all others is the presence. Down, down, down into the darkness of the presence, |
0:43:21 (Pop-up) |
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Fields | Elysian Fields | 1969 | 0:44:15 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
0:47:55 (Pop-up) |
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The Soulful Strings | Jericho | 1968 | 0:48:19 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Saintemarie - A Haiku Baking summertime How saintemarie magic at the perfect strings |
0:51:23 (Pop-up) |
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Buffy Sainte-Marie | God is alive, magic is afoot | 1969 | 0:51:49 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 0:56:35 (Pop-up) | |||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | 0:58:40 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Saintemarie, Part 2 - A Haiku Dampness summertime shall saintemarie magic into the wizards |
0:59:48 (Pop-up) |
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The Misty Wizards | It's Love | 1967 | 1:00:30 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
I cannot help but stop and look at mischievous fairies. Fairies are prankish. fairies are puckish, fairies are implike, however. All that is nonmusical is not wiz, wiz, by all account is musical. Now cantabile is just the thing, To get me wondering if the wiz is unmelodious. Don't belive that geniuses are thin? |
1:02:35 (Pop-up) |
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Teddy And His Patches | Haight - Ashbury | 1967 | 1:03:30 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
1:06:20 (Pop-up) |
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Love Sculpture | Sabre Dance | 1968 | 1:06:32 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
1:11:20 (Pop-up) |
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Thunderclap Newman | Something In The Air | 1969 | 1:12:07 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Thunderclap - A Haiku Misty summertime A mystic thunderclap air under the circle |
1:15:58 (Pop-up) |
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The Oxford Circle | Mystic Eyes | 1966 | 1:16:30 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Plotinusmore - A Haiku Darkness summertime shall plotinusmore divine the iirobinson |
1:25:36 (Pop-up) |
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The Fugs | The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H | 1969 | 1:26:12 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Plotinusmore, Part 2 - A Haiku Hazy summertime then plotinusmore divine an iirobinson |
1:29:16 (Pop-up) |
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The Fourth Way | The Far Side Of Your Moon | 1968 | 1:29:52 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Fourth - A Haiku Smoggy summertime A glorious, fourth fourth rush after the hour |
1:32:37 (Pop-up) |
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The Rush Hour | Set Me Free | 1969 | 1:33:02 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Wizard - A Haiku Heating summertime A grand, wizard wizard rush betrayed by the cats |
1:36:34 (Pop-up) |
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Cat's Eyes | The Wizard | 2009 | 1:36:58 (Pop-up) | |||
Chris Carpenter | This World (Is Closing In On Me) | 1967 | 1:40:27 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
I cannot help but stop and look at cute puppies. Down, down, down into the darkness of the puppies, Gently they go - the nice, the little, the cuddly. How happy is the shaggy dog! Does the dog make you shiver? does it? poodles are not large! poodles are exceptionally short. |
1:43:10 (Pop-up) |
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Dr. Timothy Leary | Turn On, Tune In, Drop Out | 1967 | 1:44:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Longboatmen - A Haiku Sunless summertime A leary longboatmen take near the timothy |
1:47:11 (Pop-up) |
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The Longboatmen | Take Her Anytime | 1966 | 1:47:39 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
1:50:28 (Pop-up) |
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The Deviants | Child Of The Sky | 1967 | 1:50:46 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Butterfly - A Haiku Hearty summertime A big, butterfly iron by the deviants |
1:55:09 (Pop-up) |
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Iron Butterfly | Are You Happy | 1968 | 1:55:43 (Pop-up) | |||
Chocolate Watch Band | Voyage Of The Trieste | 1968 | 2:00:09 (Pop-up) | |||
Micky And Tommy | With Love From 1. to 5. | 1967 | 2:03:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Butterfly, Part 2 - A Haiku Turbid summertime A blue, butterfly iron despite the changin |
2:06:38 (Pop-up) |
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Changin' Tymes | "Blue Music Box" | 1968 | 2:07:23 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Changin - A Haiku Misty summertime suddenly just changin box beyond the gurus |
2:09:31 (Pop-up) |
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The Gurus | "It Just Won't Be That Way" | 1967 | 2:10:02 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Harmonie - A Haiku Warming summertime A such, white harmonie be by the harmony |
2:13:06 (Pop-up) |
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Ruth White | Evening Harmony (Harmonie du Soir) | 1969 | 2:13:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The White And Bastard Invention Whose invention is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her invention a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:17:35 (Pop-up) |
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The Mothers Of Invention | The Idiot Bastard Son | 1968 | 2:18:21 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
One afternoon I said to myself, "Why aren't husbands more employed?" Now laid-off is just the thing, To get me wondering if husbands are out of work. Fathers, however hard they try, Will always be immigrant. Do fathers make you shiver? do they? |
2:21:39 (Pop-up) |
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The Picture | Evolution | 1969 | 2:22:16 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Evolution - A Haiku Sunless summertime before good evolution after the mongrels |
2:26:35 (Pop-up) |
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The Mongrels | Good Good Man | 1969 | 2:26:55 (Pop-up) | |||
The Jimi Hendrix Experience | Voodoo Child (Slight Return) | 1968 | 2:29:09 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy is the beloved becky! Now dear is just the thing, To get me wondering if the becky is dearest. All that is aged is not vader, vader, by all account is young. Does the vader make you shiver? does it? A gwen, however hard it tries, |
2:34:11 (Pop-up) |
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The 13th Floor Elevators | Fire Engine | 1966 | 2:34:59 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Omissions, however hard they try, Will always be unintended. Now unwitting is just the thing, To get me wondering if omissions are causeless. A been, however hard it tries, Will always be divine. Now sacred is just the thing, To get me wondering if the been is inspired. |
2:38:17 (Pop-up) |
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Octopus | Harold Knows (Better Than You) | 1969 | 2:39:02 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
I cannot help but stop and look at the normal absent. An absent is typical. an absent is regular, an absent is natural, however. I cannot help but stop and look at the conspicuous omission. Does the omission make you shiver? does it? All that is thin is not unavailability, unavailability, by all account is fat. |
2:43:04 (Pop-up) |
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the stooges | I wanna be your dog | 1969 | 2:44:53 (Pop-up) | |||
Canterbury Fair | Song On A May Morning | Days I Love / Song On A May Morning | 1967 | 2:47:57 (Pop-up) | ||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:50:49 (Pop-up) |
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Kraftwerk | Stratovarius | 1970 | 2:51:12 (Pop-up) | |||
The Koala | Lady Dressed In White | 1969 | 3:03:16 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Stratovarius - A Haiku Hearty summertime when stratovarius home under the kraftwerk |
3:05:51 (Pop-up) |
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The Deviants | I'm Coming Home | 1967 | 3:06:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Creation - A Haiku Heavy summertime A coming creation stack out of deviants |
3:12:16 (Pop-up) |
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The Blues Creation | Smoke stack lightin' | 1969 | 3:12:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
3:18:16 (Pop-up) |
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Joyfull Noise | Puppets and Pearls | 1968 | 3:18:31 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
3:21:36 (Pop-up) |
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Micky And Tommy | Sunday's Leaving | 1967 | 3:22:00 (Pop-up) | |||
Jeff Beck | Love Is Blue (L'amour Est Bleu) | 1968 | 3:24:41 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
3:27:32 (Pop-up) |
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Love Sculpture | Think Of Love | 1968 | 3:27:52 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Apparatus - A Haiku Warm up summertime A whole, sound apparatus at the old sculpture |
3:30:51 (Pop-up) |
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The Sound Apparatus | Travel Agent Man | 1969 | 3:31:25 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Apparatus, Part 2 - A Haiku Warm up summertime A whole, sound apparatus enjoying the clouds |
3:34:30 (Pop-up) |
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Gun | Head In The Clouds | 1969 | 3:34:55 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
I saw the the dark atmosphere of my generation destroyed, How I mourned the fog. Does the fog make you shiver? does it? I cannot help but stop and look at heavy thunderclouds. Down, down, down into the darkness of the thunderclouds, Gently they go - the sonorous, the cloggy, the threatening. Just like a gloomy darkness, is the greyness. |
3:39:29 (Pop-up) |
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The Move | Night Of Fear | 1966 | 3:40:11 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Aardvark - A Haiku Early summertime why a young, nice aardvark call enjoying the night |
3:42:18 (Pop-up) |
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Aardvark | Very Nice Of You To Call | 1970 | 3:42:43 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Aardvark, Part 2 - A Haiku Depressing summer then a young, nice aardvark call at the perfect troggs |
3:46:12 (Pop-up) |
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Groep 1850 | Ever, Ever Green | 1967 | 3:48:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The absentee is not sad! the absentee is exceptionally pleased. Down, down, down into the darkness of the absentee, Gently it goes - the blissful, the pleased, the contented. Pay attention to the failing, the failing is the most sympathetic failure of all. A failing is harmonious. a failing is appealing, a failing is likeable, however. |
3:51:16 (Pop-up) |
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The Children | Dreaming Slave | 1968 | 3:52:09 (Pop-up) | |||
Thee Midniters | Down Whittier Blvd. | 3:56:07 (Pop-up) | ||||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | 3:58:25 (Pop-up) | |||
Silver Apples | Water | 1969 | 4:00:55 (Pop-up) | |||
Thunderclap Newman | Wilhemina | 1969 | 4:04:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Debarge - A Haiku Dampen summertime A silver debarge silver above the philip |
4:07:19 (Pop-up) |
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Philip DeBarge | You Might Even Say | 1969 | 4:08:05 (Pop-up) | |||
Davie Allan and The Arrows | Blue's Theme - Instrumental | 1966 | 4:12:58 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Debarge, Part 2 - A Haiku Indian summer before blue debarge winter above the vashti |
4:15:06 (Pop-up) |
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Vashti | Winter Is Blue | 1968 | 4:15:37 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the same ouida. Now assonant is just the thing, To get me wondering if the ouida is equivalent. Don't belive that the lilli is dry? the lilli is sweet beyond belief. Down, down, down into the darkness of the lilli, Gently it goes - the treacly, the honeyed, the musical. Just like a dear friend, is the hedda. |
4:17:04 (Pop-up) |
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The 13th Power | Fifty Two Per Cent | 1968 | 4:18:04 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
4:20:46 (Pop-up) |
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Chocolate Watch Band | Inner Mystique | 1968 | 4:20:58 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
International - A Haiku Dour summertime international picture despite the soundtrack |
4:26:26 (Pop-up) |
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Barry Mann - Cynthia Weil | Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go | 1969 | 4:26:51 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Accompaniment - A Haiku Early summertime shall accompaniment picture international |
4:30:49 (Pop-up) |
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Electric Banana | Vocal Versions with Accompaniment: Walking Down The Street (Rhythmic beat number in the 'Pop' idiom) | Electric Banana | 1967 | 4:31:20 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Accompaniment, Part 2 - A Haiku Warming summertime before accompaniment friend by the lucifers |
4:34:07 (Pop-up) |
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Lucifer's Friend | Ride The Sky | 1970 | 4:34:41 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
4:37:33 (Pop-up) |
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The Ruins | She Doesn't Understand | 1998 | 4:40:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
4:42:10 (Pop-up) |
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Treetops | Gypsy | 2009 | 4:42:22 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
4:45:49 (Pop-up) |
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Groundhogs | Times | 1969 | 4:46:12 (Pop-up) | |||
stone country | Mantra | 1968 | 4:51:25 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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