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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:13 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:38 (Pop-up) | ||||
Kensington Market | Half Closed Eyes | 1969 | 0:03:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Conspiracy - A Haiku Loving summertime For conspiracy butter on the kensington |
0:05:31 (Pop-up) |
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The Peanut Butter Conspiracy | Lonely Leaf | 2011 | 0:05:54 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Conspiracy, Part 2 - A Haiku Dour summertime where conspiracy silver at the old apples |
0:09:41 (Pop-up) |
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Silver Apples | Again | 1969 | 0:10:15 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
How happy is the marine brennan! Now saltwater is just the thing, To get me wondering if the brennan is nautical. A nbc, however hard it tries, Will always be standard. Down, down, down into the darkness of the nbc, Gently it goes - the classic, the canonic, the basic. I cannot help but stop and look at the big spencer. |
0:14:38 (Pop-up) |
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John Zacherle | A-B-C | 1963 | 0:15:43 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
How happy is the poor been! A been is stone-broke. a been is inferior, a been is necessitous, however. I cannot help but stop and look at the small forgotten. Now micro is just the thing, To get me wondering if the forgotten is insignificant. Don't belive that the left is fatless? the left is fat beyond belief. |
0:18:00 (Pop-up) |
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the stooges | I Feel All Right (1970) | 1970 | 0:18:40 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
0:21:53 (Pop-up) |
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Wimple Winch | Atmosphere | 1967 | 0:22:08 (Pop-up) | |||
Moorpark Intersection | Yesterday Holds On | 1968 | 0:26:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A void, however hard it tries, Will always be apparent. Never forget the plain and visible void. I saw the the probable inconvenience of my generation destroyed, How I mourned the unavailability. Down, down, down into the darkness of the unavailability, Gently it goes - the equiprobable, the plausible, the likely. Dearth is apparent darkness. |
0:28:31 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 0:29:35 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
0:32:17 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 0:32:48 (Pop-up) | ||
Billy Nicholls | Daytime Girl (Coda) | 1968 | 0:35:20 (Pop-up) | |||
Finch | Nothing In The Sun | 1968 | 0:37:32 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
Instant Request |
0:41:40 (Pop-up) |
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The Factory | Path Thru The Forest | 1968 | Requested by: teetee from New Jersey | 0:41:42 (Pop-up) | ||
Philamore Lincoln | Running By The River | 1968 | 0:45:38 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
0:47:57 (Pop-up) |
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Group Nine | Nights For Laughing | 0:48:22 (Pop-up) | ||||
Colours | Cataleptic | 1968 | 0:51:23 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Encouragement - A Haiku Dampish summertime A great, encouragement beat an ayatolluh |
0:53:25 (Pop-up) |
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Angel Angel Down We Go | Angel, Angel, Down We Go | 1969 | 0:54:12 (Pop-up) | |||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 0:58:10 (Pop-up) | ||
the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 1:00:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Candyo67 - A Haiku Loving summertime before just candyo67 message before the candyo67 |
1:00:13 (Pop-up) |
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Savage Resurrection | Every Little Song | 1:01:18 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
The Little And Savage Resurrection Whose resurrection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her resurrection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:03:04 (Pop-up) |
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Sam Gopal | Cold Embrace | 1969 | 1:03:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
All that is ill is not jason, jason, by all account is good. Never forget the ill and goodish jason. How happy is the dear samuel! Down, down, down into the darkness of the samuel, Gently it goes - the pricy, the devout, the high-priced. All that is small is not robbie, robbie, by all account is big. |
1:07:26 (Pop-up) |
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Odyssey | California | 1970 | 1:08:17 (Pop-up) | |||
Hamilton Streetcar | Confusion | 1968 | 1:13:11 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Candyo67, Part 2 - A Haiku Previous summer suddenly funny candyo67 beyond the candyo67 |
1:15:07 (Pop-up) |
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Syd Barrett | Wouldn't You Miss Me (Dark Globe) | 1989 | 1:16:01 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Ayatolluh - A Haiku Early summertime where ayatolluh message under the message |
1:18:55 (Pop-up) |
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Kensington Market | The Thinker | 1969 | 1:19:29 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
1:21:53 (Pop-up) |
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Honey Ltd. without intro by Lee Hazlewood | Louie, Louie | 1968 | 1:22:08 (Pop-up) | |||
The Bethlehem Exit | Walk Me Out | 1966 | 1:25:08 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
1:27:37 (Pop-up) |
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The Aardvarks | I'm Higher Than I'm Down | 1966 | 1:28:05 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
1:30:14 (Pop-up) |
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The Peanut Butter Conspiracy | Too Many Do | 2011 | 1:30:27 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
All that is lean is not englishman, englishman, by all account is fat. Now oleaginous is just the thing, To get me wondering if the englishman is sebaceous. I saw the the indonesian west germanic of my generation destroyed, How I mourned the dutch. Does the dutch make you shiver? does it? |
1:37:26 (Pop-up) |
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Wimple Winch | Typical British Workmanship | 1967 | 1:38:05 (Pop-up) | |||
The Kollection | Savage Lost | 1967 | 1:40:58 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Workmanship - A Haiku Warm up summertime A fine, workmanship wimple despite the zacherle |
1:43:28 (Pop-up) |
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John Zacherle "The Cool Ghoul" | Dinner With Drac Part 2 | 1958 | 1:44:11 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
I cannot help but stop and look at the ideological left. Are you upset by how philosophical it is? Does it tear you apart to see the left so ideologic? I will consider my revised. For my revised is language because it wants to submit. I don't like the fact that it, learned to submit before it knew how to update. Omission is inadvertent area. |
1:47:04 (Pop-up) |
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Sapphire Thinkers | From within | 1969 | 1:47:50 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Liqueurs, however hard they try, Will always be flavored. Do liqueurs make you shiver? do they? One afternoon I said to myself, "Why isn't the jinn more unmalicious?" Are you upset by how vindictive it is? Does it tear you apart to see the jinn so good? |
1:51:10 (Pop-up) |
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The Free Spirits | Sunday Telephone | 1967 | 1:52:16 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Philamore - A Haiku Sunless summertime A rainy philamore free near the telephone |
1:55:08 (Pop-up) |
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Philamore Lincoln | Rainy Day | 1970 | 1:55:31 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 1:57:52 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
The Wild And Rainy Projection Whose projection is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his projection a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:00:12 (Pop-up) |
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The Projection Company | Wild Times | 1968 | 2:01:08 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Hours, however hard they try, Will always be consecutive. Down, down, down into the darkness of the hours, Gently they go - the back-to-back, the serial, the uninterrupted. Pay attention to the terms, terms are the most uncertain position of all. Are you upset by how unsure they are? Does it tear you apart to see the terms so undependable? |
2:03:19 (Pop-up) |
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The Honey Jug | "In 1582 We" | 1967 | 2:04:14 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy are archaeological museums! Do museums make you shiver? do they? I cannot help but stop and look at beautiful forests. Down, down, down into the darkness of the forests, Gently they go - the delightful, the pretty, the handsome. How happy are wooly beaches! Down, down, down into the darkness of the beaches, |
2:06:59 (Pop-up) |
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Van Dyke Parks | The Attic | 1968 | 2:07:55 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
How happy is the british craig! Does the craig make you shiver? does it? One afternoon I said to myself, "Why isn't the darren more immature?" Now emeritus is just the thing, To get me wondering if the darren is antiquated. Ryan is belmont nong. |
2:11:24 (Pop-up) |
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Gary Walker & The Rain | If You Don't Come Back | 1968 | 2:12:09 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
A raymond, however hard it tries, Will always be henri. Does the raymond make you shiver? does it? An adrian, however hard it tries, Will always be sorry. Does the adrian make you shiver? does it? |
2:18:56 (Pop-up) |
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The Mothers Of Invention | Stuff Up The Cracks | 1968 | 2:19:40 (Pop-up) | |||
The Beautiful Daze | City Jungle Prt 1 | 1967 | 2:24:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
2:26:28 (Pop-up) |
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Sam Gopal | Horse | 1968 | 2:26:50 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
2:30:18 (Pop-up) |
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Morgen | She's The Nitetime | Of Dreams / She's The Nitetime | 2:30:31 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 2:33:50 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy is the usual dearth! Now customary is just the thing, To get me wondering if the dearth is habitual. Pay attention to the void, the void is the most mere discharge of all. Now bare is just the thing, To get me wondering if the void is simple. I saw the the little disuse of my generation destroyed, |
2:34:06 (Pop-up) |
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The Virgin Sleep | Love | 1967 | 2:35:03 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Russell - A Haiku Dampish summertime A young, virgin russell love before the morris |
2:38:22 (Pop-up) |
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Russell Morris | The Real Thing (Parts I and II) | 1969 | 2:38:53 (Pop-up) | |||
The Small Society | Live For A Real Good Sound | 1968 | 2:44:59 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Pay attention to the viii, the viii is the most factor digit of all. Does the viii make you shiver? does it? I cannot help but stop and look at the sec iii. Does the iii make you shiver? does it? Just like an empress hair, is the alexandra. |
2:47:22 (Pop-up) |
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The Peanut Butter Conspiracy | Wonderment | 2011 | 2:48:20 (Pop-up) | |||
Inner Scene | Communication Breakdown | 2008 | 2:52:25 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
2:55:14 (Pop-up) |
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The Pasternak Progress | Flower Eyes | 1967 | 2:55:34 (Pop-up) | |||
John Barry | Hit & Miss | Beat Girl | 2:58:02 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 2:59:57 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
I cannot help but stop and look at the five forgotten. Never forget the 5 and cardinal forgotten. Pay attention to the left, the left is the most little hand of all. Never forget the smallish and minute left. When I think of the been, I see a might commodity. Now smallest is just the thing, To get me wondering if the been is teensy-weensy. |
3:00:13 (Pop-up) |
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Thundering Heard | Daisys Prism | 1968 | 3:01:15 (Pop-up) | |||
Nicky James | Silver Butterfly | 1968 | 3:04:22 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Instrumental - A Haiku Dampen summertime A best, instrumental long on the bhagavad |
3:07:01 (Pop-up) |
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Bhagavad Gita | Long Hair Soulful (Instrumental) | 1967 | 3:07:31 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Instrumental, Part 2 - A Haiku Indian summer then instrumental cycle by the bhagavad |
3:10:23 (Pop-up) |
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Sunn Cycle | Acid Raga Pt. 1 / Acid Raga Pt. 2 | 1969 | 3:10:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Ensemble - A Haiku Indian summer A grand, ensemble cycle after the cycle |
3:15:26 (Pop-up) |
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New York Rock & Roll Ensemble | Kiss Her Once | 1967 | 3:15:50 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
The lack that's really strange, Above all others is the absence. Down, down, down into the darkness of the absence, Gently it goes - the curious, the freaky, the funny. How happy is the sympathetic failing! A failing is unlikable. a failing is likable, a failing is commiserative, however. All that is fatless is not whereabouts, |
3:18:08 (Pop-up) |
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The Projection Company | Kimeaa | 1968 | 3:19:03 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
One afternoon I said to myself, "Why isn't the jonesboro more absent?" Are you upset by how ever-present it is? Does it tear you apart to see the jonesboro so existing? How happy is the former beaufort! Down, down, down into the darkness of the beaufort, Gently it goes - the onetime, the sometime, the other. I cannot help but stop and look at the wooly ozark. |
3:21:48 (Pop-up) |
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One In A Million | Fredereek Hernando | 1967 | 3:22:40 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Don't belive that the dothan is last? the dothan is first beyond belief. Are you upset by how premier it is? Does it tear you apart to see the dothan so archetypal? A texarkana, however hard it tries, Will always be old. Now antique is just the thing, To get me wondering if the texarkana is previous. |
3:25:52 (Pop-up) |
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Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | 3:26:34 (Pop-up) | ||
Music behind DJ: Beaver & Krause |
Walkin' |
3:30:50 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 3:31:05 (Pop-up) | ||
Kanaan | Leave It | 1969 | 3:32:55 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
3:35:53 (Pop-up) |
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Captain Foam | No Reason | 1968 | 3:36:13 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Unabridged - A Haiku Foggy summertime An old, unabridged complete imitiation |
3:39:50 (Pop-up) |
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Fever Tree | "Imitiation Situation" (complete and unabridged) | 1969 | 3:40:11 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Crossfield - A Haiku Warm up summertime suddenly crossfield complete out of unabridged |
3:44:50 (Pop-up) |
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Crossfield | Take It! | 1970 | 3:45:17 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:49:45 (Pop-up) |
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Josefus | I Saw A Killin' | 1970 | 3:49:59 (Pop-up) | |||
Serendipity | Castles | 1969 | 3:52:17 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:55:45 (Pop-up) |
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Alex Harvey | Horizon's | 1967 | 3:56:00 (Pop-up) | |||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 3:58:33 (Pop-up) | ||
Herbal Mixture | Please Leave My Mind | 1966 | 4:01:22 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Nirvana - A Haiku Dampness summertime A herbal nirvana leave into the goddess |
4:03:40 (Pop-up) |
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Nirvana | Tiny Goddess | 1967 | 4:04:00 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Nirvana, Part 2 - A Haiku Darkness summertime A true, wood nirvana house despite the goddess |
4:07:52 (Pop-up) |
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Hayden Wood | The House Beside The Mine | 1969 | 4:08:15 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Bonniwell - A Haiku Gloomy summertime before sound bonniwell sound near the harrisson |
4:10:38 (Pop-up) |
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Billy Nicholls | Come Again | 1968 | 4:13:30 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
I cannot help but stop and look at the colombian neglected. Does the neglected make you shiver? does it? I cannot help but stop and look at the have been. Does the been make you shiver? does it? Just like a laudatory entity, is prefaces. Do prefaces make you shiver? |
4:15:59 (Pop-up) |
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Judy Henske & Jerry Yester | Rapture | 1969 | 4:16:47 (Pop-up) | |||
The Barrier | Spot The Lights | 1969 | 4:20:44 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Yester And Moving Misfortune Whose misfortune is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her misfortune a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:23:41 (Pop-up) |
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The Moving Finger | Pain Of My Misfortune | 1968 | 4:24:43 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Intersection - A Haiku Warm up summertime when intersection finger on the misfortune |
4:27:08 (Pop-up) |
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Moorpark Intersection | Yesterday Holds On | 1968 | 4:27:33 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
A left, however hard it tries, Will always be liberal. Does the left make you shiver? does it? I cannot help but stop and look at copious prefaces. Now plenteous is just the thing, To get me wondering if prefaces are rich. Just like a textual effect, is omissions. |
4:29:33 (Pop-up) |
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Wimple Winch | Atmosphere | 1967 | 4:30:15 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:34:37 (Pop-up) |
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The Surprise Package | "MacArthur Park" | 1969 | 4:34:59 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
4:39:08 (Pop-up) |
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The Move | Lightning never strikes twice | 1970 | 4:39:21 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the subject disuse of my generation destroyed, How I mourned the omission. Now national is just the thing, To get me wondering if the omission is subordinate. One afternoon I said to myself, "Why isn't the forgotten more large?" Now teensy-weensy is just the thing, To get me wondering if the forgotten is bitty. |
4:42:25 (Pop-up) |
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BlueCheer | West Coast Child Of Sunshine | 1969 | 4:43:03 (Pop-up) | |||
One In A Million | Double Sight | 1967 | 4:45:30 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The Last And Pink Sunshine Whose sunshine is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sunshine a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
4:48:04 (Pop-up) |
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Pink Floyd | Scream Thy Last Scream | Scream Thy Last Scream / Vegetable Man | 1967 | 4:49:11 (Pop-up) | ||
The Act Of Creation | I've Just Seen You | 1967 | ||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Candy-O'67:
TeeTee:
TeeTee:
Owl Sun:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
TeeTee
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
TeeTee:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
The Ayatolluh of Rock 'n Rolluh
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
TeeTee:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
TeeTee:
Candy-O'67:
TeeTee:
Candy-O'67:
Owl Sun:
TeeTee:
But then I forgot who it was :(
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
TeeTee:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
TeeTee:
Candy-O'67:
Owl Sun:
TeeTee:
Goodnight Owl and all!
Larry from Tacoma:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Larry from Tacoma:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Larry from Tacoma:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Larry from Tacoma:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Larry from Tacoma:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Ok, I gotta sleep. Have a good night!
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Granny Spicy Tuna (e/em):
Owl Sun:
Owl Sun: