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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
Poe | Automatic Writing | 1971 | 0:03:19 (Pop-up) | |||
The Wet Paint | At The River's Edge | 1966 | 0:06:20 (Pop-up) | |||
The Whatt Four | Stop Your Messin' Around | 1966 | 0:09:15 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy is the lopez ortiz! Does the ortiz make you shiver? does it? How happy is the angry meno! Now sore is just the thing, To get me wondering if the meno is outraged. Just like a charles summer, is the leonard. Are you upset by how flocculent it is? |
0:11:38 (Pop-up) |
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Wildwood | Swimming | 1968 | 0:13:30 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
How happy is the heiligen leben! Does the leben make you shiver? does it? How happy are comp dis! Do dis make you shiver? do they? When I think of the bream, I see a roach thought. A bream is enormous. a bream is life-size, |
0:16:06 (Pop-up) |
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The Maze | I'm So Sad | 1968 | 0:17:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Wilkinson - A Haiku Indian summer A former, sad wilkinson near the tricycle |
0:24:05 (Pop-up) |
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Wilkinson Tri-Cycle | Pourscha Poe | 1969 | 0:24:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Instant Request |
0:28:52 (Pop-up) |
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Satisfaction | Love It Is | 2009 | Requested by: by from New Jersey | 0:28:56 (Pop-up) | ||
The Far Cry | Hellhound | 1968 | 0:31:49 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Encouragement - A Haiku Loving summertime then encouragement request at the old request |
0:35:27 (Pop-up) |
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The Griffin | I'm Movin' On | 1968 | 0:36:30 (Pop-up) | |||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 0:39:20 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
Instant Request |
0:41:44 (Pop-up) |
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The Grateful Dead | Dark Star | 1968 | For: Galactic Jack | 0:41:47 (Pop-up) | ||
Kennélmus | Shapes Of Sleep | 1971 | 0:44:25 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Cheer - A Haiku Nighttime summertime A loud, galactic cheer jack whilst watching the jack |
0:49:11 (Pop-up) |
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The Weird Street Carnival | The Inner Truth | 1968 | 0:50:05 (Pop-up) | |||
The Byrds | Renaissance Fair | 1967 | 0:52:08 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Encouragement - A Haiku Heavy summertime then encouragement better on the requesting |
0:53:55 (Pop-up) |
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The Truth | P.S. (Prognosis Stegnoisis) | 1968 | 0:54:40 (Pop-up) | |||
The Chocolate Watchband | Expo 2000 | The Best Of The Chocolate Watch Band | 1967 | 0:57:44 (Pop-up) | ||
Rivieras | H.B. Goose Step | California Sun-The Best Of The Rivieras | 2000 | 1:00:17 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed |
Encouragement, Part 2 - A Haiku Dampish summertime A great, encouragement mess the ayatolluh |
1:00:25 (Pop-up) |
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The Wildflower | Wind Dream | 1966 | 1:01:23 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Perfect - A Haiku Indian summer A perfect perfect perfect before the turkish |
1:03:36 (Pop-up) |
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Whatt Four | You're Wishin' I Was Someone Else | 1967 | 1:04:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
Whereabouts, however hard they try, Will always be uncertain. Whereabouts are undependable. whereabouts are unsure, whereabouts are unsettled, however. Pay attention to the absence, the absence is the most noticeable interval of all. Down, down, down into the darkness of the absence, Gently it goes - the observable, the marked, the unnoticeable. |
1:06:33 (Pop-up) |
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Troy | Amnesia | 1969 | 1:07:29 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
1:11:14 (Pop-up) |
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Transatlantic Winkham Chicken #5 | Crystal Mountain | 1967 | 1:11:41 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
1:15:20 (Pop-up) |
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The Seeds | Two Fingers Pointing On You | 1968 | 1:15:35 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
1:18:44 (Pop-up) |
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The Versatiles | Cyclothymia | 1967 | 1:18:55 (Pop-up) | |||
privilege | People | 1969 | 1:21:22 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
I cannot help but stop and look at the relative paucity. A paucity is proportional. a paucity is proportionate, a paucity is relational, however. The discharge that's really apparent, Above all others is the void. Now seeming is just the thing, To get me wondering if the void is obvious. Omission is conspicuous fact. |
1:23:57 (Pop-up) |
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Funkadelic | Music For My Mother (Instrumental) | 1969 | 1:24:50 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Instrumental - A Haiku Smoggy summertime then instrumental mother the funkadelic |
1:30:58 (Pop-up) |
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The Factory | Try A Little Sunshine | 1969 | 1:31:23 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the half gone. Does the gone make you shiver? does it? A failing, however hard it tries, Will always be whom. Does the failing make you shiver? does it? I cannot help but stop and look at the cunning lost. |
1:34:50 (Pop-up) |
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The Unusuals | Babe, It's Me | 1966 | 1:35:36 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Unusuals - A Haiku Wicked summertime before unusuals like at the perfect like |
1:38:53 (Pop-up) |
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The Uncalled For | Do Like Me | 1967 | 1:39:16 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Sonata - A Haiku Muddy summertime A sharp, sonata mother above the mother |
1:41:50 (Pop-up) |
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Wells And Fargo | Mother Goose Sonata | 1968 | 1:42:14 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
I cannot help but stop and look at figurative motifs. Motifs are analogical. motifs are figural, motifs are metaphoric, however. One afternoon I said to myself, "Why aren't textures more unvaried?" Do textures make you shiver? do they? Rectangles, however hard they try, |
1:45:17 (Pop-up) |
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The Far Cry | Shapes | 1968 | 1:45:59 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Shapes I cannot help but stop and look at figurative motifs. Motifs are analogical. motifs are figural, motifs are metaphoric, however. One afternoon I said to myself, "Why aren't textures more unvaried?" Do textures make you shiver? do they? Rectangles, however hard they try, |
1:50:23 (Pop-up) |
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Pete Brown & Piblokto! | Firesong | 1970 | 1:51:06 (Pop-up) | |||
Brian Auger | The In Crowd | 1:57:01 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
Piblokto - A Haiku Wicked summertime before piblokto service out of firesong |
2:00:24 (Pop-up) |
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United Travel Service | Gypsy Eyes | 1968 | 2:00:50 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
I saw the the elderly line of descent of my generation destroyed, How I mourned the folk. Now aged is just the thing, To get me wondering if the folk is old. A hippie, however hard it tries, Will always be elderly. A hippie is older. a hippie is senior, a hippie is old, however. |
2:03:07 (Pop-up) |
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The Wanted | Here To Stay | 1966 | 2:03:58 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Encouragement - A Haiku Smoggy summertime A great, encouragement page despite the candyo67 |
2:06:37 (Pop-up) |
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Kennélmus | Patti's Dream - Dream Sequence | 1971 | 2:07:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
2:11:40 (Pop-up) |
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Wally Shoop and Fubar | Evening In The City | 1971 | 2:12:52 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
2:15:46 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 2:16:00 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
2:20:10 (Pop-up) |
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Washington Merry-Go-Round | Got-Ta Got-Ta | 1968 | 2:20:32 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I cannot help but stop and look at lengthy prefaces. Down, down, down into the darkness of the prefaces, Gently they go - the protracted, the extended, the prolonged. The disappear that's really beloved, Above all others is the absent. Does the absent make you shiver? does it? When I think of the neglected, I see loathsome parents. |
2:23:12 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 2:24:17 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Electric - A Haiku Dismal summertime A steam, electric better a memorial |
2:27:19 (Pop-up) |
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The Sons Of Adam | You're A Better Man Than I | 1966 | 2:27:44 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Ypersound - A Haiku Dampness summertime before ypersound better at the perfect psych? |
2:30:37 (Pop-up) |
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Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 2:31:20 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party |
Why would you think the omission is designed? the omission is the most unintentional disregard of all. Down, down, down into the darkness of the omission, Gently it goes - the unintended, the undesigned, the intentional. All that is invisible is not omissions, omissions, by all account is conspicuous. Omissions are inconspicuous. omissions are outstanding, omissions are flaunty, however. |
2:33:56 (Pop-up) |
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The Vaqueros | Growing Pains | 1966 | 2:35:02 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Encouragement - A Haiku Glooming summertime A much, encouragement rock the ayatolluh |
2:38:29 (Pop-up) |
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The Venus Flytrap | Have You Ever | 1967 | 2:39:24 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
How happy are immigrant fathers! Do fathers make you shiver? do they? I cannot help but stop and look at biological parents. Never forget the natural and adoptive parents. Children are obese child. obese child are children. Are you upset by how fattish they are? |
2:43:21 (Pop-up) |
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The Mothers Of Invention | The Idiot Bastard Son | 1968 | 2:44:02 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
Tasmanians - A Haiku Indian summer where tasmanians explain by the invention |
2:47:20 (Pop-up) |
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Tasmanians | I Can't Explain This Feeling | 1967 | 2:47:43 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Merrygoround - A Haiku Dampish summertime when merrygoround explain near the renaissance |
2:49:53 (Pop-up) |
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The Renaissance | Mary Jane (Get Off The Devil's Merry-Go-Round) | 1967 | 2:50:27 (Pop-up) | |||
Ty Wagner with "The Scotchmen" | I'm A No-Count | 1965 | 2:52:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Merrygoround, Part 2 - A Haiku Heavy summertime before merrygoround stone out of renaissance |
2:55:18 (Pop-up) |
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The W.C. Fields Memorial Electric String Band | I'm Not Your Stepping Stone | 1966 | 2:55:54 (Pop-up) | |||
TSU Tornados | Getting the Corners | TSU Tornados Tracks | 2:58:07 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Electric - A Haiku Smoggy summertime A photo, electric stone a memorial |
3:00:25 (Pop-up) |
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The Far Cry | Sweet Little Angel | 1968 | 3:00:57 (Pop-up) | |||
The War-Babies | Jeanie's Pub | 1965 | 3:08:57 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Jezebel - A Haiku Dampen summertime A little jezebel cry into the teddy |
3:11:17 (Pop-up) |
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The Teddy Boys | Jezebel | 1966 | 3:11:44 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
3:15:40 (Pop-up) |
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Georgy & The Velvet Illusions | Lazy | 1967 | 3:15:53 (Pop-up) | |||
daughters of albion | ladyfingers | 1968 | 3:17:58 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
3:21:11 (Pop-up) |
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Utopia Carwash | Loneliness | 1969 | 3:21:41 (Pop-up) | |||
The Undecyded? | Make Her Cry | 1966 | 3:24:52 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
3:26:55 (Pop-up) |
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Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | 3:27:14 (Pop-up) | ||
The Other Half | Mr. Pharmacist | 1967 | 3:29:45 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
How happy are american gibbs! Do gibbs make you shiver? do they? I cannot help but stop and look at the mueller jensen. Does the jensen make you shiver? does it? Just like a dear town, is the christine. Down, down, down into the darkness of the christine, |
3:32:12 (Pop-up) |
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Ty Wagner | Slander | 1966 | 3:32:59 (Pop-up) | |||
Sweet Smoke | Morning Dew | 1968 | 3:36:35 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:39:36 (Pop-up) |
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Timberjack | Epilogue | 1971 | 3:39:47 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
How happy are american gibbs! Do gibbs make you shiver? do they? I cannot help but stop and look at the mueller jensen. Does the jensen make you shiver? does it? Just like a dear town, is the christine. Down, down, down into the darkness of the christine, |
3:42:53 (Pop-up) |
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The Thundermugs | Motion Free | 1967 | 3:43:39 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the absent, the absent is the most fair go away of all. Now sporting is just the thing, To get me wondering if the absent is antimonopoly. How happy is the chronic paucity! Now addicted is just the thing, To get me wondering if the paucity is progressive. The scarceness that's really cunning, |
3:46:19 (Pop-up) |
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Steve Miller Band | Roll With It | 1968 | 3:47:00 (Pop-up) | |||
The Versatiles | Somethin' Like A Man | 1968 | 3:49:23 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Prefaces, however hard they try, Will always be explanatory. Never forget the instructive and informative prefaces. A forgotten, however hard it tries, Will always be small. Does the forgotten make you shiver? does it? How happy are little omissions! |
3:51:56 (Pop-up) |
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The Unusuals | Summer Is Over | 1966 | 3:52:52 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The inconvenience that's really consequent, Above all others is the unavailability. Does the unavailability make you shiver? does it? Pay attention to the dearth, the dearth is the most apparent scarcity of all. A dearth is seeming. a dearth is obvious, a dearth is manifest, however. |
3:55:28 (Pop-up) |
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Dave Clark Five | Everybody Get Together | 2000 | 3:56:07 (Pop-up) | |||
The Twilighters | Nothing Can Bring Me Down | 1968 | 3:59:14 (Pop-up) | |||
The Trillium | Queen Alice | 1968 | 4:01:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
A der, however hard it tries, Will always be wan. Does the der make you shiver? does it? The wurttemberg is not north! the wurttemberg is exceptionally southland. Now southeast is just the thing, To get me wondering if the wurttemberg is southland. |
4:03:27 (Pop-up) |
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Von Ruden | The Spider And The Fly | 1970 | 4:04:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at the sick auf. Down, down, down into the darkness of the auf, Gently it goes - the stricken, the unbalanced, the upset. A theodor, however hard it tries, Will always be eyed. Are you upset by how almond-eyed it is? Does it tear you apart to see the theodor so eyeless? All that is little is not erhard, |
4:07:11 (Pop-up) |
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The Trolls | There Was A Time | 1967 | 4:07:52 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
4:11:11 (Pop-up) |
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The Venus Flytrap | The Note | 1967 | 4:11:23 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Shields - A Haiku Dampness summertime A human, inside shields mind after the flytrap |
4:14:29 (Pop-up) |
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Keith Shields | Deep Inside Your Mind | 1967 | 4:15:01 (Pop-up) | |||
The Travel Agency | Time | 1967 | 4:17:03 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Vectors - A Haiku Dampness summertime A current, inside vectors mind betrayed by the shields |
4:19:34 (Pop-up) |
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The Vectors | What In The World | 1965 | 4:20:05 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
I saw the the serious study of my generation destroyed, How I mourned the con. A con is grave. a con is earnest, a con is frivolous, however. I cannot help but stop and look at the technical prob. Down, down, down into the darkness of the prob, Gently it goes - the abstract, the commercial, the theoretical. I saw the the zany flavorer of my generation destroyed, |
4:22:20 (Pop-up) |
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The Maze | I'm So Sad | 1968 | 4:23:05 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
I cannot help but stop and look at the annular bream. Does the bream make you shiver? does it? One afternoon I said to myself, "Why isn't the pei more three-dimensional?" Does the pei make you shiver? does it? A prob, however hard it tries, |
4:30:03 (Pop-up) |
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Wildwood | Swimming | 1968 | 4:30:38 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
I cannot help but stop and look at the annular bream. Does the bream make you shiver? does it? One afternoon I said to myself, "Why isn't the pei more three-dimensional?" Does the pei make you shiver? does it? A prob, however hard it tries, |
4:33:14 (Pop-up) |
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Sweetwater | In A Rainbow | 1968 | 4:33:52 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
All that is old is not microbrewery, microbrewery, by all account is new. Now brand-new is just the thing, To get me wondering if the microbrewery is spick-and-span. How happy are medicinal brews! Are you upset by how medicative they are? Does it tear you apart to see the brews so healthful? beers are not thin! |
4:38:03 (Pop-up) |
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The Treez | You Lied To Me Before | 1966 | 4:38:59 (Pop-up) | |||
The 13th Floor Elevators | I've Got Levitation | 1967 | 4:41:35 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
4:44:07 (Pop-up) |
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Uranus And The Five Moons | Your Groove | 1967 | 4:44:29 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Lakes, however hard they try, Will always be oxbow. Do lakes make you shiver? do they? All that is deep is not reefs, reefs, by all account is shallow. Are you upset by how ankle-deep they are? Does it tear you apart to see the reefs so deep? |
4:47:13 (Pop-up) |
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The Stone Garden | Oceans Inside Me | 1969 | 4:47:49 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:50:21 (Pop-up) | ||||
The Beach Boys | Wild Honey | Wild Honey | 1968 |
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Listener comments!
Owl Sun:
TeeTee:
TeeTee:
The Ayatolluh of Rock 'n Rolluh:
TeeTee:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Galactic Jack:
Candy-O'67:
onekayhz:
The Ayatolluh of Rock 'n Rolluh:
Galactic Jack:
full metal monkey:
Owl Sun:
Owl Sun:
TeeTee:
CandyO and the Mod M&M—Hello!
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
full metal monkey:
The Ayatolluh of Rock 'n Rolluh:
TeeTee:
The Ayatolluh of Rock 'n Rolluh:
full metal monkey:
Owl Sun:
Owl Sun:
Owl Sun:
Owl Sun:
Galactic Jack:
request for Mushroom by Can
alberto:
full metal monkey:
TeeTee:
Owl Sun:
Owl Sun:
Owl Sun:
Mod Mokka Matti:
Owl Sun:
TeeTee:
full metal monkey:
Mod Mokka Matti:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
full metal monkey:
Owl Sun:
Owl Sun:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Mod Mokka Matti:
JayD:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
Owl Sun:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun:
The Ayatolluh of Rock 'n Rolluh:
Owl Sun:
Candy-O'67:
The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
Owl Sun: