View Owl Sun's profile |
An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | ||||
Nirvana | C Side of Ocho Rios | 0:02:20 (Pop-up) | ||||
Chaparral Electric Sound Inc. | Pray For Peace | 1970 | 0:03:15 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Chaparral - A Haiku Caring summertime A southern, chaparral worth out of electric |
0:06:47 (Pop-up) |
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The Tiffany Shade | Not Worth the Pain | 1968 | 0:07:14 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Ensemble - A Haiku Warm up summertime A large, worth ensemble worth near the atlantis |
0:10:18 (Pop-up) |
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The New York Rock & Roll Ensemble | Studeao Atlantis | 1968 | 0:10:51 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
0:16:01 (Pop-up) |
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The Jelly Bean Bandits | Tapestries | 1967 | 0:16:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
0:22:28 (Pop-up) |
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The Free Spirits | Sunday Telephone | 1967 | 0:22:32 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Ensemble, Part 2 - A Haiku Warm up summertime A large, worth ensemble worth near the atlantis |
0:24:46 (Pop-up) |
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Erik | You Said / But I've Got My Way | 1968 | 0:24:54 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
0:30:06 (Pop-up) |
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The Amen Corner | Gin House Blues | 1967 | 0:30:10 (Pop-up) | |||
John English, III and The Lemondrops | Just Don't Complain | 0:31:25 (Pop-up) | ||||
Music behind DJ: Roland Kirk |
Shaky Money |
0:34:09 (Pop-up) |
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Anan | Haze Woman | 1968 | 0:34:31 (Pop-up) | |||
Family | Mellowing Grey | 1968 | 0:37:12 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
I saw the the apparent fault of my generation destroyed, How I mourned the omission. Down, down, down into the darkness of the omission, Gently it goes - the seeming, the ostensible, the obvious. How happy is the dead absent! Down, down, down into the darkness of the absent, Gently it goes - the exanimate, the barren, the nonviable. When I think of the paucity, I see an usual figure. |
0:40:19 (Pop-up) |
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Cat Mother and the All Night Newsboys | How I Spent My Summer | 1968 | 0:41:55 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Mourning - A Haiku Threatening summer A mourning mourning mother before the newsboys |
0:45:24 (Pop-up) |
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The Troll | Mourning Of Day | 1968 | 0:45:58 (Pop-up) | |||
Bob & Kit | Autumn Too Long | 1966 | 0:51:12 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 0:53:18 (Pop-up) | ||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 0:53:57 (Pop-up) | ||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Mourning, Part 2 - A Haiku Caring summertime A great, mourning mourning floor into the brother |
0:57:36 (Pop-up) |
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Brother Nigel's Proxy Party | Look At The Floor | 1969 | 0:58:25 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Turquoise - A Haiku Sunless summertime A beautiful turquoise floor under the brother |
1:00:57 (Pop-up) |
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Turquoise | Beautiful Death Dealer | 1968 | 1:01:55 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
All that is ugly is not butterflies, butterflies, by all account is beautiful. Butterflies are aesthetical. butterflies are elegant, butterflies are sleek, however. How happy are purple roses! Down, down, down into the darkness of the roses, Gently they go - the violet, the regal, the noble. I cannot help but stop and look at wooly sweethearts. |
1:05:32 (Pop-up) |
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Cupid's Inspiration | Dream | 1968 | 1:05:55 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
1:07:59 (Pop-up) |
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Skip Battyn and The Groop | High Coin | 1965 | 1:12:02 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
Performed - A Haiku Foggy summertime A work, spooky performed tooth near the offering |
1:14:28 (Pop-up) |
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Performed by Spooky Tooth | Offering | 1969 | 1:14:53 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
One afternoon I said to myself, "Why isn't the concert more profane?" Down, down, down into the darkness of the concert, Gently it goes - the numinous, the religious, the unspeakable. The insured is not extinct! the insured is exceptionally hyperactive. Down, down, down into the darkness of the insured, Gently it goes - the progressive, the hyperactive, the stative. |
1:17:38 (Pop-up) |
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Bob Dylan | Corrina Corrina | 1962 | 1:17:57 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Corrina - A Haiku Warm up summertime before big corrina bob near the corrina |
1:20:30 (Pop-up) |
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Simon T. Stokes | Big City Blues | 1966 | 1:21:57 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
1:24:06 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 1:25:05 (Pop-up) | |||
The News | Blue Shoes | 1:27:12 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Laughing - A Haiku Dampness summertime A more, laughing laughing wind by the tomorrow |
1:29:13 (Pop-up) |
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The Laughing Wind | Don't Take Very Much To See Tomorrow | 1966 | 1:30:38 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Laughing, Part 2 - A Haiku Heavy summertime A laughing laughing balloon on the tomorrow |
1:34:19 (Pop-up) |
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The Balloon Farm | Hurtin' For Your Love | 1967 | 1:34:21 (Pop-up) | |||
The Darwins Theory | Hosanna | 1967 | 1:35:27 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Pay attention to the left, the left is the most extreme faction of all. A left is immoderate. a left is uttermost, a left is utmost, however. All that is improper is not prefaces, prefaces, by all account is proper. Prefaces are prim. prefaces are straightlaced, prefaces are priggish, however. |
1:36:45 (Pop-up) |
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The Flower Pot Men | A Walk In The Sky | 1967 | 1:38:23 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
I saw the the entire termination of my generation destroyed, How I mourned the disappearance. Now integral is just the thing, To get me wondering if the disappearance is full. I saw the the several someone of my generation destroyed, How I mourned the deceased. Now respective is just the thing, To get me wondering if the deceased is various. |
1:40:53 (Pop-up) |
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Tintern Abbey | Vacuum Cleaner | 1967 | 1:41:47 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Hickory - A Haiku Warming summertime A hollow hickory home under the tintern |
1:44:16 (Pop-up) |
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Hickory Hollow | Home | 1968 | 1:45:48 (Pop-up) | |||
Music behind DJ: Big Jim Sullivan |
The Koan |
The Used And Boring Message Whose message is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his message a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:48:46 (Pop-up) |
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The Garden Club | I Must Love Her | 1967 | 1:49:39 (Pop-up) | |||
Music behind DJ: Musiche Originali Di Ennio Morricone |
Beat N° 3 |
Nymphet - A Haiku Warm up summertime A cynical, nymphet coast beyond the garden |
1:52:10 (Pop-up) |
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The West Coast Pop Art Experimental Band | Queen Nymphet | Queen Nymphet | 1:53:39 (Pop-up) | |||
Melvin Carter | Midnight Brew | Welfare Cadillac / Midnight Brew | 1:55:51 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 1:56:52 (Pop-up) | |||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
Nymphet, Part 2 - A Haiku Warm up summertime A cynical, nymphet coast beyond the garden |
1:59:28 (Pop-up) |
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Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Mrs, however hard they try, Will always be then. Do mrs make you shiver? do they? A married, however hard it tries, Will always be very. Does the married make you shiver? does it? |
2:06:56 (Pop-up) |
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Cat Mother and the All Night Newsboys | Marie | 1968 | 2:07:30 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
The Little And Boring Encouragement Whose encouragement is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his encouragement a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:10:14 (Pop-up) |
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Smart & Cole Inc. | Ashes Ashes (All Fall Down) | 1968 | 2:11:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
Pay attention to the left, the left is the most quick piece of land of all. Never forget the immediate and nimble left. A revised, however hard it tries, Will always be language. Does the revised make you shiver? does it? When I think of the omission, I see an obvious factor. |
2:15:30 (Pop-up) |
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Erasmo Carlos | Agora Ninguém Chora Mais | 1971 | 2:16:19 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Pay attention to the left, the left is the most quick piece of land of all. Never forget the immediate and nimble left. A revised, however hard it tries, Will always be language. Does the revised make you shiver? does it? When I think of the omission, I see an obvious factor. |
2:18:48 (Pop-up) |
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The Smoke | Victor Henry's Cool Book | 1967 | 2:19:34 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Brother - A Haiku Wicked summertime A twin, party brother smoke watching the nigels |
2:21:57 (Pop-up) |
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Brother Nigel's Proxy Party | Dancing Girl | 1969 | 2:22:23 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Comming - A Haiku Dampness summertime A more, party comming take despite the brother |
2:25:23 (Pop-up) |
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Kim Fowley | They're Comming To Take Me Away, Ha Ha! | 1966 | 2:26:00 (Pop-up) | |||
Joyfull Noise | People Get Together | 1968 | 2:27:53 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Experiment - A Haiku Dampness summertime Away experiment the out of company |
2:29:56 (Pop-up) |
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The Blues Company | Experiment In Color | 2:30:33 (Pop-up) | ||||
Tiny Tim | Little Girl | 1966 | 2:32:35 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
2:34:55 (Pop-up) |
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Josefus | Bald Peach | 1970 | 2:36:19 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
Instant Request |
2:38:56 (Pop-up) |
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Impressions | Too Slow | Too Slow / No One Else | 1966 | Requested by: Used Cars | 2:38:57 (Pop-up) | |
Magnet | Mr. Guy Fawkes | 2009 | 2:41:32 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Bulgaria - A Haiku Evil summertime A new, bulgaria peach by the josefus |
2:45:22 (Pop-up) |
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It's A Beautiful Day | Bulgaria | 1968 | 2:46:01 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
How happy is the south italy! Does the italy make you shiver? does it? I saw the the northwest balkan nation of my generation destroyed, How I mourned the yugoslavia. Are you upset by how northwestern it is? Does it tear you apart to see the yugoslavia so north? A poland, however hard it tries, |
2:48:38 (Pop-up) |
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Groep 1850 | Mother No-Head | 1967 | 2:49:20 (Pop-up) | |||
New York Rock & Roll Ensemble | City | 1969 | 2:52:41 (Pop-up) | |||
The Shadows | Shotgun | 1996 | 2:55:55 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
The vanish that's really suggestive, Above all others is the absent. Are you upset by how connotative it is? Does it tear you apart to see the absent so implicational? Don't belive that prefaces are condensed? prefaces are extended beyond belief. Down, down, down into the darkness of the prefaces, Gently they go - the unextended, the extensive, the nonliteral. |
2:57:25 (Pop-up) |
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Giant Crab | E.S.P. | 1969 | 2:58:26 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Gillespie - A Haiku Indian summer A giant gillespie mind into the giant |
3:00:46 (Pop-up) |
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Dana Gillespie | You Just Gotta Know My Mind | 1968 | 3:01:06 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Underground - A Haiku Smoggy summertime A dark, underground motor out of underground |
3:03:09 (Pop-up) |
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the underground set | Motor Road Underground | 1970 | 3:03:42 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Underground, Part 2 - A Haiku Evil summertime A nazi, underground stand on the underground |
3:08:03 (Pop-up) |
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Pacific Ocean | I Can't Stand It | 1968 | 3:08:39 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Sunday - A Haiku Early summertime A pacific sunday stand into the ocean |
3:10:48 (Pop-up) |
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it's all meat | Sunday Love | 1970 | 3:11:11 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
3:20:26 (Pop-up) |
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Tripsichord Music Box | You're The Woman | 1968 | 3:20:39 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
All that is unusual is not paucity, paucity, by all account is usual. Now habitual is just the thing, To get me wondering if the paucity is customary. How happy is the prolonged unavailability! Never forget the elongated and lengthy unavailability. One afternoon I said to myself, "Why isn't the inability more small?" |
3:24:15 (Pop-up) |
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Cat Mother and the All Night Newsboys | Bad News | 1968 | 3:25:00 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
One afternoon I said to myself, "Why isn't the boston more late?" Never forget the late and archaean boston. The pioneer is not unworthy! the pioneer is exceptionally solid. Does the pioneer make you shiver? does it? When I think of the heaven, I see a righteous sun. |
3:28:12 (Pop-up) |
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The Jimi Hendrix Experience | Up From The Skies | 1968 | 3:29:00 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
3:31:53 (Pop-up) |
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Eden's Children | Echoes | 1968 | 3:32:05 (Pop-up) | |||
Family | Me My Friend | 1968 | 3:34:22 (Pop-up) | |||
Music behind DJ: Les Yper-Sound |
Psyché Rock (outro) |
3:36:44 (Pop-up) |
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Kim Fowley | You Get More For Your Money On The Flipside Of This Record Talking Blues | 1966 | 3:37:37 (Pop-up) | |||
Anan | I Wonder Where My Sister's Gone | 1968 | 3:40:05 (Pop-up) | |||
Black Swan | She Encircles Me | 1968 | 3:42:53 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Kingdom - A Haiku Indian summer A northern, brown kingdom come at the old sisters |
3:44:56 (Pop-up) |
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Kingdom Come Arthur Brown | No Time | 1971 | 3:45:24 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Showers - A Haiku Indian summer A heavy, brown showers come above the kingdom |
3:51:43 (Pop-up) |
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Tiny Tim | April Showers | 1966 | 3:52:06 (Pop-up) | |||
Les Yper-Sound | Psyché Rock (outro) | Too Fortiche / Psyché Rock / Teen Tonic ⢠Jericho Jerk | 1967 | 3:53:49 (Pop-up) | ||
Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:54:06 (Pop-up) | ||
TSU Toronados | Play the Music Toronadoes | Play The Music Toronados | 3:56:29 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
3:57:14 (Pop-up) |
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Josefus | I'm gettin' on | 1970 | 3:58:13 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Farquahr - A Haiku Previous summer why farquahr people the on the josefus |
4:00:40 (Pop-up) |
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Fabulous Farquahr | Night People | 1969 | 4:01:04 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Ensemble - A Haiku Previous summer A small, ensemble people by the farquahr |
4:03:28 (Pop-up) |
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New York Rock & Roll Ensemble | Asking Too Much | 1969 | 4:03:53 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Enchanted - A Haiku Previous summer A much enchanted forest on the ensemble |
4:08:47 (Pop-up) |
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The Enchanted Forest | The Word Is Love | 1968 | 4:09:11 (Pop-up) | |||
The Fun and Games | Close To Carmel | 1968 | 4:11:49 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Wins, however hard they try, Will always be record. Do wins make you shiver? do they? An interplay, however hard it tries, Will always be elaborate. Does the interplay make you shiver? does it? |
4:14:20 (Pop-up) |
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Cameleon | Le Chemin De La Descente | 1971 | 4:14:53 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
4:19:03 (Pop-up) |
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Dana Gillespie | No! No! No! | 1968 | 4:19:22 (Pop-up) | |||
The Free Spirits | Sunday Telephone | 1967 | 4:22:08 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
Wins, however hard they try, Will always be record. Do wins make you shiver? do they? An interplay, however hard it tries, Will always be elaborate. Does the interplay make you shiver? does it? |
4:25:00 (Pop-up) |
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Erik | You Said / But I've Got My Way | 1968 | 4:25:43 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Dunkettle - A Haiku Gloomy summertime before said dunkettle follow watching the follow |
4:31:24 (Pop-up) |
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Bryan Dunkettle | I don't follow war no more | 1970 | 4:31:50 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Documentary - A Haiku Indian summer documentary follow under the dunkettle |
4:34:09 (Pop-up) |
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Tripsichord Music Box | It's Not Good | 1968 | 4:38:29 (Pop-up) | |||
Souls Of The Slain | 7 And 7 Is | 1967 | 4:41:34 (Pop-up) | |||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
The imperfectness that's really greatest, Above all others is the failing. Now sterling is just the thing, To get me wondering if the failing is maximum. How happy is the notice gone! Does the gone make you shiver? does it? When I think of disappearances, I see an unresolved case. |
4:43:37 (Pop-up) |
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bernard jamet | raison légale | 1968 | 4:44:21 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant | 4:46:49 (Pop-up) | ||||
Big Jim Sullivan | Tallyman | Sitar Beat | 1968 | |||
The Beach Boys | Little Saint Nick | The Beach Boys' Christmas Album | 1968 |
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