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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:25 (Pop-up) | ||||
Czar | Beyond The Moon | 1970 | 0:02:53 (Pop-up) | |||
The End | What Does It Feel Like | 1969 | 0:06:36 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
0:09:18 (Pop-up) |
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The Byrds | Mind Gardens | 1967 | 0:09:35 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Pay attention to the absentee, the absentee is the most noteworthy traveler of all. Down, down, down into the darkness of the absentee, Gently it goes - the important, the significant, the notable. I cannot help but stop and look at apparent disappearances. Do disappearances make you shiver? do they? The fat stolen sings like a presidential length |
0:13:48 (Pop-up) |
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Warm Sounds | Nite Is A Comin' b/w Smeta Murgaty | 1967 | 0:14:53 (Pop-up) | |||
Les Sauterelles | Janet | 1966 | 0:20:33 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Associates - A Haiku Baking summertime A close, associates warm by the attitude |
0:22:45 (Pop-up) |
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John Fitch & Associates | Romantic Attitude | 1969 | 0:23:17 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Associates, Part 2 - A Haiku Wicked summertime A close, associates tell on the attitude |
0:26:25 (Pop-up) |
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The Zipps | When You Tell It, Tell It Well | 1969 | 0:26:47 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:29:52 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money |
How happy is the divine been! Does the been make you shiver? does it? One afternoon I said to myself, "Why aren't omissions more undesigned?" Are you upset by how voluntary they are? Does it tear you apart to see the omissions so willful? prefaces are not fatless! |
0:32:15 (Pop-up) |
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Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 0:33:10 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
0:35:49 (Pop-up) |
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Steamhammer | Windmill | 1969 | 0:36:10 (Pop-up) | |||
The Kitchen Cinq | You'll Be Sorry Someday | 1966 | 0:41:28 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
0:43:53 (Pop-up) |
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The Corporation | Highway | 1969 | 0:44:13 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
0:47:12 (Pop-up) |
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The Parking Lot | World Spinning Sadly | 1969 | 0:47:26 (Pop-up) | |||
Jesus | Songe Mortuaire | 1968 | 0:50:14 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
0:52:59 (Pop-up) |
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Rupert's People | I've Got The Love | 1968 | 0:53:32 (Pop-up) | |||
The Byrds | Stranger In A Strange Land [Instrumental Backing Track] | Turn! Turn! Turn! | 1965 | 0:57:28 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
1:00:00 (Pop-up) |
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Wonderland | Moscow | 1968 | 1:00:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
1:03:04 (Pop-up) |
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Fields | Elysian Fields | 1969 | 1:03:14 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
1:06:54 (Pop-up) |
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Oriental Sunshine | Across Your Life | 1970 | 1:07:07 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
International - A Haiku Previous summer international picture watching the soundtrack |
1:11:43 (Pop-up) |
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Barry Mann - Cynthia Weil | Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go | 1969 | 1:12:08 (Pop-up) | |||
MC5 | Kick Out The Jams | 1969 | 1:16:04 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
International, Part 2 - A Haiku Indian summer international picture before the soundtrack |
1:18:52 (Pop-up) |
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The End | Don't Take Me | 1969 | 1:19:40 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
1:22:55 (Pop-up) |
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Teddy And His Patches | Haight - Ashbury | 1967 | 1:23:19 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
1:26:07 (Pop-up) |
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The 3rd Evolution | Don't Play With Me | 1966 | 1:26:38 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy is the immediate presence! Does the presence make you shiver? does it? The inconvenience that's really consequent, Above all others is the unavailability. Does the unavailability make you shiver? does it? Just like inadvertent errors, is the omission. |
1:28:54 (Pop-up) |
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George Harrison | Party Seacombe | Wonderwall Music | 1968 | 1:29:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
I saw the the beloved vanish of my generation destroyed, How I mourned the absent. Are you upset by how dearest it is? Does it tear you apart to see the absent so dear? I saw the the apparent disuse of my generation destroyed, How I mourned the omission. Are you upset by how obvious it is? Does it tear you apart to see the omission so seeming? |
1:33:57 (Pop-up) |
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Aardvark | Copper Sunset | 1970 | 1:34:42 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Saintemarie - A Haiku Previous summer How saintemarie copper before the aardvark |
1:38:53 (Pop-up) |
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Buffy Sainte-Marie | God is alive, magic is afoot | 1969 | 1:39:16 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Saintemarie, Part 2 - A Haiku Scorching summertime How saintemarie magic by the september |
1:44:02 (Pop-up) |
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Czar | A Day In September | 1970 | 1:44:38 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy are markov gibbs! Do gibbs make you shiver? do they? The gregorian calendar month that's really 9th, Above all others is the october. Does the october make you shiver? does it? Pay attention to the november, |
1:52:32 (Pop-up) |
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Philip DeBarge | Hello, How Do You Do | 1969 | 1:53:07 (Pop-up) | |||
Big Jim Sullivan | Translove Airways (Fat Angel) | Sitar Beat | 1968 | 1:57:05 (Pop-up) | ||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:59:07 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
All that is stupid is not nerds, nerds, by all account is smart. Never forget the dashing and wise nerds. Geniuses, however hard they try, Will always be eminent. Geniuses are great. geniuses are lofty, geniuses are towering, however. When I think of cyclopes, I see a wicked attack. |
2:00:00 (Pop-up) |
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The Misty Wizards | It's Love | 1967 | 2:01:04 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Fairies, however hard they try, Will always be wicked. Now repellent is just the thing, To get me wondering if fairies are heavy. All that is derivative is not magic, magic, by all account is primitive. Does the magic make you shiver? does it? |
2:03:09 (Pop-up) |
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The Kitchen Cinq | Determination | 1966 | 2:03:44 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
A leur, however hard it tries, Will always be les. Does the leur make you shiver? does it? I cannot help but stop and look at the paris notre. Does the notre make you shiver? does it? When I think of the histoire, I see an une history. |
2:05:42 (Pop-up) |
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The 13th Power | Love To Be Your Man | 1968 | 2:06:18 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
2:09:26 (Pop-up) |
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Love Sculpture | Sabre Dance | 1968 | 2:09:54 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
2:14:41 (Pop-up) |
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Tim Buckley | Once Upon a Time | 1967 | 2:15:00 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Plotinusmore - A Haiku Early summertime where plotinusmore divine an iirobinson |
2:17:15 (Pop-up) |
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The Fugs | The Divine Toe (Part I)/Grope Need (Part I)/Tuli, Visited By The Ghost Of Plotinus/More Grope Need (Grope Need-Part II)/Robinson Crusoe/The National H | 1969 | 2:17:36 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Plotinusmore, Part 2 - A Haiku Previous summer How plotinusmore divine by the thunderclap |
2:20:41 (Pop-up) |
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Thunderclap Newman | Something In The Air | 1969 | 2:21:16 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Roberts, however hard they try, Will always be handsome. Do roberts make you shiver? do they? A payne, however hard it tries, Will always be english. Does the payne make you shiver? does it? |
2:25:08 (Pop-up) |
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The Galaxies IV | Don't Lose Your Mind | 1966 | 2:25:40 (Pop-up) | |||
Bob Seger and the Last Heard | Heavy Music (Part 1) | 1967 | 2:28:34 (Pop-up) | |||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Fourth - A Haiku Previous summer A glorious, fourth fourth side betrayed by the moon |
2:31:08 (Pop-up) |
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The Fourth Way | The Far Side Of Your Moon | 1968 | 2:31:50 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
Kahuna - A Haiku Dour summertime A fourth kahuna fuller under the fuller |
2:34:35 (Pop-up) |
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Chris Carpenter | This World (Is Closing In On Me) | 1967 | 2:36:46 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Carpenter - A Haiku Early summertime An old, pretty carpenter after the closing |
2:39:30 (Pop-up) |
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Pretty Things | I See You | 1968 | 2:39:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
All that is intelligent is not tricks, tricks, by all account is stupid. Tricks are goosey. tricks are smart, tricks are obtuse, however. pleasures are not serious! pleasures are exceptionally airheaded. Down, down, down into the darkness of the pleasures, Gently they go - the light-minded, the airheaded, the giddy. |
2:43:48 (Pop-up) |
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Micky And Tommy | With Love From 1. to 5. | 1967 | 2:44:31 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The dearth is not unobtrusive! the dearth is exceptionally evident. A dearth is detectable. a dearth is evident, a dearth is discernible, however. I cannot help but stop and look at the absolute void. Now sheer is just the thing, To get me wondering if the void is infinite. One afternoon I said to myself, |
2:47:28 (Pop-up) |
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Eastfield Meadows | Silent Night | 1968 | 2:48:20 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the unavailability, the unavailability is the most usual inconvenience of all. Down, down, down into the darkness of the unavailability, Gently it goes - the regular, the customary, the habitual. I saw the the emotional space of my generation destroyed, How I mourned the void. Down, down, down into the darkness of the void, Gently it goes - the affective, the mushy, the supercharged. |
2:51:01 (Pop-up) |
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Groep 1850 | Ever, Ever Green | 1967 | 2:52:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Timothy - A Haiku Dour summertime A leary timothy tune betrayed by the groep |
2:55:14 (Pop-up) |
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Dr. Timothy Leary | Turn On, Tune In, Drop Out | 1967 | 2:55:34 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 2:57:55 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Chocolate - A Haiku Dour summertime A sweet, leary chocolate watch enjoying the trieste |
3:00:00 (Pop-up) |
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Chocolate Watch Band | Voyage Of The Trieste | 1968 | 3:00:40 (Pop-up) | |||
Changin' Tymes | "Blue Music Box" | 1968 | 3:04:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Because I could not annex for trieste, it did kindly annex for me. Does the trieste make you shiver? does it? All that is unassertive is not chirac, chirac, by all account is assertive. Are you upset by how unassertive it is? Does it tear you apart to see the chirac so self-asserting? |
3:06:20 (Pop-up) |
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The Gurus | "It Just Won't Be That Way" | 1967 | 3:07:05 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Scoundrels - A Haiku Early summertime A greatest, sound scoundrels sound at the old scoundrels |
3:09:20 (Pop-up) |
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Ruth White | Evening Harmony (Harmonie du Soir) | 1969 | 3:15:29 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
All that is unfit is not plaisir, plaisir, by all account is fit. Are you upset by how unfit it is? Does it tear you apart to see the plaisir so suited? How happy is the est bonne! Bonne, bonne, every where, Yet not a drop to capture. A devant, however hard it tries, |
3:19:24 (Pop-up) |
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The Travel Agency | She Understands | 1969 | 3:20:04 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
3:22:48 (Pop-up) |
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The Picture | Evolution | 1969 | 3:23:09 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Evolution - A Haiku Previous summer before good evolution into the mongrels |
3:27:28 (Pop-up) |
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The Mongrels | Good Good Man | 1969 | 3:27:47 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:30:01 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Mongrels - A Haiku Early summertime A human, good mongrels dip under the velvett |
3:30:17 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:30:56 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture |
The traveler that's really precious, Above all others is the absentee. An absentee is valuable. an absentee is wanted, an absentee is artful, however. The deceased is not early! the deceased is exceptionally latish. Down, down, down into the darkness of the deceased, Gently it goes - the posthumous, the latish, the deep. |
3:37:00 (Pop-up) |
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Octopus | Harold Knows (Better Than You) | 1969 | 3:37:58 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Deviants - A Haiku Hearty summertime A non, deviants better near the octopus |
3:42:57 (Pop-up) |
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The Deviants | I'm Coming Home | 1967 | 3:43:30 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Kraftwerk - A Haiku Indian summer before coming kraftwerk home by the deviants |
3:49:19 (Pop-up) |
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Kraftwerk | Vom Himmel Hoch | 1971 | 3:49:36 (Pop-up) | |||
the stooges | I wanna be your dog | 1969 | 4:04:52 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:07:56 (Pop-up) |
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The Blues Creation | Smoke stack lightin' | 1969 | 4:08:13 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
4:13:38 (Pop-up) |
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Joyfull Noise | Puppets and Pearls | 1968 | 4:13:53 (Pop-up) | |||
Micky And Tommy | Sunday's Leaving | 1967 | 4:16:33 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
4:19:14 (Pop-up) |
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Love Sculpture | Think Of Love | 1968 | 4:20:30 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
4:23:30 (Pop-up) |
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The Bag | Nickels 'N Dimes | 1968 | 4:23:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Apparatus - A Haiku Wicked summertime A whole, sound apparatus before the nickels |
4:26:20 (Pop-up) |
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The Sound Apparatus | Travel Agent Man | 1969 | 4:26:43 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Apparatus, Part 2 - A Haiku Previous summer A whole, sound apparatus into the aardvark |
4:29:48 (Pop-up) |
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Aardvark | Very Nice Of You To Call | 1970 | 4:30:14 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Sauterelles - A Haiku Warm up summertime A nice sauterelles call watching the aardvark |
4:33:43 (Pop-up) |
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Les Sauterelles | Janet | 1966 | 4:34:09 (Pop-up) | |||
Musiche Originali Di Ennio Morricone | Beat N° 3 | 1968 | 4:36:20 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Pay attention to the omission, the omission is the most odd linguistic process of all. Never forget the funny and rummy omission. I cannot help but stop and look at the how been. Does the been make you shiver? does it? The forgotten is not nonfat! the forgotten is exceptionally fleshy. |
4:39:01 (Pop-up) |
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Silver Apples | Water | 1969 | 4:39:47 (Pop-up) | |||
Thunderclap Newman | Accidents | 1970 | 4:44:49 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
The grama is not achromatic! the grama is exceptionally white. Now undiluted is just the thing, To get me wondering if the grama is white. Don't belive that the fleece is daytime? the fleece is dark beyond belief. Down, down, down into the darkness of the fleece, Gently it goes - the subdued, the sour, the nighttime. |
4:48:29 (Pop-up) |
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The Woolies | Who Do You Love | 1966 | 4:49:15 (Pop-up) | |||
Davie Allan and The Arrows | Blue's Theme - Instrumental | 1966 | 4:51:15 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
Candy-O'67:
Owl Sun:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Sly Don:
Sly Don:
Owl Sun:
Owl Sun:
Candy-O'67:
Candy-O'67:
Eli:
Candy-O'67:
Eli:
Owl Sun:
Mod Mokka Matti:
Candy-O'67:
Owl Sun:
Candy-O'67:
Owl Sun:
StringOFperils:
Owl Sun:
Candy-O'67:
StringOFperils:
Mod Mokka Matti:
Owl Sun:
Candy-O'67:
StringOFperils:
Mod Mokka Matti:
Too tired to sleep, want to cry.
Help me Owl, will ya?
Owl Sun:
Owl Sun:
Candy-O'67:
Last Ave San Francisco:
Owl Sun: