View Stork's profile |
With billows and blasts from choirs and orchesters
Buskers and talkers
Big bands and squawkers,
the Stork Club has retained its qualities of decaying elegance and dwindling significance since the late 1950s.
<-- Previous playlist | Back to The Stork Club with Stork playlists | Next playlist -->
June 11, 2023: Hazel's Boogie and Purdie's Shuffle
To Trinidad-born Hazel Scott at 103, wherever she may be floating in the Ever-After - a remarkable pianistic and vocal talent, and a life just as remarkable, fiercely defending her rights and the rights of Black people everywhere - - and to the boomy, bammy-slammy, jolly, rollicking sounds of 84-year old Drummer Bernard Purdie - omnipresent in the musical universe - we cut the cake and rejoice today!
Listen to this show:
Pop-up player!
Artist | Track | Album | Comments | Images | Approx. start time |
---|---|---|---|---|---|
Hazel Scott | Body and Soul | V Disc – 68 - A-Side | Piano – Hazel Scott - -rel. 1943 | ||
Hazel Scott | Calling All Bars | Bluebird – B-10529 | Hezel Scott - Piano Alto Saxophone – Pete Brown ; Bass, Vocals – Pete Barry ; Clarinet – Danny Polo ; Drums – Arthur Herbert - Sextet Of The Rhythm Club Of London – Calling All Bars / Mighty Like The Blues Released - 1939 also on Chronological Classics - 1939-1945 | 0:06:08 (Pop-up) | |
Hazel Scott | Chopin: Nocturne in B Flat Minor | Coral – CRL 56057 10" | Chronological Classics 1946-1947 | 0:08:59 (Pop-up) | |
Hazel Scott | How High the Moon | Signature – 15025 | Signature – 15025 Hazel Scott – A Rainy Night In G / How High The Moon - released 1946 Chronological Classics 1946-1947 | 0:12:23 (Pop-up) | |
Hazel Scott | C Jam Blues | V Disc – 68 - B Side | Piano – Hazel Scott Hazel Scott, Sidney Catlett – Body And Soul / "C" Jam Blues - -rel. 1943 Chronological Classics - 1939-1945 | 0:15:03 (Pop-up) | |
Hazel Scott | Love Me or Leave Me | Columbia – C-159 10" | Piano – Hazel Scott; Vocals – Hazel Scott; Band - unknown - released 1947 Chronological Classics 1946-1947 | 0:18:47 (Pop-up) | |
Hazel Scott | Git Up from There | Relaxed Piano Moods | Bass – Charles Mingus //Drums – Max Roach //Piano – Hazel Scott. — Recorded, New York City January 21, 1955 | 0:21:51 (Pop-up) | |
Hazel Scott | 'Round Midnight | 'Round Midnight | Bass – Sandy Block; Drums – Jimmy Crawford; Guitar – Everett Barksdale; Piano – Hazel Scott - - released 1957 | 0:26:17 (Pop-up) | |
Hazel Scott | Chopin: Valse In 'D' Flat Major, Op. 64, № 1 (Minute) | Swinging The Classics. Swing Style Piano Solos With Drums - Volume 1 | Hazel Scott - piano - -1949 | 0:29:16 (Pop-up) | |
DJ Which Hazel? | 0:32:18 (Pop-up) | ||||
Hazel Scott | You Gave Me the Go By | Bluebird – B-10557 102 10" | Alto Saxophone – Pete Brown; Bass – Pete Barry; Clarinet – Danny Polo; Drums – Arthur Herbert; Guitar – Albert Harris; Piano – Hazel Scott; Vocals – Hazel Scott - Written-By, Presenter – Leonard Feather Sextet Of The Rhythm Club Of London – Why Didn't William Tell? / You Gave Me The Go-By Chronological Classics - 1939-1945 | 0:40:42 (Pop-up) | |
Hazel Scott | Mary Lou | Great Scott! | 1947 Chronological Classics 1946-1947 | 0:43:21 (Pop-up) | |
Hazel Scott | The Man I Love | Decca – 23429 A-Side | Directed By – Camarata Written-By – George Gershwin-Ira Gershwin - -released 1945 The Man I Love / Fascinating Rhythm - Chronological Classics - 1939-1945 | 0:46:01 (Pop-up) | |
Hazel Scott | Fascinating Rhythm | Decca – 23429 B-Side | Directed By – Camarata Written-By – George Gershwin-Ira Gershwin - -released 1945 The Man I Love / Fascinating Rhythm - Chronological Classics - 1939-1945 Chronological Classics - 1939-1945 | 0:48:47 (Pop-up) | |
Hazel Scott | A Rainy Night in G | A Piano Recital | Reeased 1946 Chronological Classics 1946-1947 | 0:51:13 (Pop-up) | |
Hazel Scott | Ich will sich spielen | Chronological Classics 1946-1947 | Baritone Saxophone – Ernie Caceres; Orchestra – Toots Camarata And His Orchestra; Piano – Hazel Scott Trumpet – Charlie Shavers; Vocals – Hazel Scott - Chronological Classics 1946-1947 | 0:54:16 (Pop-up) | |
Hazel Scott | Liszt: Hungarian Rhapsody № 2 In 'C' Sharp Minor | Swinging The Classics. Swing Style Piano Solos With Drums - Volume 1 | Hazel Scott - piano - -1949 | 0:57:24 (Pop-up) | |
Hazel Scott | For You, for Me, Forevermore | 'Round Midnight | ass – Sandy Block; Drums – Jimmy Crawford; Guitar – Everett Barksdale; Piano – Hazel Scott - - released 1957 | 1:00:45 (Pop-up) | |
Hazel Scott | The Jeep Is Jumpin' | Relaxed Piano Moods | Bass – Charles Mingus //Drums – Max Roach //Piano – Hazel Scott. — Recorded, New York City January 21, 1955 | 1:03:49 (Pop-up) | |
Hazel Scott | Hazel's Boogie Woogie | Decca – BM 04799 10" | Hazel Scott – Hazel's Boogie Woogie / Blues In B Flat | 1:07:46 (Pop-up) | |
DJ Happy Addleton, Esq. | 1:10:05 (Pop-up) | ||||
Bernard Purdie | The Golden Tie | Bernard Purdie & Friends Present: Cool Down | Bass – Pete Shand; Drums – Bernard Purdie; Flute – Hadar Noiberg; Percussion – Stephane San Juan; Saxophone – Morgan Price; Trombone – Nadav Nirenberg; Trumpet – Jay Jennings; ´Vocals – Anthony Cole, Cyril Neville, Mayteana Morales; Vocals, Percussion – Chauncey Yearwood; Guitar, Vocals, Percussion – Brian J; Keyboards – Ivan Neville- -released 2018 | 1:15:07 (Pop-up) | |
Insect Trust | Brighter Than Day | The Insect Trust | Alto Saxophone, Alto Recorder, Recorder [Soprano], Clarinet, Percussion – Bob Palmer; Banjo, Guitar [Banjo Guitar], Vocals, Percussion – Luke Faust; Baritone Saxophone, Piccolo Flute, Drum [Sewer Drum], Thumb Piano – Trevor Koehler; Congas, Percussion [Other], Other [Electric Nail Biting] – Steve Duboff; Drums – "Pretty" Purdie, Buddy Salzman; Electric Bass – Chuck Rainey, Joe Mack; Electric Guitar, Acoustic Guitar, Guitar [Knife Guitar], Slide Guitar [Bottleneck], Whistle [Swiss Warbler], Percussion – Bill Barth; Rhythm Guitar – Hugh McCracken; Vocals, Percussion – Nancy Jeffries; - - Originally released in 1968 | 1:21:29 (Pop-up) | |
Charles Kynard | Sweetheart | Afro-Disiac | Charles Kynard – organ • Houston Person – tenor saxophone • Grant Green – guitar • Jimmy Lewis – electric bass • Bernard Purdie – drums • Recorded April 6, 1970 Studio • Van Gelder Studio, Englewood Cliffs, New Jersey | 1:24:18 (Pop-up) | |
Boogaloo Joe Jones | Right On | Right On Brother | Boogaloo Joe Jones - guitar • Rusty Bryant - tenor saxophone, alto saxophone • Charles Earland - organ • Jimmy Lewis - electric bass • Bernard Purdie - drums • Recorded February 16, 1970 Studio • Van Gelder Studio, Englewood Cliffs, New Jersey | 1:32:08 (Pop-up) | |
Robert Palmer | Get Outside | Sneakin' Sally Through The Alley | Richard Tee – keyboards ◦ Cornell Dupree – guitar ◦ Gordon Edwards – bass guitar ◦ Bernard Purdie – drums ◦ Released September 1974 New Orleans New York Compass Point Studios | 1:37:42 (Pop-up) | |
Gabor Szabo | Sophisticated Wheels | Jazz Raga | Gábor Szabó - guitar, sitar, vocals • Johnny Gregg - bass • Bernard Purdie – drums. — Recorded - August 4 & 17, 1966 | 1:42:17 (Pop-up) | |
Harold Alexander | Watermelon Man | Are You Ready? | Bass – Victor Gaskin; Drums – David Lee, Jr; Electric Guitar – Cornell Dupree; Piano – Neal Creque; Flute – Harold Alexander; Written-By – Gloria Lynne, Herbie Hancock - - Recorded Live Montreux, Switzerland - - - - - released in 1972 | 1:46:08 (Pop-up) | |
Nina Simone | The Pusher | Sings The Blues | Nina Simone - vocals, piano • Eric Gale - guitar • Rudy Stevenson - guitar • Ernie Hayes - organ • Bob Bushnell - bass • Bernard Purdie - drums, timpani • Buddy Lucas - harmonica, tenor saxophone - - | 1:56:12 (Pop-up) | |
Gato Barbieri with Lonnie Liston Smith | Merceditas | Bolivia | Bass – J. F. Jenny Clark; Composed By – Gato Barbieri; Congas – James M'tume; Drums – Pretty Purdie; Electric Guitar – John Abercrombie; Percussion – Airto Moreira; Piano – Lonnie Liston Smith; Tenor Saxophone – Gato Barbieri - - Recorded 1973 New York City | 2:01:00 (Pop-up) | |
DJ Happy Hi-Hats | 2:10:08 (Pop-up) | ||||
Albert Ayler | New Generation | New Grass | Albert Ayler – recitation, tenor saxophone, vocals, whistling • Garnett Brown – trombone • Call Cobbs – electric harpsichord, harp, organ, piano • Burt Collins – trumpet • Bill Folwell – bass, electric bass • Buddy Lucas – bass, baritone saxophone • Rose Marie McCoy – vocals • Joe Newman – trumpet • Seldon Powell – flute, tenor sax • Bernard "Pretty" Purdie – drums • Soul Singers – vocals Recorded September 5–6, 1968 | 2:15:02 (Pop-up) | |
Leon Thomas | Let's Go Down To Lucy's | Blues and the Soulful Truth | Composed By – Alfred Ellis, Leon Thomas; Baritone Saxophone – Cecil Payne; Trumpet – Dick Griffin; Trombone – John Eckert ; Electric Guitar – Cornell Dupree; Drums – Bernard Purdie ; Bass – Gordon Edwards - - 1972 | 2:20:02 (Pop-up) | |
Rahsaan Roland Kirk | Old Rugged Cross | Blacknuss | Bass – Bill Salter; Congas, Cabasa [Cabassa] – Arthur Jenkins; Drums – Bernard Purdie; Flute, Tenor Saxophone, Whistle [Police Whistle], Gong, Saxophone [Manzello, Stritch], Arranged By – Rahsaan Roland Kirk Guitar – Cornell Dupree; Keith Loving; Organ – Mickey Turner; Percussion – Joe Habad Texidor Piano – Richard Tee; Trombone – Dick Griffin; Trumpet – Charles McGhee; Vocals – Rahsaan Roland Kirk - -1972 | 0:00:00 (Pop-up) | |
Bernard Purdie | Purdie Good | Purdie Good! | Bernard Purdie - drums • Tippy Larkin - trumpet • Charlie Brown, Warren Daniels - tenor saxophone • Harold Wheeler - electric piano • Ted Dunbar, Billy Nichols - guitar • Gordon Edwards - electric bass • Norman Pride - congas • January 11, 1971 • Van Gelder Studio, Englewood Cliffs, NJ | 2:31:36 (Pop-up) | |
Steely Dan | Green Earrings | The Royal Scam | (partial list) Bass – Chuck Rainey; Drums – Bernard Purdie, Rick Marotta; Guitar – Dean Parks, Dennis Dias, Elliott Randall, Larry Carlton; Guitar, Bass – Walter Becker; Keyboards – Don Grolnick, Paul Griffin; Keyboards, Percussion – Victor Feldman; Lead Vocals, Guitar, Keyboards – Donald Fagen - - | 2:37:59 (Pop-up) | |
Gary Burton | Leroy the Magician | Good Vibes | Gary Burton — vibraphone, piano, organ • Eric Gale, Jerry Hahn, Sam Brown — guitar • Richard Tee — piano, organ • Steve Swallow — bass, electric bass • Chuck Rainey — electric bass • Bernard Purdie, Bill Lavorgna — drums, percussion • - -Recorded Sept. 2, 1969, | 2:41:58 (Pop-up) | |
Roberta Flack | To Love Somebody | Quiet Fire | Backing Vocals – Eugene McDaniels, Hilda Harris, Joshie Armstead, Les McCann, Tasha Thomas; Bass – Chuck Rainey; > > Drums – Bernard Purdie; > > Guitar – Hugh McCracken ; > > Organ – Richard Tee; Recorded at Atlantic Recording Studios, Regent Studios & Hit Factory, New York, N.Y., 1971 | 2:48:02 (Pop-up) | |
Harlem River Drive | Harlem River Drive | Harlem River Drive | Randy Brecker - Trumpet *Burt Collins - Trumpet *Ronnie Cuber - Brass Arrangement, Saxophones *Cornell Dupree - Guitar *Reggie Ferguson - Drums *Bruce Fowler - Trombone *Andy González - Bass *Gerald Jemmott - Bass *Bob Mann - Guitar *Nicky Marrero - Drums, Timbales *Dick Meza - Tenor Sax *Jimmy Norman - Vocals *Manny Oquendo - Congas, Cowbell, Timbales *Eddie Palmieri - Piano *Charlie Palmieri - Organ *Eladio Perez - Congas *Dean Robert Pratt - Drums *Bernard "Pretty" Purdie - Drums *Barry Rogers - Trombone *Allan Taylor - Choir, Chorus *Marilyn Hirscher - Choir, Chorus *Victor Venegas - Bass - - released 1971 | 2:54:35 (Pop-up) | |
King Curtis | Memphis Soul Stew | Live at Fillmore West | King Curtis - tenor saxophone • Cornell Dupree - electric guitar • Jerry Jemmott - bass guitar • Pancho Morales - congas • Billy Preston - Hammond B-3 organ • Bernard Purdie - drums • Truman Thomas - electric piano The Memphis Horns: • Jack Hale - trombone • Roger Hopps - trumpet • Wayne Jackson - lead trumpet • Andrew Love - tenor saxophone • Jimmy Mitchell - baritone saxophone Recorded March 5–7, 1971 | 2:58:32 (Pop-up) | |
DJ Spicy McGuffin, collapsed behind his "turntables" | 3:06:05 (Pop-up) | ||||
Profile | 99 Baseball | Sands Of Time | Drums – Bernard Purdie, Butchman Bateman; Guitar – Dave Barron; Organ – Don Sands; Percussion – Norman Pride; Tenor Saxophone – Seldon Powell; Trombone – Garnett Brown; Trumpet – Jimmy Owens - - Recorded in NY, 1973 | 3:11:25 (Pop-up) | |
Archie Shepp | A Prayer | The Cry of My People | Arranged By, Conductor – Romulus Franceschini; Written-By, Arranged By – Carl Massey; Bass – Jimmy Garrison; Cello – Esther Mellon; Pat Dixon: Drums – Bernard Purdie; Percussion – Nene DeFense; Piano – Harold Mabern; Soprano Saxophone – Archie Shepp; Trombone – Charles Greenlee; Charles Stephens; Trumpet – Charles McGhee; Violin – Leroy Jenkins; Lois Siessinger; Vocals – Patterson Singers; Recorded September 25-27, 1972 at Allegro Sound Studios, New York City | 3:16:10 (Pop-up) | |
Yusef Lateef | Eastern Market | Yusef Lateef's Detroit Latitude 42° 30' Longitude 83° | Yusef Lateef - alto saxophone, tenor saxophone, flute, oboe, vocals • Danny Moore; Jimmy Owens; Snooky Young;- trumpet • Eric Gale - guitar; • Hugh Lawson - piano • Cecil McBee - bass • Bernard Purdie - drums; • Selwart Clarke, James Tryon - violin; • Alfred Brown - viola; • Kermit Moore - cello; • - - • Recorded at Century Sound Studios in New York City on February 5, 1969 | 3:22:38 (Pop-up) | |
Esther Phillips | I Feel The Same | Performance | Guitar, Soloist – Jon Sholle; Written-By – Chris Smither; Alto Saxophone – Jerry Dodgion; Arranged By, Conductor – Gary King, Pee Wee Ellis Backing Vocals – Carl Carldwell, Lani Groves, Patti Austin, Robin Clark; Baritone Saxophone – Pepper Adams; Bass – Gary King; Cello – Charles McCracken, George Ricci; Chimes – Pee Wee Ellis; Drums – Bernard Purdie; Flute – Hubert Laws; Guitar – Charlie Brown; Percussion – Ralph MacDonald; Piano – Richard Wyands; Trombone – Urbie Green; Trumpet, Flugelhorn – John Gatchell, Jon Faddis, Marvin Stamm; Viola – Al Brown, Manny Vardi, Harold Coletta; Violin – Charles Libove, David Nadien, Emanuel Green, Manny Vardi*, Matthew Raimondi, Max Ellen, Paul Gershman; Vocals – Esther Phillips - - Recorded at Van Gelder Studios, May 1974 | 3:26:46 (Pop-up) | |
Miles Davis | Red China Blues | Get Up with It | Miles Davis — electric trumpet with wah-wah • Lester Chambers — harmonica • Cornell Dupree — electric guitar • Michael Henderson — bass guitar • Al Foster — drums • Bernard Purdie — drums • James Mtume — percussion • Wade Marcus — brass arrangement • Billy Jackson — rhythm arrangement - - Recorded Columbia Studio E, New York City March 9, 1972 | 3:35:12 (Pop-up) | |
The Last Poets | Ho Chi Minh | Delights Of The Garden | Bass – Alex Blake (2) (tracks: 2) Bass, Guitar – Mann; Drums – Bernard Purdie; Vocals, Congas, Percussion – Abu Mustapha, Suliaman El Hadi; Vocals, Percussion – Jalaluddin Mansur Nurriddin - released 1977 | 3:39:15 (Pop-up) | |
Johnny Pate | That Ain't Too Cool | Outrageous | Bass – Chuck Rainey; Composed By, Arranged By – Johnny Pate; Congas – Montego Joe; Drums – Bernard Purdie; Engineer – George Piros; Flute – Jerome Richardson; Guitar – Cornell Dupree, Joe Beck; Organ – Richard Tee; Percussion – George Devens; Trombone – Al Grey, Thomas Mitchell; Trumpet – Ernie Royal, Marky Markowitz, Eugene Young; Composed By, Arranged By – Johnny Pate - - Originally Released in 1970, MGM SE 4701 | 3:44:21 (Pop-up) | |
Aretha Franklin | Rock Steady | Young, Gifted And Black | Aretha Franklin – lead vocals, piano; • Cornell Dupree – guitar; • Donny Hathaway – Hammond organ; • Chuck Rainey – bass guitar; • Robert Popwell – percussion; • Bernard Purdie – drums; • Dr. John – percussion; • The Memphis Horns – horns; • Pat Smith – backing vocals; • Carolyn Franklin – backing vocals; • Erma Franklin – backing vocals; • Margaret Branch – backing vocals; • Ann S. Clark – backing vocals; • Recorded • August 12, 1970 – February 16, 1971 | 3:48:05 (Pop-up) | |
Bernard Purdie | Heavy Soul Slinger | SouI Is...Pretty Purdie | Bass – Paul Martinez; Congas – Norman Pride ; Drums – Pretty Purdie* Electric Piano, Piano – Horace Ott Guitar – Lloyd Davis; Tenor Saxophone – Charlie Brown - - | 3:51:12 (Pop-up) | |
DJ Scurries Away Like Vermin | 3:55:27 (Pop-up) |
<-- Previous playlist | Back to The Stork Club with Stork playlists | Next playlist -->
RSS feeds for The Stork Club with Stork: Playlists feed | MP3 archives feed
| E-mail Stork | Other WFMU Playlists | All artists played by The Stork Club with Stork |Listen on the Internet | Contact Us | Music & Programs | WFMU Home Page | Support Us | FAQ
Live Audio Streams for Give the Drummer Radio: Pop-up | 128k MP3 (More streams: [+])
Listener comments!
Stork:
pot8o:
adamdoesit:
doctorjazz:
Jeff Golick:
TDK60:
Stork:
fred:
Jeff Golick:
Stork:
Stork:
Stork:
Stork:
One sweet kismet:
Revolution Rabbit Nov63:
' Hazel Dorothy Scott (June 11, 1920 – October 2, 1981) was a Trinidad-born American jazz and classical pianist and singer. She was an outspoken critic of racial discrimination and segregation. She used her influence to improve the representation of Black Americans in film. '
⦿Sun in ♊︎Gemini, Year of Earth 🐇Hare
' Bernard Lee "Pretty" Purdie (born June 11, 1939) is an American drummer, and an influential R&B, soul and funk musician. He is known for his precise musical time keeping and his signature use of triplets against a half-time backbeat: the "Purdie Shuffle." He was inducted into the Modern Drummer Hall of Fame in 2013. '
adamdoesit:
* Spicy Macguffin
Even in the happiest of places, sometimes tragedy strikes. That's what befell Stork Club patron and small-time debt advisor Jimmy Macguffin one Sunday evening, not long after he'd delivered a gentle reminder to notorious confidence man -- excuse me, speculative entrepreneur! -- Richard Delano Witherspoon III that he settle his debts. Witherspoon took his knocks manfully, but what he could not stand was that, while imparting his message, Macguffin called him by the name of his birth, Hyman Moskowitz. They had grown up across the courtyard from one another, and it was an honest mistake based on decades of shared history, but some things you do not say to a guy. Macguffin had settled down to his first Happily Addled (Glen Passaic, naphtha, shaken over dry ice, up with a twist) of the evening when in walked Witherspoon, slanted like the meanest forward slash ever to end a URL while brandishing his checkbook and pen. "Richard," he said, "I am delighted that you have decided to square your accounts, but I am afraid that we are now on a cash-only basis. If you would--" But Witherspoon did not allow him to continue, instead sinking his fountain pen six times into Macguffin's chest. "You can keep the pen," he added, as he stormed out. Macguffin's big hands clattered over the bar, seeking something to stanch the flow, and fell upon a jar of pickled jalapeño peppers (what they were doing there is a story for another time). These he fitted into the holes into his chest, finished his cocktail, emitted a belch, wheezed the words, "You know fellas, it ain't bad spicy," and slid from his barstool to expire upon the floor. In his honor the drink is named.
Spicy Macguffin
2oz Glen Passaic
1oz naphtha
1oz fresh blood
1 pickled jalapeño
dry ice
Shake Glen Passaic, naphtha and fresh blood over dry ice, strain into a tempered glass coupe, and garnish with the pickled jalapeño.
Stork:
wendy del formaggio:
If you like “How High the Moon,” may I recommend Slim Gaillard’s version from “Slim Rides Again.” Who knew you could make potato salad on the moon using a bulldozer?! Well. Slim knew. Of course.
One sweet kismet:
Stork:
northguineahills:
spodiodi:
Stork:
adamdoesit:
Stork:
Stork:
wendy del formaggio:
“Crunch, crunch, I don’t want no lunch. All I want is potato chips.”
Stork:
doctorjazz:
WR:
Michael 98145:
Hello, Everyone.
Stork:
Stork:
Stork:
doctorjazz:
Stork:
doctorjazz:
fred:
northguineahills:
northguineahills:
Stork:
Stork:
David (in London):
Afternoon Stork and assembled Club-goers.
northguineahills:
Stork:
Andres:
Andres:
Stork:
Revolution Rabbit Nov63:
Stork:
Revolution Rabbit Nov63:
Andrew in Toronto:
Andrew in Toronto:
doctorjazz:
Andrew in Toronto:
Stork:
David (in London):
JazzMedic, Rev D, Andres, ngh, Fred, Michael, WR, Wendy, Adam, Spod, Semulator, Teeds, pot8o: saluations good people.
Peter K.:
Stork:
northguineahills:
spodiodi:
yo, David(iL)!
Stork:
Katharsis:
pot8o:
Stork:
Robm:
headcleaner:
Stork:
adamdoesit:
Deshil holles eamus, Katharsis!
Herr DJ Barkeep, Spicy Macguffins all around!
Robm:
Robm:
spodiodi:
Stork:
adamdoesit:
David (in London):
Robm:
Robm:
Stork:
Robm:
fred:
fred:
David (in London):
David (in London):
Michael 98145:
Stork:
Andrew in Toronto:
Robm:
Robm:
Stork:
Andrew in Toronto:
Stork:
Robm:
Stork:
Semblance of Probity:
Revolution Rabbit Nov63:
chresti:
Stork:
Stork:
Brian in UK:
The first Robert Palmer is peerless. First three tracks must be played together.
David (in London):
Stork:
Robm:
chresti:
David (in London):
Stork:
Stork:
Andrew in Toronto:
David (in London):
Brian in UK:
Dean:
Stork:
Revolution Rabbit Nov63:
1.bp.blogspot.com...
doctorjazz:
Stork:
chresti:
Stork:
Stork:
chresti:
Robm:
David (in London):
BenZ WPB:
Stork:
doctorjazz:
BenZ WPB:
Stork:
David (in London):
chresti:
Thanks everyone!
They do listen to WFMU once in a while..
Andrew in Toronto:
BenZ WPB:
chresti:
doctorjazz:
doctorjazz:
doctorjazz:
Stork:
Michael 98145:
adamdoesit:
Stepping away from the keyboard and picking up the sander, but keeping this purdy Pretty Purdy music in my ears.
doctorjazz:
doctorjazz:
Stork:
doctorjazz:
doctorjazz:
Stork:
Stork:
David (in London):
adamdoesit:
Semi-sweet:
Stork:
Stork:
Stork:
adamdoesit:
David (in London):
doctorjazz:
Semnambulist:
David (in London):
Stork:
Dean:
doctorjazz:
Dean:
Stork:
fred:
Dean:
Semnambulist:
doctorjazzcvdy:
Brian in UK:
Brian in UK:
Stork:
Brian in UK:
Andrew in Toronto:
www.petmd.com...
Andrew in Toronto:
Thanks Stork!
Stork:
doctorjazzcvdy:
Thanks Stork, a round of Adamdoesit's latest cocoction for everyone!
doctorjazzcvdy:
adamdoesit:
Great show, Storkerino. What a party!
Semtember:
pot8o:
adamdoesit:
Stork:
Stork:
spodiodi:
chresti:
Erik/VermonT:
Didn’t realize I was hearing him on those records.
But certainly never knew to find any of the albums.
Seems to me he was one of the heavily sampled drummers / albums for the worlds of hip hop and beyond !
Dean:
Revolution Rabbit Nov63:
WR:
Stork: