The Stork Club with Stork:
Playlist
from June 4, 2023
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With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
Sunday
Noon - 3pm
(EST)
|
On
WFMU's
Give the Drummer Radio
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June 4, 2023: Oliver Nelson
A generous helping of Oliver Nelson's wonderful, colorful ouevre on his 91st birthday, with a modest nod to Anthony Braxton, who shares the day. Oh, and Yo La Tengo immortalize themselves in baseball's Elysium.
Listen to this show:
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| Artist | Track | Album | Comments | Images | Approx. start time |
|---|---|---|---|---|---|
| Anthony Braxton with Dave Douglas |
Blues and the Abstract Truth
|
Six Standards (Quintet) | Anthony Braxton – piano • Dave Douglas – trumpet • Mark Whitecage – alto saxophone, soprano saxophone • Mario Pavone – bass • Warren Smith – percussion • Recorded November 22, 1995 Knitting Factory, NYC |
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| DJ Nelson Half-Empty | 0:18:29 (Pop-up) | ||||
| Oliver Nelson |
Screamin' the Blues
|
Screamin' the Blues | Oliver Nelson - tenor saxophone • Eric Dolphy - alto saxophone • Richard Williams - trumpet • Richard Wyands - piano • George Duvivier - bass • Roy Haynes - drums - - Recorded May 27, 1960, New York |
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0:21:58 (Pop-up) |
| Jimmy Smith |
Slaughter On Tenth Avenue
|
Who's Afraid Of Virginia Woolf | Bass – George Duvivier; Drums – Grady Tate; Guitar – Kenny Burrell; Organ – Jimmy Smith; Arranged By, Conductor – Oliver Nelson - - - Recorded in New York on Jan. 20, 21 & 27, 1964 - Engineer – Rudy Van Gelder |
|
0:32:56 (Pop-up) |
| Art Farmer |
Naima
|
Listen To Art Farmer And The Orchestra | Art Farmer - flugelhorn • Ray Copeland, Rolf Ericson, Bernie Glow, Ernie Royal, Paul Serrano, Clark Terry, Snooky Young - trumpet • Jimmy Cleveland, Urbie Green, Tommy Mitchell - trombone • Paul Faulise, Tony Studd - bass trombone • Ray Alonge, Jim Buffington, Bob Northern - French horn • Danny Bank, Ray Beckenstein, Phil Bodner, Walt Levinsky, Romeo Penque, Stan Webb, Phil Woods - reeds • Tommy Flanagan - piano • Barry Galbraith, Jim Hall - guitar • George Duvivier - bass • Charlie Persip - drums • Ray Barretto, Willie Rodriguez - percussion • Oliver Nelson - arranger, conductor - - Recorded at Webster Hall in New York City on September 20 1962 |
|
0:40:02 (Pop-up) |
| Oliver Nelson |
In Passing
|
Soul Battle | Oliver Nelson, King Curtis, Jimmy Forrest - tenor saxophone • Gene Casey - piano • George Duvivier - bass • Roy Haynes - drums • Recorded September 9, 1960 at Van Gelder Studio, Englewood Cliffs |
|
0:45:24 (Pop-up) |
| Gary McFarland Orchestra |
Grand Old Ivy
|
The Jazz Version Of How To Succeed In Business Without Really Trying | Bernie Glow, Clark Terry, Doc Severinsen, Herb Pomeroy, Joe Newman - trumpet • Willie Dennis, Billy Byers, Bob Brookmeyer - trombone • Oliver Nelson, Al Cohn - tenor saxophone • Sol Schlinger - baritone saxophone • Phil Woods - alto saxophone • Eddie Wasserman - clarinet • Kenny Burrell, Jim Hall - guitar • Hank Jones - piano • Joe Benjamin, George Duvivier - double bass • Osie Johnson, Mel Lewis - drums • Gary McFarland - arranger, Conductor, vibraphone • All music composed by Frank Loesser - Recorded November 8, 14-15, 1961 in New York City |
|
0:52:51 (Pop-up) |
| Oliver Nelson & Steve Allen |
Go Fly A Kite
|
Soulful Brass | Steve Allen - electric harpsichord, piano • Oliver Nelson - arranger, conductor • Bobby Bryant - trumpet • Tom Scott - tenor saxophone • Roger Kellaway - piano • Barney Kessel - guitar • Larry Bunker, Jimmy Gordon - drums Ron Carter - bass Britt Woodman - trombone Grady Tate - drums • Other unknown musicians - - recorded in LA on March 18, 1968 |
|
0:56:33 (Pop-up) |
| Count Basie |
Love Flower
|
Afrique | Bill Adkins - alto sax • Bob Ashton - alto, baritone & tenor sax, flute • Count Basie - organ, piano • Paul Cohen - trumpet, flugelhorn • George Cohn - trumpet, flugelhorn • Eddie "Lockjaw" Davis - tenor sax • Eric Dixon - flute, tenor sax • Steven Galloway - trombone • Freddie Green - guitar • Bill Hughes - trombone • Harold Jones - drums • Norman Keenan - bass • Richard Landrum - percussion • Hubert Laws - flute • Buddy Lucas - harmonica • Pete Minger - trumpet, flugelhorn • Sonny Morgan - bongos • Oliver Nelson - arranger, conductor, tenor sax • Bobby Plater - alto sax, flute • Cecil Payne - baritone sax, flute • Waymon Reed - trumpet, flugelhorn • Warren Smith, Jr. - drums, percussion, vibes • Mel Wanzo - trombone • John Watson - trombone • John Williams - bass • Recorded • December 22 & 23, 1970 RCA Studio A, New York |
|
0:59:03 (Pop-up) |
| Ray Brown, Milt Jackson |
In A Crowd
|
Ray Brown / Milt Jackson | Milt Jackson – vibes • Ray Brown - bass • Ernie Royal, Clark Terry, Snooky Young - trumpet • Jimmy Cleveland, Urbie Green, Tom McIntosh, Tony Studd - trombone • Ray Alonge - French horn • Bob Ashton, Danny Bank, Jimmy Heath, Romeo Penque, Jerome Richardson, Phil Woods - reeds • Hank Jones - piano • Grady Tate - drums • Oliver Nelson, Jimmy Heath - arranger, conductor • Recorded January 4 & 5, 1965 |
|
1:01:56 (Pop-up) |
| Gato Barbieri |
El Gato
|
El Pampero Live In Montreaux | Alto Saxophone, Conductor, Arranged By – Oliver Nelson; Bass – Ron Carter; Bass Clarinet – Danny Bank; Drums – Bernard Purdie; Flute [Alto], English Horn – Romeo Penque; Flute, Flute [Alto] – Phil Bodner; Guitar – David Spinozza; Percussion – Airto Moreira; Piano – Hank Jones; Tenor Saxophone – Gato Barbieri - - 1971 |
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1:07:59 (Pop-up) |
| DJ Like Maybe One-Third Nelson At This Point* | * Yeah, I know, the whole "Nelson" riff is as lame as any I've "thought" up so far | 1:20:24 (Pop-up) | |||
| Oliver Nelson |
Booze Blues Baby
|
Meet Oliver Nelson | Oliver Nelson - tenor saxophone • Kenny Dorham - trumpet • Ray Bryant - piano • Wendell Marshall - bass • Art Taylor - drums • Recorded October 30, 1959 |
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1:28:34 (Pop-up) |
| Cal Tjader |
Manteca
|
Soul Burst | Cal Tjader – vibraphone, cabasa, cymbals • Jerome Richardson, Jerry Dodgion, Seldon Powell – flute • Attila Zoller – guitar • Chick Corea – piano, arranger • Richard Davis, Bobby Rodriguez – bass • Grady Tate – drums • Carlos "Patato" Valdes – congas, vocals • Jose Mangual – timbales, bongos • Victor Pantoja – percussion • Oliver Nelson – arranger - - Recorded at Van Gelder Studio in Englewood Cliffs, NJ on February 11, 1966 |
|
1:35:05 (Pop-up) |
| Jimmy Smith & Wes Montgomery |
Night Train
|
The Dynamic Duo | Jimmy Smith – Hammond organ • Wes Montgomery – guitar • Grady Tate – drums • Ray Barretto – conga • Bob Ashton, Danny Bank, Jerry Dodgion, Jerome Richardson, Phil Woods – reeds • Clark Terry – trumpet, flugelhorn • Ernie Royal, Jimmy Maxwell, Joe Newman – trumpet • Jimmy Cleveland, Melba Liston, Quentin Jackson – trombone • Tony Studd – bass trombone • Richard Davis – bass • Oliver Nelson – arranger, conductor • Recorded September 21, 23 & 28, 1966 • Van Gelder Studio, Englewood Cliffs, N.J. |
|
1:41:33 (Pop-up) |
| Oliver Nelson |
There's A Yearnin'
|
Afro/American Sketches | Oliver Nelson – arranger, alto saxophone, tenor saxophone • Jerry Kail, Joe Newman, Ernie Royal, Joe Wilder – trumpet • Paul Faulise, Urbie Green, Britt Woodman – trombone • Ray Alonge, Jim Buffington, Julius Watkins – French horn • Don Butterfield – tuba • Jerry Dodgion – alto sax, flute • Eric Dixon – tenor saxophone, flute • Bob Ashton – tenor saxophone, flute, clarinet • Patti Bown – piano • Peter Makas, Charles McCracken – violoncello • Art Davis – bass • Ed Shaughnessy – drums • Ray Barretto – congas, bongos • Recorded on September 29, 1961 |
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1:48:19 (Pop-up) |
| Shirley Scott With Oliver Nelson And Joe Newman |
Wagon Wheels
|
Blue Seven | Bass – George Tucker; Design – Don Schlitten; Drums – Roy Brooks; Organ – Shirley Scott; Tenor Saxophone – Oliver Nelson; Trumpet – Joe Newman - - Recorded August 22, 1961 |
|
1:52:39 (Pop-up) |
| Johnny Hodges with Leon Thomas and Oliver Nelson |
Creole Love Call
|
Three Shades of Blue | Johnny Hodges - alto saxophone; • Oliver Nelson - arranger, conductor; • Randy Brecker, Ernie Royal, Marvin Stamm, Snooky Young - trumpet; • Al Grey, Quentin Jackson, Garnett Brown, Thomas Mitchell - trombone; • Bob Ashton, Danny Bank, Jerry Dodgion, Joe Farrell, Jerome Richardson, Frank Wess - reeds; • Hank Jones - piano; • David Spinozza - guitar; • Ron Carter - bass; • Grady Tate - drums - - recorded in New York City, March 17 and 19, 1970 |
|
2:04:44 (Pop-up) |
| Quincy Jones |
Quintessence
|
Swinging the Big Band | Bass – Milt Hinton; Drums – Osie Johnson; French Horn – Jimmy Buffington, Julius Watkins; Harp – Gloria Agostini; Piano – Patti Bown; Trombone – Bill Byers, Paul Faulise; Trumpet – Joe Newman, Thad Jones; Woodwind – Oliver Nelson, Phil Woods |
|
2:09:36 (Pop-up) |
| Oliver Nelson with Joe Newman |
Main Stem
|
Main Stem | Oliver Nelson - tenor saxophone • Joe Newman - trumpet • Hank Jones - piano • George Duvivier - bass • Charlie Persip - drums • Ray Barretto - congas • Recorded • August 25, 1961 • • Van Gelder Studio, Englewood Cliffs, NJ |
|
2:13:56 (Pop-up) |
| Eddie Kirkland |
Don't take my heart
|
It's The Blues Man! | Band – King Curtis' Band; Bass – Jimmy Lewis; Drums – Frank Shea; Guitar – Billy Butler; Piano – Herman Foster; Tenor Saxophone – King Curtis, Oliver Nelson; Vocals, Guitar, Harmonica – Eddie Kirkland; Recorded By – Rudy Van Gelder in New York City, December 8, 1961 |
|
2:20:40 (Pop-up) |
| Oliver Nelson |
Hoe-Down
|
The Blues And The Abstract Truth | Freddie Hubbard – trumpet • Eric Dolphy – alto saxophone; • Oliver Nelson – tenor saxophone • George Barrow – baritone saxophone • Bill Evans – piano • Paul Chambers – bass • Roy Haynes – drums Recorded February 23, 1961 Studio Van Gelder Studio Englewood Cliffs, New Jersey |
|
2:23:00 (Pop-up) |
| DJ Precisely 66.7% Nelson | 2:27:43 (Pop-up) | ||||
| Oliver Nelson And His Orchestra |
Hobo Flats
|
Fantabulous | Oliver Nelson - tenor saxophone, arranger and conductor • Phil Woods - alto saxophone, clarinet • Kenny Soderblom - alto sax, flute • Harold Dessent - alto sax, flute • Bob Ashton - tenor sax, clarinet • Jerome Richardson - baritone saxophone, flute, alto flute • Art Hoyle, Snooky Young - trumpet • Ray Weigand - trombone • Tony Studd - bass trombone • Patti Bown - piano • Ben Tucker - bass • Grady Tate - drums • recorded at Universal Recording Corp. in Chicago, on March 19, 1964 |
|
2:35:15 (Pop-up) |
| Sonny Rollins |
Transition Theme For Minor Blues Or Little Malcolm Loves His Dad
|
Alfie (OST) | Oliver Nelson – arranger, conductor • Sonny Rollins – composer, tenor saxophone • Jimmy Cleveland – trombone • Phil Woods – alto saxophone • Bob Ashton – tenor saxophone • Danny Bank – baritone saxophone • Roger Kellaway – piano • Kenny Burrell – guitar • Walter Booker – bass • Frankie Dunlop – drums - Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on January 26, 1966 |
|
2:39:25 (Pop-up) |
| Oliver Nelson |
Elegy For A Duck
|
Sound Pieces | Oliver Nelson - soprano saxophone • Steve Kuhn - piano • Ron Carter – bass • Grady Tate – drums - - Recorded on September 7, 1966 |
|
2:45:15 (Pop-up) |
| Hank Jones & Oliver Nelson Featuring Clark Terry |
Fugue Tune
|
Happenings | Hank Jones - harpsichord • Oliver Nelson - arranger, conductor • Clark Terry - trumpet • Joe Newman, Ernie Royal, Snooky Young - trumpet • Jerome Richardson, Phil Woods - woodwinds • George Duvivier - bass • Grady Tate - drums - - • Recorded in New York City on October 21, 1966 |
|
2:51:37 (Pop-up) |
| Oliver Nelson |
Skull Session
|
Skull Session | January 7, 8 & 10, 1975 Los Angeles, CA |
|
2:56:00 (Pop-up) |
| Joe Newman |
Wednesday's Blues
|
Quintet At Count Basies | Joe Newman - trumpet • Oliver Nelson - tenor saxophone • Lloyd Mayers - piano • Art Davis - bass • Ed Shaughnessy - drums • Recorded 1961 - Count Basie's, New York City |
|
3:01:59 (Pop-up) |
| Leon Thomas |
Come Along
|
The Leon Thomas Album | Drums – Billy Cobham; Electric Bass – John Williams Jr.; Flute – Donald Smith; Oboe [African Oboe] – Sonny Morgan; Piano – Arthur Sterling; Tenor Saxophone – Billy Harper; Trumpet – Ernie Royal; Vocals, Maracas, Flute [Thailand Flute] [Hindewe Flute], Bells – Leon Thomas Arranged By, Conductor – Oliver Nelson - -1970 |
|
3:10:06 (Pop-up) |
| Cannonball Adderley |
Smoke Gets In Your Eyes
|
African Waltz | Cannonball Adderley – alto saxophone • Nat Adderley, Joe Newman, Ernie Royal, Clark Terry, Nick Travis – trumpet • Jimmy Cleveland, George Matthews, Arnett Sparrow, Melba Liston – trombone • Bob Brookmeyer – valve trombone • Paul Faulise – bass trombone • Don Butterfield – tuba • George Dorsey – alto saxophone, flute • Oliver Nelson – tenor saxophone, flute • Jerome Richardson – tenor saxophone, flute, piccolo • Arthur Clarke – baritone saxophone • Wynton Kelly – piano • Sam Jones – bass • Charlie Persip, Louis Hayes – drums • Michael Olatunji – congas, bongos • Ray Barretto – congas • Ernie Wilkins – arranger - - ◦ Recorded at Plaza Sound Studio, NYC, May 9, 1961 |
|
3:13:08 (Pop-up) |
| Oliver Nelson With Eric Dolphy |
RALPH'S NEW BLUES
|
Straight Ahead | Oliver Nelson - tenor saxophone and clarinet • Eric Dolphy - bass clarinet • Richard Wyands - piano • George Duvivier - double bass • Roy Haynes - drums - - Recorded March 1, 1961, N.Y.C. |
|
3:16:08 (Pop-up) |
| Oliver Nelson |
One For Bob
|
More Blues And The Abstract Truth | Phil Woods - alto saxophone • Ben Webster - tenor saxophone (tracks 4 & 7) • Phil Bodner - tenor saxophone, English horn • Pepper Adams - baritone saxophone • Roger Kellaway - piano • Richard Davis – bass • Grady Tate – drums Oliver Nelson - arranger, conductor • Thad Jones, Danny Moore - trumpet - - 1964 |
|
3:26:02 (Pop-up) |
| Eddie "Lockjaw" Davis Big Band |
The Stolen Moment
|
Trane Whistle | THE ORIGINAL VERSION - DONE A FEW YRS BEFORE THE WELL-KNOWN VERSION FROM "Blues and the Abstract Truth" - - - - Eddie "Lockjaw" Davis - tenor saxophone • Clark Terry, Richard Williams, Bob Bryant - trumpet • Melba Liston, Jimmy Cleveland - trombone • Jerome Richardson, George Barrow - tenor saxophone, flute • Eric Dolphy, Oliver Nelson - alto saxophone • Bob Ashton - baritone saxophone • Richard Wyands - piano • Wendell Marshall - bass • Roy Haynes - drums • Oliver Nelson - arranger - - 1960 |
|
3:32:06 (Pop-up) |
| Full Nelson - Say Uncle! | 3:39:54 (Pop-up) | ||||
| Yo La Tengo |
Meet The Mets
|
Is Murdering the Classics | Recorded live at the 2002 WFMU Fundraising Marathon |
|
3:46:15 (Pop-up) |
| Yo La Tengo |
Baseball Altamont
|
Is Murdering the Classics | Recorded live at the 2000 WFMU Fundraising Marathon |
|
3:47:58 (Pop-up) |
| Yo La Tengo |
Sudden Organ (demo)
|
Extra Painful | Recorded at Snack Time in Hoboken in 1992 |
|
3:49:25 (Pop-up) |
| Carla Bley |
Baseball
|
4 X 4 | THANKS EVERYBODY!!! SEE YA NEXT WEEK!! LET'S GO METS, ALREADY!!! Carla Bley – piano • Lew Soloff – trumpet • Wolfgang Puschnig – alto saxophone • Andy Sheppard – tenor saxophone • Gary Valente – trombone • Larry Goldings – organ • Steve Swallow – bass guitar • Victor Lewis – drums - - 2000 |
|
3:56:54 (Pop-up) |
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Listener comments!
Revolution Rabbit Nov63:
' Oliver Edward Nelson (June 4, 1932 – October 28, 1975) was an American jazz saxophonist, clarinetist, arranger, composer, and bandleader. His 1961 Impulse! album The Blues and the Abstract Truth (1961) is regarded as one of the most significant recordings of its era. The centerpiece of the album is the definitive version of Nelson's composition, "Stolen Moments". Other important recordings from the 1960s are the albums More Blues and the Abstract Truth (1964) and Sound Pieces (1966), both also on Impulse!. '
Stork:
Stork:
Andrew in Toronto:
hyde:
Stork:
spodiodi:
Andrew in Toronto:
chresti:
Stork:
Yvang:
Andrew in Toronto:
Stork:
Stork:
chresti:
Yvang:
Stork:
Fred And Alan:
WR:
Stork:
Stork:
Sem:
Hello, all.
Fred And Alan:
bobobobob fabtriplasticlanddrummr:
David (in London):
Afternoon Stork and all Club-goes.
These are indeed, as Kiss claimed, crazy, crazy, crazy, crazy knights.
Stork:
Andrew in Toronto:
Michael 98145:
bobobob plasticland:
Fred And Alan:
Stork:
spodiodi:
Stork:
David (in London):
Yvang:
chresti:
David (in London):
spodiodi:
yo David (iL)!
howdy Fred and Alan!
Michael 98145:
Sem:
But aren't Glen Passaic fumes highly corrosive?
Stork:
David (in London):
Stork:
headcleaner:
Revolution Rabbit Nov63:
Stork:
Dean:
...and stop calling the listeners Shirley!
Dean:
Stork:
Stork:
Semaglutide:
Asking for a taxidermist.
Michael 98145:
Semaglutide:
Stork:
Stork:
Stork:
David (in London):
But a pro tip for you...never believe the first fox you meet.
northguineahills:
Stork:
Michael 98145:
David (in London):
Revolution Rabbit Nov63:
northguineahills:
northguineahills:
northguineahills:
Katharsis:
David (in London):
Stork:
Stork:
David (in London):
Semaglutide:
Stork:
Revolution Rabbit Nov63:
northguineahills:
watchpocket:
Hello Stork my liege and Clubbers.
hyde:
Stork:
David (in London):
Stork:
hyde:
doctorjazz:
Stork:
fred:
Stork:
Stork:
fred:
I once got into a long argument about Braxton with a coworker. We eventually figured that Toni and Anthony are different persons, which took longer than it should have because neither of us had heard of the "other" Braxton
Malcontent:
Hey Stork! You know you gotta play some Six Million Dollar Man or Ironsides work! ;)
Stork:
Stork:
Stork:
Stork:
Malcontent:
I just loved seeing his credit in episodic television. Made it seem... um... intellectually worthwhile to watch.
Stork:
Stork:
Mxter Baba:
Stork:
Andrew in Toronto:
Mxter Baba:
David (in London):
Mxter Baba:
fred:
Mxter Baba:
fred:
Mxter Baba:
Ike:
Stork:
Revolution Rabbit Nov63:
I could do with a continuous Stream of HardBop in fact ...oh wait - here's one :
79.111.14.76
...tho I'm always listening to their Cool Stream instead to sleep & such like...
These are from 'Radio Caprice' - any number of Genre specific Streams out of Russia ...don't know how Evil that may make them in whatever respect - outside the Western system of royalties I suspect...
Stork:
Mxter Baba:
Stork:
Stork:
Stork:
Mxter Baba:
fred:
Stork:
Stork:
chresti:
fred:
Malcontent:
Designed a record cover for Q once...
malcontent.com...
Mxter Baba:
rw:
rw:
fred:
Stork:
_Ike_:
Mxter Baba:
David (in London):
Cockney legend.
rw:
rw:
Stork:
fred:
fred:
Michael 98145:
Mxter Baba:
fred:
doctorjazz:
Stork:
doctorjazz:
doctorjazz:
fred:
adamdoesit:
adamdoesit:
This one is attributed to Sarah Fedora Burgeonhouse Wells, then of the Buttonhole Bar in San Francisco. Like most great cocktails, it is simple. Unlike all but a few, it is solid, not liquid or gaseous, of state. It is also the first known cocktail that allows the drinker to have their Glen Passaic, and eat it, too.
Hot Buttered Passaic
2oz Glen Passaic
5g or about 1tbsp butter
1/4tsp salt
1tsp white flour
1tsp milk
2 slices white pullman loaf
2 pickled cocktail onions
Set the bread to toast. Meanwhile melt the butter in a saucepan. If using salted butter, omit the salt. When butter begins to foam, whisk in flour, sifting it through a mesh strainer. Whisk in milk and, when mixture thickens, Glen Passaic. Slather the toast with the mixture, place the slathered sides together, and cut on the diagonal, with pickled onions on the side.
Michael 98145:
Stork:
adamdoesit:
fred:
adamdoesit:
Stork:
Stork:
Revolution Rabbit Nov63:
...& a double negative is a net positive ...or @ least a neat Passaic...
David (in London):
Revolution Rabbit Nov63:
fred:
Dean:
adamdoesit:
David (in London):
You can see my tailor's handiwork here:
www.wallacecollection.org...
Michael 98145:
Revolution Rabbit Nov63:
Between autodestructing armour & swanicide - Heraldic Chivalry seems to have quite perfectly inverted...
adamdoesit:
David (in London):
David (in London):
Revolution Rabbit Nov63:
If 1350s or whatever...
Michael 98145:
fred:
rw:
WR:
adamdoesit:
Andrew in Toronto:
Thanks Stork!
Stork:
David (in London):
David (in London):
Stork:
Michael 98145:
Stork:
adamdoesit:
Yvang:
WR:
rw:
chresti:
Stork:
doctorjazz:
spodiodi:
doctorjazz:
Revolution Rabbit Nov63: