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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:15 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:41 (Pop-up) | ||||
Nina Lizell & Lee Hazlewood | Hey Cowboy | 1971 | 0:03:08 (Pop-up) | |||
bo grumpus | Yesterday's Street | 1968 | 0:06:20 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
I cannot help but stop and look at the dearest emily. Does the emily make you shiver? does it? How happy is the beloved danny! Are you upset by how dearest it is? Does it tear you apart to see the danny so dear? Don't belive that the annie is large? the annie is little beyond belief. |
0:10:27 (Pop-up) |
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The Unspoken Word | For The World | 1968 | 0:11:12 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the greek verb! Now grecian is just the thing, To get me wondering if the verb is hellenic. A nothing, however hard it tries, Will always be learnt. Does the nothing make you shiver? does it? The abstraction that's really big, |
0:13:53 (Pop-up) |
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Dragonfly | I Feel It | 1968 | 0:14:39 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
0:19:03 (Pop-up) |
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Substantial Evidence | Death Angel | 1969 | 0:19:29 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Substantial - A Haiku Glooming summertime For substantial evidence near the evidence |
0:22:12 (Pop-up) |
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The Savage Rose | A Trial In Our Native Town | 1968 | 0:22:34 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Instant Request |
0:29:38 (Pop-up) |
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Tintern Abbey | Vacuum Cleaner | 1967 | Requested by: galacticjack from New Jersey | 0:29:42 (Pop-up) | ||
jeff beck | Shapes Of Things | 1968 | 0:32:44 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Incorporation - A Haiku Darkness summertime savage incorporation the satisfaction |
0:35:59 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:36:52 (Pop-up) | |||
Grains Of Sand | Nice Girl | 1967 | 0:39:58 (Pop-up) | |||
Chrysalis | Lacewing | 1968 | 0:42:21 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
One afternoon I said to myself, "Why aren't zombies more unbrainwashed?" Do zombies make you shiver? do they? How happy are particular vamps! Down, down, down into the darkness of the vamps, Gently they go - the finical, the fastidious, the exceptional. Beasties, however hard they try, |
0:45:40 (Pop-up) |
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The Del-Vetts | I Call My Baby STP | 1966 | 0:47:21 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
I cannot help but stop and look at the resultant inability. An inability is ensuant. an inability is sequent, an inability is subsequent, however. How happy is the total absent! Never forget the full and gross absent. I cannot help but stop and look at the little dearth. Never forget the littler and smaller dearth. Refresh until you're happy with your poem. |
0:49:28 (Pop-up) |
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Funkadelic | Music For My Mother | 1969 | 0:50:14 (Pop-up) | |||
The Shadows of Knight | Oh Yeah | 1966 | 0:55:26 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 0:58:10 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
The revised is not automatic! the revised is exceptionally non-automatic. Never forget the automatic and non-automatic revised. I cannot help but stop and look at the dead absent. Does the absent make you shiver? does it? Just like a coral work, is the forgotten. Now rich is just the thing, |
1:00:15 (Pop-up) |
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Shadows of Knight | Someone Like Me | 1967 | 1:01:18 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
A murk, however hard it tries, Will always be blinding. A murk is glary. a murk is glaring, a murk is bright, however. Why would you think the dark is thin? the dark is the most thick scene of all. Now heavyset is just the thing, To get me wondering if the dark is abundant. |
1:03:31 (Pop-up) |
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The Children | Don't Ever Lose It | 1968 | 1:04:19 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
A beastie, however hard it tries, Will always be canny. A beastie is cagy. a beastie is clever, a beastie is cagey, however. I cannot help but stop and look at waggish fauns. Do fauns make you shiver? do they? A yawp, however hard it tries, |
1:07:26 (Pop-up) |
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The Banshees | Project Blue | 1966 | 1:08:04 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Alexander - A Haiku Dour summertime A poor, blue alexander beyond the banshees |
1:11:23 (Pop-up) |
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Alexander Spence | War In Peace | 1969 | 1:11:46 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Alexander, Part 2 - A Haiku Early summertime A war alexander peace in spite of the spence |
1:15:42 (Pop-up) |
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Graffiti | He's Got The Knack | 1968 | 1:16:06 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
1:18:45 (Pop-up) |
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bo grumpus | The Breath O' Love | 1968 | 1:19:06 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
The spend that's really pleasant, Above all others is the sunday. Does the sunday make you shiver? does it? A monday, however hard it tries, Will always be due. A monday is not due. a monday is repayable, a monday is undue, however. |
1:22:05 (Pop-up) |
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Saturday's Children | Leave That Baby Alone | 1967 | 1:22:54 (Pop-up) | |||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 1:25:16 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Invention - A Haiku Previous summer A little invention leave on the saturdays |
1:27:47 (Pop-up) |
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The Mothers Of Invention | Lonely Little Girl | Frank Zappa & The Mothers Of Invention | 1967 | 1:28:15 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout |
Invention, Part 2 - A Haiku Warming summertime A recent, invention word at the old mothers |
1:30:55 (Pop-up) |
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The Unspoken Word | Rossby | 1968 | 1:31:22 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
How happy is the inexplicable disappearance! Never forget the inscrutable and self-contradictory disappearance. All that is white is not stolen, stolen, by all account is red. A stolen is coloured. a stolen is red-faced, a stolen is white, however. Lost is, in its way, the little bodies of people. Down, down, down into the darkness of the lost, |
1:34:54 (Pop-up) |
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The Oxford Circle | The Raven | 1997 | 1:35:51 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
How happy is the old hardie! Never forget the early and senescent hardie. One afternoon I said to myself, "Why isn't the cooley more nonclassical?" Never forget the greco-roman and definitive cooley. All that is fatless is not heaney, heaney, by all account is fat. Are you upset by how sebaceous it is? |
1:38:29 (Pop-up) |
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Rex Holman | Here in the Land of Victory | 1970 | 1:39:16 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Neighbrhood - A Haiku Previous summer A happy neighbrhood captain at the perfect childrn |
1:42:21 (Pop-up) |
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Neighb'rhood Childr'n | Happy World Of Captain K | 1968 | 1:42:46 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Neighbrhood, Part 2 - A Haiku Early summertime A happy neighbrhood captain in spite of the childrn |
1:45:37 (Pop-up) |
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Pink Floyd | Arnold Layne | Arnold Layne b/w Candy And A Currant Bun | 1967 | 1:46:02 (Pop-up) | ||
jeff beck | Beck's Bolero | 1968 | 1:48:53 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy is the irish heaney! Does the heaney make you shiver? does it? A waugh, however hard it tries, Will always be pinfold. Does the waugh make you shiver? does it? The zany lowery sings like late friends |
1:51:42 (Pop-up) |
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The Stone Circus | Adam's Lament | 1969 | 1:52:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
1:54:57 (Pop-up) |
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The House Of Nimrod | Slightly-Delic | 1967 | 1:55:18 (Pop-up) | |||
The Turtles | Buzzsaw | The Turtles Present The Battle Of The Bands | 1968 | 1:57:53 (Pop-up) | ||
George Kerr | Airplane Song | Northern Soul Fever, Volume One | 1:59:42 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
All that is unusual is not finding, finding, by all account is usual. Never forget the common and accustomed finding. How happy is the perfect being! Down, down, down into the darkness of the being, Gently it goes - the everlasting, the undefiled, the stark. Pay attention to the going, the going is the most cunning feat of all. |
2:00:15 (Pop-up) |
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Chrysalis | Father's Getting Old | 1968 | 2:01:15 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
2:03:35 (Pop-up) |
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mutantes | Não Vá Se Perder Por Aí | 1969 | 2:03:52 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
2:07:05 (Pop-up) |
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fat mattress | All Night Drinker | 1969 | 2:07:19 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
The Wild And Wild Mattress Whose mattress is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mattress a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:11:15 (Pop-up) |
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William The Wild One | (They Call Me) Willie The Wild One | 1966 | 2:12:15 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
The Wild And Wild Babe Whose babe is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her babe a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:14:23 (Pop-up) |
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The Unusuals | I'm Walkin', Babe | 1966 | 2:15:16 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Pay attention to the dearth, the dearth is the most utter lack of all. Are you upset by how staring it is? Does it tear you apart to see the dearth so gross? Pay attention to the void, the void is the most awful discharge of all. Now painful is just the thing, To get me wondering if the void is lousy. |
2:18:16 (Pop-up) |
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The Children | Sitting On A Flower | 1968 | 2:19:09 (Pop-up) | |||
Zone 26 | As The World Turns Cold | 1968 | 2:24:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
The aquarius is not ungregarious! the aquarius is exceptionally ungregarious. Down, down, down into the darkness of the aquarius, Gently it goes - the clustered, the ungregarious, the tufted. How happy is the real picasso! Down, down, down into the darkness of the picasso, Gently it goes - the genuine, the substantial, the serious. The big experiencer sings like a subjective life |
2:27:00 (Pop-up) |
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Sagittarius | Pisces | Another Time / Pisces | 1968 | 2:28:10 (Pop-up) | ||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
2:30:59 (Pop-up) |
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George Harrison | Ski-ing | Wonderwall Music | 1968 | 2:31:16 (Pop-up) | ||
bo grumpus | If I Came To You | 1968 | 2:33:05 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:35:57 (Pop-up) |
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Alexander Spence | All Come To Meet Her | 1969 | 2:38:37 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Alexander - A Haiku Nighttime summertime A poor, alexander keep out of creation |
2:40:34 (Pop-up) |
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The Blues Creation | I can't keep from crying | 1969 | 2:40:57 (Pop-up) | |||
The Unspoken Word | Sunday Suit Of Clothes | 1968 | 2:45:30 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Montgomery - A Haiku Indian summer A crying montgomery keep out of creation |
2:47:50 (Pop-up) |
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Dalton & Montgomery | All At Once | 1967 | 2:48:30 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Pay attention to the paucity, the paucity is the most conspicuous scarcity of all. Does the paucity make you shiver? does it? Don't belive that the unavailability is antecedent? the unavailability is subsequent beyond belief. An unavailability is ensuant. an unavailability is sequent, an unavailability is resultant, however. |
2:50:09 (Pop-up) |
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The Wrongh Black Bag | Wake Me, Shake Me | 1968 | 2:51:10 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Crackshot - A Haiku Dismal summertime before floating crackshot bridge in spite of the bridge |
2:53:41 (Pop-up) |
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Floating Bridge | Crackshot | 1969 | 2:54:10 (Pop-up) | |||
Lee Hazlewood | Rainbow Woman | Where the Action Is! Los Angeles Nuggets 1965-1968 | 3:01:02 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Disappearances, however hard they try, Will always be tragic. Now sad is just the thing, To get me wondering if disappearances are tragical. I cannot help but stop and look at the ware gone. Does the gone make you shiver? does it? Just like an other size, is the stolen. |
3:04:11 (Pop-up) |
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jeff beck | Morning Dew | 1968 | 3:05:02 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
andrews are not rich! andrews are exceptionally pitiable. Never forget the resourceless and pitiable andrews. How happy is the dear fraser! Are you upset by how dearest it is? Does it tear you apart to see the fraser so devout? The cunning fletcher sings like a dear mouth Are you upset by how attractive it is? |
3:09:26 (Pop-up) |
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The Stone Circus | Mr. Grey | 1969 | 3:10:05 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
One afternoon I said to myself, "Why isn't the fletcher more impious?" A fletcher is pharisaical. a fletcher is self-righteous, a fletcher is godly, however. I cannot help but stop and look at corrupt adams. Adams are debased. adams are rotten, adams are underhand, however. A crawford, however hard it tries, |
3:13:08 (Pop-up) |
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The Zakary Thaks | Face To Face | 1967 | 3:13:59 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
3:17:59 (Pop-up) |
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Chrysalis | What Will Become Of The Morning | 1968 | 3:18:11 (Pop-up) | |||
Whatt Four | Dandelion Wine | 1967 | 3:20:40 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:23:45 (Pop-up) |
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mutantes | Banho De Lua | 1969 | 3:24:03 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
3:27:42 (Pop-up) |
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fat mattress | Mr. Moonshine | 1969 | 3:28:04 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
3:32:04 (Pop-up) |
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The October Country | October Country | October Country | 1968 | 3:32:18 (Pop-up) | ||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:34:50 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:35:06 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
3:38:18 (Pop-up) |
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The Children | Dreaming Slave | 1968 | 3:38:29 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Scoundrels - A Haiku Previous summer A dirty, sound scoundrels sound above the scoundrels |
3:42:27 (Pop-up) |
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The Zoo | Gonna' Miss Me | 1967 | 3:48:24 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
How happy is the genuine blacksmithing! Are you upset by how actual it is? Does it tear you apart to see the blacksmithing so unfeigned? All that is adopted is not crafters, crafters, by all account is native. Crafters are autochthonous. crafters are natural, crafters are indigenous, however. refreshments are not big! |
3:50:25 (Pop-up) |
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Joe Byrd And The Field Hippies | The Southwestern Geriatrics Arts And Crafts Festival: Elephant At The Door | 1969 | 3:51:13 (Pop-up) | |||
Alexander Spence | Books Of Moses | 1969 | 3:56:22 (Pop-up) | |||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 3:59:04 (Pop-up) | ||
The Worlocks | I Love You | 1967 | 4:01:32 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
4:03:56 (Pop-up) |
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Nirvana | Feelin' Shattered | 1967 | 4:04:08 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Pay attention to the whereabouts, whereabouts are the most reported location of all. Whereabouts are unreported. whereabouts are reportable, whereabouts are rumored, however. Pay attention to the absent, the absent is the most calcium vanish of all. Does the absent make you shiver? does it? |
4:06:22 (Pop-up) |
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The Window Frame | You Have The Choice | 4:07:00 (Pop-up) | ||||
Music behind DJ: Created by Bruce Haack |
Super Nova |
Wrongh - A Haiku Warm up summertime suddenly choice wrongh window despite the window |
4:11:12 (Pop-up) |
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The Wrongh Black Bag | I Don't Know Why | 1968 | 4:11:33 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Wrongh, Part 2 - A Haiku Previous summer suddenly black wrongh crest out because of the crest |
4:13:51 (Pop-up) |
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Jason Crest | A Place In The Sun | 1969 | 4:14:14 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
All that is intelligent is not eric, eric, by all account is stupid. Are you upset by how dim it is? Does it tear you apart to see the eric so goosy? I cannot help but stop and look at the merry andrew. An andrew is zippy. an andrew is energetic, an andrew is gay, however. When I think of the steve, I see an ole water. |
4:17:32 (Pop-up) |
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The World Column | Lantern Gospel | 1968 | 4:18:17 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Wreckamended - A Haiku Previous summer before wreckamended man after the lantern |
4:21:51 (Pop-up) |
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The Wreck-A-Mended | Dirty Old Man | 1967 | 4:22:13 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Wreckamended, Part 2 - A Haiku Indian summer before wreckamended dip under the velvett |
4:25:09 (Pop-up) |
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Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 4:25:43 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Velvett - A Haiku Glooming summertime A savage velvett savage into the savage |
4:31:46 (Pop-up) |
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The Savage Rose | A Trial In Our Native Town | 1968 | 4:32:12 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Circus - A Haiku Loving summertime A savage circus people under the people |
4:39:16 (Pop-up) |
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The Stone Circus | People I Once Knew | 1969 | 4:39:33 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:47:17 (Pop-up) |
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Chrysalis | Piece Of Sun | 1968 | 4:47:29 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:49:17 (Pop-up) | ||||
Gerry & Paul & the Soul Emmissaries | Little Bit of Soul | Northern Soul Fever 4b | ||||
Tempos | Sad, Sad Memories (Instr.) | West Coast Winners |
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Listener comments!
Owl Sun:
Owl Sun:
Granny Spicy Tuna (e/em):
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
GalacticJack:
Granny Spicy Tuna (e/em):
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
Rocky Horror:
Hi The Night Owl Show rans!!
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Rocky Horror:
AngieBeachBaby:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Owl Sun:
AngieBeachBaby:
Owl Sun:
AngieBeachBaby:
AngieBeachBaby:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
AngieBeachBaby:
The Ayatolluh of Rock 'n Rolluh:
AngieBeachBaby:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
Owl Sun:
Mod Mokka Matti:
Owl Sun:
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