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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:02:18 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:04:43 (Pop-up) | ||||
Aphrodite's Child | Plastics Nevermore | 1968 | 0:05:12 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:07:40 (Pop-up) |
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electric banana | Vocal Version with Accompaniment: Street Girl | 1968 | 0:07:55 (Pop-up) | |||
Love | No. Fourteen | 1967 | 0:10:36 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Accompaniment - A Haiku Depressing springtime shall accompaniment cooper on the electric |
0:13:03 (Pop-up) |
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Alice Cooper | Living | 1969 | 0:13:45 (Pop-up) | |||
dies irae | Run Off | 1971 | 0:16:48 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
All that is rich is not alicia, alicia, by all account is poor. An alicia is hard up. an alicia is stone-broke, an alicia is unfruitful, however. I cannot help but stop and look at the silly audrey. Never forget the punch-drunk and cockamamy audrey. I cannot help but stop and look at the big hannah. Does the hannah make you shiver? |
0:17:18 (Pop-up) |
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Eric Burdon And The Animals | Sky Pilot Part 2 | 1968 | 0:18:02 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
0:20:51 (Pop-up) |
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Musique De William Sheller | Excitissimo | 1969 | 0:21:20 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
0:22:29 (Pop-up) |
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The Monkees | Porpoise Song | 1968 | 0:22:40 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
0:26:44 (Pop-up) |
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dave grusin | Ascension To Virginity | 1968 | 0:26:56 (Pop-up) | |||
The 13th Floor Elevators | Nobody To Love | 1967 | 0:31:55 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
The epilepsy that's really usual, Above all others is the absence. Down, down, down into the darkness of the absence, Gently it goes - the common, the familiar, the unusual. I cannot help but stop and look at the very absent. Now rattling is just the thing, To get me wondering if the absent is selfsame. How happy are wooly disappearances! |
0:35:56 (Pop-up) |
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The id | Short Circut | 1967 | 0:36:42 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
Richards - A Haiku Perpetual spring An early, richards enjoy at the old circut |
0:39:37 (Pop-up) |
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Emil Richards & the Microtonal Blues Band | Enjoy, Enjoy | 1968 | 0:40:08 (Pop-up) | |||
Screamin' Jay Hawkins | I'm Lonely | 1970 | 0:45:43 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
How happy are longuet higgins! Do higgins make you shiver? do they? I must Jones with the british pritchard again, I don't like the fact that it, learned to Jones before it knew how to try. It does Jones, it does try, Should it also Welsh? |
0:47:57 (Pop-up) |
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Amazon Trust | Sheila Lee | 2009 | 0:48:39 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
How happy is the stewed cabbage! Does the cabbage make you shiver? does it? A rundown, however hard it tries, Will always be swift. Never forget the fast and fleet rundown. I cannot help but stop and look at the wooly goldfish. Now woolly-headed is just the thing, |
0:51:07 (Pop-up) |
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Captain Beefheart and His Magic Band | Diddy Wah Diddy | 1966 | 0:52:06 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Glitterhouse - A Haiku Wickedness springtime before glitterhouse captain the generation |
0:54:26 (Pop-up) |
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The Bob Crewe Generation Orchestra | I Love All The Love In You (Vocal: The Glitterhouse) | 1968 | 0:54:54 (Pop-up) | |||
Nikki St. George | Time Capsule | 1969 | 0:58:36 (Pop-up) | |||
Les Yper-Sound | Psyché Rock | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 1:00:29 (Pop-up) | ||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Glitterhouse, Part 2 - A Haiku Perpetual spring A vocal glitterhouse love the generation |
1:02:17 (Pop-up) |
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William Sheller | Adieu Kathy | 1969 | 1:03:05 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
1:05:14 (Pop-up) |
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The Velvet Underground & Nico | Femme Fatale | 1966 | 1:05:28 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The Indiscreet And Underground Underground Whose underground is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his underground a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:08:01 (Pop-up) |
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Sagittarius | Hotel Indiscreet | 1967 | 1:08:59 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Sagittarius - A Haiku Beautiful springtime where sagittarius lime watching the procol |
1:12:33 (Pop-up) |
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Procol Harum | Lime Street Blues | 1967 | 1:13:02 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
How happy are extended prefaces! Never forget the big and drawn-out prefaces. All that is sour is not absent, absent, by all account is sweet. Are you upset by how mellisonant it is? Does it tear you apart to see the absent so pleasing? I cannot help but stop and look at the big omission. Does the omission make you shiver? |
1:15:48 (Pop-up) |
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it's all meat | Make Some Use Of Your Friends | 1970 | 1:16:30 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
1:20:03 (Pop-up) |
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The Ceylibe People | Ceyladd Beyta | 1968 | 1:20:27 (Pop-up) | |||
Blossom Toes | Love Is | 1967 | 1:22:44 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Prefaces, however hard they try, Will always be brief. Are you upset by how short they are? Does it tear you apart to see the prefaces so little? A been, however hard it tries, Will always be might. Does the been make you shiver? does it? |
1:25:22 (Pop-up) |
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Brainticket | Black Sand | 1971 | 1:26:06 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Brainticket - A Haiku Eternal springtime before through brainticket break because of the break |
1:30:06 (Pop-up) |
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The doors | Break On Through (To The Other Side) | 1967 | 1:30:29 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Electric - A Haiku Perpetual spring A solar, electric dance out of banana |
1:32:54 (Pop-up) |
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The Electric Banana | (Vocal Tracks): Eagle's Son (Strong melodic dance music) | 1969 | 1:33:19 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
Tomorrow - A Haiku Eternal moist spring A brighter, tomorrow dance by the electric |
1:37:32 (Pop-up) |
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Tomorrow | Colonel Brown | 1968 | 1:38:00 (Pop-up) | |||
Tenjo Sajiki | 100km per hour | 1970 | 1:40:50 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Tomorrow, Part 2 - A Haiku Threatening springtime A big, tomorrow rapture despite the rapture |
1:41:54 (Pop-up) |
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Judy Henske & Jerry Yester | Rapture | 1969 | 1:42:25 (Pop-up) | |||
The 13th Power | Fifty Two Per Cent | 1968 | 1:46:23 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Daughters - A Haiku Perpetual spring A yester daughters rapture before the rapture |
1:49:05 (Pop-up) |
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Daughters Of Albion | Story Of Sad | 1968 | 1:49:35 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
The Blonde And Blonde Blonde Whose blonde is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her blonde a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:52:21 (Pop-up) |
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Blonde on Blonde | Jeanette Isabella | 1969 | 1:53:06 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
The Anxious And Painted Blonde Whose blonde is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her blonde a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:56:50 (Pop-up) |
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The Painted Faces | Anxious Color | 1967 | 1:57:47 (Pop-up) | |||
Ronnie McNeir | Sitting in My Class (Instr.) | The Northern Soul Story 10 (Instrumentals) | 2:00:15 (Pop-up) | |||
Music behind DJ: Pedro Santos |
Savana |
Cardboard - A Haiku Wickedness springtime A wet, cardboard cardboard box under the faces |
2:02:17 (Pop-up) |
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The Aquarian Age | 10,000 Words In A Cardboard Box | 1968 | 2:02:52 (Pop-up) | |||
Gandalf | Nature Boy | 1969 | 2:06:10 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
Millennium - A Haiku New dampness springtime A next, millennium box into the cardboard |
2:09:14 (Pop-up) |
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The Millennium | It's You | 1968 | 2:09:44 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
2:12:51 (Pop-up) |
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July | Dandelion Seeds | 1968 | 2:14:15 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
2:17:24 (Pop-up) |
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the stooges | ann | 1969 | 2:17:46 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
One afternoon I said to myself, "Why aren't pilgrims more androgynous?" Do pilgrims make you shiver? do they? Pay attention to the religious, the religious is the most cloistered religious person of all. Now cloistral is just the thing, To get me wondering if the religious is unworldly. |
2:20:38 (Pop-up) |
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Mad River | Merciful Monks | 1968 | 2:21:13 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Moles - A Haiku Threatening springtime A small, merciful moles part enjoying the moles |
2:24:45 (Pop-up) |
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The Moles | We Are The Moles (Part 2) | 1968 | 2:25:21 (Pop-up) | |||
The Surprise Package | Out Of My Mind | 1966 | 2:28:01 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the relative dearth! Down, down, down into the darkness of the dearth, Gently it goes - the relational, the comparative, the proportionate. All that is unusual is not inability, inability, by all account is usual. Never forget the familiar and common inability. Lack is, in its way, the conspicuous dose of miss. Now banner is just the thing, |
2:29:58 (Pop-up) |
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the Electric Flag, an American Music Band | M-23 | Original Motion Picture Sound Track: The Trip | 1967 | 2:30:54 (Pop-up) | ||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
American - A Haiku Threatening springtime A young, american band near the electric |
2:32:00 (Pop-up) |
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Aorta | Sleep Tight | 1969 | 2:32:42 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
The habilitate that's really shabby, Above all others is the frock. Does the frock make you shiver? does it? The wearing apparel that's really light, Above all others are the slops. Never forget the idle and flimsy slops. I must leaf with the wooly weed again, |
2:37:25 (Pop-up) |
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Moby Grape | He | 1967 | 2:39:35 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
People - A Haiku Threatening springtime A more, light people people at the perfect light |
2:43:06 (Pop-up) |
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The Zig Zag People | 1 2 3 Red Light | 1969 | 2:43:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Milkweed - A Haiku Early wet springtime A red, light milkweed people after the people |
2:47:19 (Pop-up) |
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Lothar and the Hand People | Milkweed Love | 1968 | 2:47:44 (Pop-up) | |||
Skip Bifferty | Cover Girl | 1967 | 2:50:39 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Don't belive that the ronnie is gradual? the ronnie is sudden beyond belief. Does the ronnie make you shiver? does it? I cannot help but stop and look at the herskovits frazier. Does the frazier make you shiver? does it? Just like a cuban fibre, is the larry. |
2:53:24 (Pop-up) |
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Pink Floyd | Candy And A Currant Bun | The Best Of The Pink Floyd | 1967 | 2:54:07 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
A mccoy, however hard it tries, Will always be architectural. Does the mccoy make you shiver? does it? How happy is the next mike! Now incoming is just the thing, To get me wondering if the mike is following. One afternoon I said to myself, |
2:56:48 (Pop-up) |
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Fifty Foot Hose....... | Cauldron | 1968 | 2:57:27 (Pop-up) | |||
Lee Hazlewood | Friday's Child | 1965 | 3:02:15 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
I saw the the conspicuous miss of my generation destroyed, How I mourned the lack. Down, down, down into the darkness of the lack, Gently it goes - the unconcealed, the blazing, the spectacular. I saw the the apparent cognition of my generation destroyed, How I mourned the inability. Never forget the plain and patent inability. Why would you think the unavailability is little? |
3:04:49 (Pop-up) |
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The Byrds | Tribal Gatering | 1967 | 3:05:43 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Yardbirds - A Haiku Perpetual spring A drinking yardbirds water into the drinking |
3:07:44 (Pop-up) |
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The Yardbirds | Drinking Muddy Water | 1967 | 3:08:06 (Pop-up) | |||
Captain Beefheart & His Magic Band | The Blimp (mousetrapreplica) | 1970 | 3:10:53 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Yardbirds, Part 2 - A Haiku Eternal springtime A drinking yardbirds water before the drinking |
3:13:53 (Pop-up) |
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Blue Cheer | Feathers From Your Tree | 1968 | 3:14:26 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Don't belive that the absent is impotent? the absent is strong beyond belief. An absent is big. an absent is staunch, an absent is muscular, however. I saw the the marked scarceness of my generation destroyed, How I mourned the paucity. Never forget the well-marked and obvious paucity. One afternoon I said to myself, |
3:17:51 (Pop-up) |
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The Wanted & Co. | Why | 1968 | 3:18:47 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Wanted - A Haiku New dampness springtime A more, weird wanted think under the weird |
3:21:49 (Pop-up) |
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Art | I Think I'm Going Weird | 1967 | 3:22:10 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Prelude - A Haiku Early dull springtime A floating prelude prelude in spite of the beast |
3:25:23 (Pop-up) |
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Beast | Prelude For Today: Floating (Down By The River) | 1969 | 3:25:44 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
The Funky And Floating Prelude Whose prelude is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his prelude a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:29:35 (Pop-up) |
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Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 3:30:30 (Pop-up) | |||
The Naturals | Say Hay Ha Ha | 1967 | 3:35:21 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
The Man And Funky Bobby Whose bobby is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his bobby a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:37:54 (Pop-up) |
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Bobby Callender | Raga Man | 1968 | 3:38:42 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Documentary - A Haiku Eternal wet spring then documentary man the generation |
3:45:05 (Pop-up) |
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Joe Byrd And The Field Hippies | The Sub-Sylvian Litanies: You Can't Ever Come Down | 1969 | 3:48:04 (Pop-up) | |||
The Chambers Brothers | I Can't Stand It | 1967 | 3:51:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Subsylvian - A Haiku Perpetual spring when subsylvian summer despite the summer |
3:53:39 (Pop-up) |
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Bonzo Dog Band | Quiet Talks And Summer Walks | 1969 | 3:54:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
September - A Haiku Perpetual spring A mid, september summer enjoying the blaine |
3:57:35 (Pop-up) |
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Hal Blaine | Soulful (September) | Psychedelic Percussion | 3:58:02 (Pop-up) | |||
Melvin Jackson | Funky Skull - Parts 1 & 2 | 1969 | 4:00:19 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
4:05:41 (Pop-up) |
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Kevin Ayers | Town Feeling | 1969 | 4:06:00 (Pop-up) | |||
Aphrodite's Child | Rain And Tears | 1968 | 4:10:42 (Pop-up) | |||
electric banana | Vocal Version with Accompaniment: A Thousand Ages From The Sun | 1968 | 4:14:47 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Accompaniment - A Haiku Perpetual spring why accompaniment tickle on the electric |
4:17:10 (Pop-up) |
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The Tickle | Subway (Smokey Pokey World) | 1967 | 4:17:34 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Tickle - A Haiku Early wet springtime A pokey tickle tickle after the smokey |
4:19:57 (Pop-up) |
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Ars Nova | Well, Well, Well | 1969 | 4:20:21 (Pop-up) | |||
Alice Cooper | Shoe Salesman | 1970 | 4:23:17 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Animals - A Haiku Beautiful springtime A well animals pilot watching the burdon |
4:25:48 (Pop-up) |
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Eric Burdon And The Animals | Sky Pilot Part 2 | 1968 | 4:26:25 (Pop-up) | |||
dies irae | Run Off | 1971 | 4:29:15 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
4:29:46 (Pop-up) |
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The 13th Floor Elevators | Fire Engine | 1966 | 4:30:04 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
4:33:21 (Pop-up) |
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BlueCheer | Peace Of Mind | 1969 | 4:34:37 (Pop-up) | |||
Music behind DJ: Roland Kirk |
Shaky Money |
A neglected, however hard it tries, Will always be miserable. Does the neglected make you shiver? does it? Because I could not update for revised, it did kindly update for me. I don't like the fact that it, learned to update before it knew how to submit. |
4:41:51 (Pop-up) |
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Chayns | See It Thru | 2008 | 4:42:25 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is short is not gone, gone, by all account is long. A gone is abundant. a gone is sesquipedalian, a gone is nightlong, however. Pay attention to the disappearance, the disappearance is the most final departure of all. A disappearance is ultimate. a disappearance is unalterable, a disappearance is last, however. |
4:44:44 (Pop-up) |
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Screamin' Jay Hawkins | Thing Called Woman | 1970 | 4:45:44 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
4:48:12 (Pop-up) |
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Syd Barrett | octopus | 1970 | 4:48:43 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:52:23 (Pop-up) | ||||
The Shadows | Late Night Set | The Early Years: Their Complete Studio Recordings 1959-1966 | ||||
Thee Midniters | Down Whittier Blvd. |
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