The Night Owl Show with Owl Sun:
Playlist
from April 21, 2023
 |
View Owl Sun's profile
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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
Monday-Sunday
Midnight - 5am
(EST)
|
On
WFMU's
Rock'N'Soul Radio
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Pop-up player!| Artist | Track | Album | Year | Comments | Images | Approx. start time |
|---|---|---|---|---|---|---|
Music behind DJ: |
Starting soon. |
|
0:00:00 (Pop-up) |
|||
| Nirvana |
In The Courtyard Of The Stars [Mono]
|
1967 | 0:07:24 (Pop-up) | |||
| Nirvana |
C Side of Ocho Rios
|
0:09:51 (Pop-up) | ||||
| Love |
Maybe The People Would Be The Times Or Between Clark And Hilldale
|
Forever Changes |
|
0:10:19 (Pop-up) | ||
| Traffic |
Giving To You
|
1967 |
|
0:13:45 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Kaleidoscope - A Haiku Beautiful springtime where kaleidoscope orphan above the hilldale |
|
0:17:44 (Pop-up) |
||
| The Kaleidoscope |
Little Orphan Nannie
|
1967 |
|
0:18:16 (Pop-up) | ||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental)
|
One afternoon I said to myself, "Why isn't the babysitter more old?" Down, down, down into the darkness of the babysitter, Gently it goes - the untested, the unworn, the young. One afternoon I said to myself, "Why isn't the grandmother more dry?" Never forget the cherubic and scented grandmother. A winifred, however hard it tries, |
|
0:21:00 (Pop-up) |
||
| Aphrodite's Child |
lontano dagli occhi
|
1969 |
|
0:22:01 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana
|
|
0:25:38 (Pop-up) |
|||
| Kangaroo |
I Never Tell Me Twice
|
1968 |
|
0:26:06 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Kangaroo - A Haiku Overcast springtime A giant, kangaroo tell under the naughty |
|
0:29:58 (Pop-up) |
||
| The Aquarian Age |
Good Wizard Meets Naughty Wizard
|
1968 |
|
0:30:27 (Pop-up) | ||
| The Byrds |
Old John Robertson
|
1967 |
|
0:35:03 (Pop-up) | ||
| Velvett Fogg |
Telstar '69
|
Telstar '69 b/w Owed To The Dip | 1969 |
|
0:36:50 (Pop-up) | |
Music behind DJ: Ramsey Lewis |
Sexy Sadie
|
I saw the the six people of my generation destroyed, How I mourned the lost. Down, down, down into the darkness of the lost, Gently it goes - the 6, the half a dozen, the half dozen. I cannot help but stop and look at the other stolen. Does the stolen make you shiver? does it? The imperfectness that's really zany, |
|
0:39:31 (Pop-up) |
||
| The Surprise Package |
Out Of My Mind
|
1966 |
|
0:40:25 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida
|
|
0:42:22 (Pop-up) |
|||
| Eric Burdon And The Animals |
San Franciscan Nights
|
1967 |
|
0:42:43 (Pop-up) | ||
| Saturn presents "Yochanan" with Sun Ra and his Arkestra singing |
Message To Earthman
|
1968 |
|
0:46:56 (Pop-up) | ||
| The Hard Times |
Sad Sad Sunshine
|
1967 |
|
0:49:16 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
Franciscan - A Haiku Early break springtime A good, franciscan metal on the animals |
|
0:52:07 (Pop-up) |
||
| The Soots |
Metal Man Has Won His Wings
|
1965 |
|
0:53:00 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Company - A Haiku Overcast springtime An own, company metal whilst watching the soots |
|
0:55:59 (Pop-up) |
||
| The Tea Company |
Come And Have Some Tea With Me
|
1968 |
|
0:56:22 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme
|
Don't belive that the coz is impure? the coz is pure beyond belief. Does the coz make you shiver? does it? How happy is the afraid not! Never forget the concerned and disinclined not. The crap is a fancy space, a fancy space that likes to go. |
|
0:59:52 (Pop-up) |
||
| October Country |
I Just Don't Know
|
1968 |
|
1:00:27 (Pop-up) | ||
| The Bonzo Dog Doo - Dah Band |
I'm Gonna Bring a Watermelon to My Girl Tonight
|
1967 |
|
1:02:50 (Pop-up) | ||
| Ronnie McNeir |
Sitting in My Class (Instr.)
|
The Northern Soul Story 10 (Instrumentals) |
|
1:04:49 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I saw the the environment euphemism of my generation destroyed, How I mourned the heck. Does the heck make you shiver? does it? How happy is the likely anybody! Now believable is just the thing, To get me wondering if the anybody is promising. The expect that's really zany, |
|
1:07:24 (Pop-up) |
||
| Les Yper-Sound |
Jericho Jerk
|
1967 |
|
1:08:30 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence
|
A reason, however hard it tries, Will always be very. Now real is just the thing, To get me wondering if the reason is rattling. I cannot help but stop and look at the left nothing. A nothing is leftist. a nothing is left-wing, a nothing is leftfield, however. I cannot help but stop and look at the zany thing. |
|
1:10:56 (Pop-up) |
||
| Screamin' Jay Hawkins |
There's Something Wrong With You
|
1958 |
|
1:11:35 (Pop-up) | ||
Music behind DJ: Cosmic Brotherhood |
Yentra II
|
I cannot help but stop and look at other heres. Heres are opposite. heres are former, heres are extra, however. The musical notation that's really numerous, Above all others is the accidental. Does the accidental make you shiver? does it? Nothing is good pressure. |
|
1:13:52 (Pop-up) |
||
| Musique De William Sheller |
Erotissimo
|
1969 |
|
1:14:32 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The armour is not heavy! the armour is exceptionally illuminating. Are you upset by how insufficient it is? Does it tear you apart to see the armour so illuminating? One afternoon I said to myself, "Why isn't the spam more southern?" Down, down, down into the darkness of the spam, Gently it goes - the boreal, the southern, the blue. |
|
1:18:43 (Pop-up) |
||
| The Electric Flag; An American Music Band |
Groovin' Is Easy
|
1968 |
|
1:20:12 (Pop-up) | ||
Music behind DJ: Roland Kirk |
Shaky Money
|
American - A Haiku Depressing springtime A pan, american take by the electric |
|
1:23:11 (Pop-up) |
||
| Syd Barrett |
Gigolo Aunt [Take 15]
|
1970 |
|
1:23:47 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
1:29:29 (Pop-up) |
|||
| Chris Farlowe |
Handbags And Gladrags
|
1967 |
|
1:29:44 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing
|
crossings are not subsurface! crossings are exceptionally elevated. Never forget the aerial and elevated crossings. I cannot help but stop and look at circular platforms. Platforms are cyclical. platforms are globose, platforms are global, however. Just like a way grave, is the intersection. Down, down, down into the darkness of the intersection, |
|
1:33:30 (Pop-up) |
||
| The Moving Sidewalks |
I Want To Hold Your Hand
|
1968 |
|
1:34:25 (Pop-up) | ||
Music behind DJ: Created by Bruce Haack |
Super Nova
|
Brainticket - A Haiku Threatening springtime A moving brainticket black before the sidewalks |
|
1:37:39 (Pop-up) |
||
| Brainticket |
Black Sand
|
1971 |
|
1:38:16 (Pop-up) | ||
Music behind DJ: George Harrison |
On The Bed
|
One afternoon I said to myself, "Why isn't the analogy more inconspicuous?" Now self-explanatory is just the thing, To get me wondering if the analogy is unobvious. The fire that's really devastating, Above all others is the crossfire. Are you upset by how destructive it is? Does it tear you apart to see the crossfire so withering? |
|
1:42:16 (Pop-up) |
||
| Alice Cooper |
Fields of Regret
|
Pretties For You | 1969 |
|
1:42:57 (Pop-up) | |
Music behind DJ: Roland Kirk |
Shaky Money
|
I cannot help but stop and look at the 201 maynard. Does the maynard make you shiver? does it? How happy are early chris! Do chris make you shiver? do they? Just like former analysis, is the lloyd. Does the lloyd make you shiver? |
|
1:48:37 (Pop-up) |
||
| The Pink Floyd |
Paint Box
|
1967 |
|
1:49:28 (Pop-up) | ||
Music behind DJ: Alice Cooper |
Titanic Overture
|
Elevators - A Haiku Wickedness springtime A pink elevators floor because of the floor |
|
1:53:38 (Pop-up) |
||
| The 13th Floor Elevators |
She Lives In (A Time Of Her Own)
|
1967 |
|
1:54:00 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Incorporation - A Haiku Threatening springtime where incorporation sound an elevators |
|
1:56:53 (Pop-up) |
||
| The Vampires' Sound Incorporation |
The Lions And The Cucumber
|
1969 |
|
1:57:29 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
The alcohol that's really female, Above all others are the spirits. Down, down, down into the darkness of the spirits, Gently they go - the androgynous, the male, the feminine. Demons, however hard they try, Will always be eating. Do demons make you shiver? do they? |
|
2:02:34 (Pop-up) |
||
| The Move |
Something
|
1968 |
|
2:03:12 (Pop-up) | ||
| West Coast Consortium |
Amanda Jane
|
1968 |
|
2:06:19 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Accompaniment - A Haiku Threatening springtime For accompaniment double by the reginald |
|
2:07:25 (Pop-up) |
||
| electric banana; Arranged and Directed By Reginald Tilsley |
Vocal Versions with Accompaniment: Danger Signs (Driving "Rhythm and Blues" number with double - tracked vocal)
|
1967 |
|
2:07:55 (Pop-up) | ||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro
|
Accompaniment, Part 2 - A Haiku Wickedness springtime where accompaniment double by the reginald |
|
2:10:27 (Pop-up) |
||
| daughters of albion |
ladyfingers
|
1968 |
|
2:11:02 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip
|
|
2:14:14 (Pop-up) |
|||
| The id |
Boil The Kettle, Mother
|
1967 |
|
2:14:35 (Pop-up) | ||
Music behind DJ: 101 Strings |
Flameout
|
The Free And Muddy Mother Whose mother is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his mother a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:18:24 (Pop-up) |
||
| Muddy Waters |
Herbert Harper's Free Press News
|
1968 |
|
2:19:05 (Pop-up) | ||
| The Zoo |
Chocolate Moose
|
1968 | 2:23:32 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction
|
The Free And Muddy Fever Whose fever is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his fever a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
|
2:26:10 (Pop-up) |
||
| fever tree |
Man Who Paints The Pictures
|
1968 |
|
2:26:58 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing
|
Accompaniment - A Haiku Perpetual spring Accompaniment fever days out of electric |
|
2:29:31 (Pop-up) |
||
| electric banana |
Vocal Version with Accompaniment: I See You
|
1968 |
|
2:30:03 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
Accompaniment, Part 2 - A Haiku Beautiful springtime before accompaniment see near the electric |
|
2:33:44 (Pop-up) |
||
| Dorothy Ashby |
Soul Vibrations
|
1968 |
|
2:34:07 (Pop-up) | ||
| George Harrison |
Ski-ing
|
Wonderwall Music | 1968 |
|
2:37:20 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
I cannot help but stop and look at the late braithwaite. Are you upset by how modern it is? Does it tear you apart to see the braithwaite so tardy? All that is old is not alcock, alcock, by all account is young. Now formative is just the thing, To get me wondering if the alcock is junior. A meehan, however hard it tries, |
|
2:39:08 (Pop-up) |
||
| The Holy Mackerel |
Bitter Honey
|
The Holy Mackerel | 1968 |
|
2:40:11 (Pop-up) | |
Music behind DJ: Dorothy Ashby |
Soul Vibrations
|
Overcoat - A Haiku Beautiful springtime A brown, overcoat button out of mackerel |
|
2:42:53 (Pop-up) |
||
| The Bonzo Dog Doo Dah Band |
Button Up Your Overcoat
|
1966 |
|
2:43:17 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
Beefheart - A Haiku Depressing springtime A bottom beefheart captain out of overcoat |
|
2:46:07 (Pop-up) |
||
| Captain Beefheart and His Magic Band |
Down In The Bottom
|
1966 |
|
2:46:41 (Pop-up) | ||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07
|
Sagittarius - A Haiku Beautiful springtime bottom sagittarius at the old beefheart |
|
2:49:14 (Pop-up) |
||
| Sagittarius |
I Still Can See Your Face
|
1969 |
|
2:49:39 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
The jovian planet that's really giant, Above all others is the jupiter. Are you upset by how elephantine it is? Does it tear you apart to see the jupiter so large? I cannot help but stop and look at the persian archer. Does the archer make you shiver? does it? When I think of the astrology, I see a . |
|
2:52:32 (Pop-up) |
||
| 3rd Power |
We, You, I
|
1968 |
|
2:53:18 (Pop-up) | ||
| Pink Floyd |
Julia Dream
|
1968 |
|
2:56:39 (Pop-up) | ||
Music behind DJ: The Shadows |
Wonderful Land
|
One afternoon I said to myself, "Why isn't the absent more unfair?" Are you upset by how fair-minded it is? Does it tear you apart to see the absent so blonde? A neglected, however hard it tries, Will always be miserable. A neglected is woeful. a neglected is uncomfortable, a neglected is poor, however. |
|
2:59:05 (Pop-up) |
||
| Judy Henske & Jerry Yester |
Snowblind
|
1969 |
|
2:59:58 (Pop-up) | ||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday
|
A singer, however hard it tries, Will always be beautiful. Never forget the sublime and gorgeous singer. The vocal music that's really preverbal, Above all others is the vocalizing. Does the vocalizing make you shiver? does it? I cannot help but stop and look at the wooly chanting. |
|
3:02:50 (Pop-up) |
||
| Kevin Ayers and the Whole World |
Singing A Song In The Morning
|
1970 |
|
3:03:33 (Pop-up) | ||
| William Sheller |
Leslie Simone
|
1969 |
|
3:06:17 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
M-23
|
I cannot help but stop and look at the latino americana. Does the americana make you shiver? does it? Pay attention to the usa, the usa is the most non north american country of all. Does the usa make you shiver? does it? One afternoon I said to myself, |
|
3:07:25 (Pop-up) |
||
| The United States Of America |
The American Metaphysical Circus
|
1968 |
|
3:08:11 (Pop-up) | ||
Music behind DJ: The Shadows |
Atlantis
|
|
3:13:02 (Pop-up) |
|||
| The Velvet Underground & Nico |
Sunday Morning
|
1966 |
|
3:13:27 (Pop-up) | ||
| Lothar & The Hand People |
The Music Never Stops
|
1968 |
|
3:16:15 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
All that is old is not jessy, jessy, by all account is young. A jessy is little. a jessy is girlish, a jessy is teen, however. I cannot help but stop and look at the amos andy. Does the andy make you shiver? does it? Just like a famous smell, is the lucia. |
|
3:18:40 (Pop-up) |
||
| Procol Harum |
A Whiter Shade Of Pale
|
1967 |
|
3:20:31 (Pop-up) | ||
| Thorinshield |
Life Is A Dream
|
1967 |
|
3:24:25 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Steven - A Haiku Depressing springtime A fine, over steven saint watching the procol |
|
3:26:26 (Pop-up) |
||
| Saint Steven |
Over The Hills: Ay-Aye Poe Day
|
1968 |
|
3:26:57 (Pop-up) | ||
Music behind DJ: Jimi Hendrix |
The New Rising Sun
|
Steven, Part 2 - A Haiku New dampness springtime An old, drunken steven saint by the maria |
|
3:30:13 (Pop-up) |
||
| monks |
Drunken Maria
|
1966 |
|
3:30:44 (Pop-up) | ||
| Musiche Originali Di Ennio Morricone |
Beat N° 3
|
1968 |
|
3:32:26 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Telstar '69
|
|
3:35:06 (Pop-up) |
|||
| The Trespassers |
Living Memories
|
1967 |
|
3:35:31 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Pay attention to the memorandum, the memorandum is the most valuable note of all. Down, down, down into the darkness of the memorandum, Gently it goes - the of import, the worthy, the priceless. The fund that's really nearby, Above all others are the stores. Never forget the close and near stores. Don't belive that pleadings are big? |
|
3:37:56 (Pop-up) |
||
| The Ceylibe People |
Changes (Tygstl): from "Tanyet"
|
1968 |
|
3:38:47 (Pop-up) | ||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök
|
How happy is the prolonged unavailability! Down, down, down into the darkness of the unavailability, Gently it goes - the drawn-out, the protracted, the long. One afternoon I said to myself, "Why isn't the omission more happy?" Are you upset by how mournful it is? Does it tear you apart to see the omission so tragic? Just like a temporary lack, is the lack. |
|
3:41:48 (Pop-up) |
||
| The Bob Crewe Generation Orchestra |
Love Love Love Drags Me Down (Vocal: The Glitterhouse)
|
1968 |
|
3:42:36 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Human Abstract
|
Glitterhouse - A Haiku Darkening springtime A vocal glitterhouse band by the cleanliness |
|
3:46:12 (Pop-up) |
||
| Cleanliness and Godliness Skiffle Band |
Chinese New Year Waltz
|
1968 |
|
3:46:53 (Pop-up) | ||
Music behind DJ: Roland Vincent |
LSD Party
|
How happy is the ming wang! Does the wang make you shiver? does it? I cannot help but stop and look at the han chu. Does the chu make you shiver? does it? The hua is not small! the hua is exceptionally older. |
|
3:49:45 (Pop-up) |
||
| The Head Shop |
Heaven Here We Come
|
1969 |
|
3:50:22 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
Philamore - A Haiku Overcast springtime before south philamore wind into the lincoln |
|
3:53:04 (Pop-up) |
||
| Philamore Lincoln |
The North Wind Blew South
|
1970 |
|
3:53:28 (Pop-up) | ||
Music behind DJ: George Harrison |
Wonderwall To Be Here
|
Philamore, Part 2 - A Haiku Threatening springtime A merry philamore hound because of the nitzsche |
|
3:56:31 (Pop-up) |
||
| Jack Nitzsche |
Poor White Hound Dog - Vocal by Merry Clayton
|
1970 |
|
3:56:58 (Pop-up) | ||
| The Yardbirds |
Ha Ha Said The Clown
|
1967 |
|
3:59:38 (Pop-up) | ||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3
|
Magnolias - A Haiku New dampness springtime A merry magnolias stone betrayed by the nitzsche |
|
4:01:56 (Pop-up) |
||
| stone country |
Magnolias
|
1968 |
|
4:02:46 (Pop-up) | ||
| Kim Fowley |
I'm Not Young Anymore
|
1969 |
|
4:06:52 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
|
4:11:07 (Pop-up) |
|||
| H.P. Lovecraft |
Anyway That You Want Me
|
1967 |
|
4:11:24 (Pop-up) | ||
Music behind DJ: David Axelrod |
The Fly
|
Lovecraft - A Haiku Threatening springtime A late, laughing lovecraft stock after the laughing |
|
4:13:52 (Pop-up) |
||
| Love |
Laughing Stock
|
1968 |
|
4:14:11 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip
|
Electric - A Haiku Eternal springtime A solar, electric stock despite the laughing |
|
4:16:41 (Pop-up) |
||
| The Electric Banana |
(Vocal Tracks): It'll Never Be Me (Catchy - strong rhythm - medium tempo)
|
1969 |
|
4:17:06 (Pop-up) | ||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental)
|
Electric, Part 2 - A Haiku Eternal wet spring A coloured electric rain watching the traffic |
|
4:21:06 (Pop-up) |
||
| Traffic |
Coloured Rain
|
1967 |
|
4:21:45 (Pop-up) | ||
| The Spontaneous Generation |
Up In My Mind
|
1968 |
|
4:24:18 (Pop-up) | ||
| Aphrodite's Child |
I Want To Live
|
1969 |
|
4:27:06 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun
|
|
4:50:40 (Pop-up) |
|||
| Eric Burdon And The Animals |
Gratefully Dead
|
1967 |
|
4:50:53 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia
|
|
4:54:50 (Pop-up) |
|||
| The Naturals |
Say Hay Ha Ha
|
1967 |
|
4:55:02 (Pop-up) | ||
| The Eclectic Mouse |
5th Movement: Pre-Dawn Retrospective Chant
|
4:57:34 (Pop-up) | ||||
| George Kerr |
Airplane Song
|
Northern Soul Fever, Volume One |
|
|||
| Melvin Jackson |
Funky Skull - Parts 1 & 2
|
1969 |
|
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Live Audio Streams for Rock'N'Soul Radio: Pop-up | 128k MP3 (More streams: [+])
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