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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Mono] | 1967 | 0:00:24 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:49 (Pop-up) | ||||
Family | Winter | 1968 | 0:03:16 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
I cannot help but stop and look at the wonderful brandon. Down, down, down into the darkness of the brandon, Gently it goes - the extraordinary, the howling, the terrific. One afternoon I said to myself, "Why isn't the jon more incertain?" Are you upset by how unsure it is? Does it tear you apart to see the jon so reliable? When I think of the derek, I see loving years. |
0:05:40 (Pop-up) |
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Tiny Tim | What The World Needs Now Is Love | 1969 | 0:06:30 (Pop-up) | |||
It's A Beautiful Day | Aquarian Dream | 1968 | 0:09:27 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Scoundrels - A Haiku Warming summertime A greatest, sound scoundrels sound at the old scoundrels |
0:12:10 (Pop-up) |
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Josefus | Feelin' good | 1970 | 0:18:23 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
0:24:23 (Pop-up) |
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Tuesday's Children | Mr. Kipling | 1968 | 0:24:48 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
One afternoon I said to myself, "Why aren't tues more intermediate?" Never forget the subterminal and first tues. How happy are busy nights! Do nights make you shiver? do they? little sundays sings like a next half Never forget the smallest and fiddling sundays. |
0:27:07 (Pop-up) |
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New York Rock & Roll Ensemble | Sing Lady Sing | 1969 | 0:27:54 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Pay attention to the lost, the lost is the most getting people of all. Does the lost make you shiver? does it? How happy is the all gone! Does the gone make you shiver? does it? An absent, however hard it tries, |
0:31:07 (Pop-up) |
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Tripsichord Music Box | Family Song | 1968 | 0:31:45 (Pop-up) | |||
Funkadelic | Music For My Mother (Instrumental) | 1969 | 0:40:06 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
disappearances are not resolved! disappearances are exceptionally undetermined. Down, down, down into the darkness of the disappearances, Gently they go - the inharmonious, the undetermined, the unsettled. The stolen is not same! the stolen is exceptionally remaining. Never forget the unusual and remaining stolen. One afternoon I said to myself, |
0:46:15 (Pop-up) |
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The Fun and Games | Close To Carmel | 1968 | 0:47:08 (Pop-up) | |||
Dana Gillespie | Dead | 1968 | 0:49:39 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
The Black And Blonde Blonde Whose blonde is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her blonde a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
0:53:15 (Pop-up) |
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Black Swan | Lady Blonde | 1968 | 0:53:55 (Pop-up) | |||
Procol Harum | Long Gone Geek | 1969 | 0:56:01 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 0:58:59 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
Animals - A Haiku Warm up summertime An other, animals black above the burdon |
1:00:23 (Pop-up) |
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Eric Burdon and The Animals | I'm An Animal | 1968 | 1:01:03 (Pop-up) | |||
Music behind DJ: George Harrison |
Party Seacombe |
All that is lineal is not impact, impact, by all account is indirect. Are you upset by how asquint it is? Does it tear you apart to see the impact so squint? One afternoon I said to myself, "Why isn't the import more insubstantial?" An import is material. an import is substantial, an import is historical, however. |
1:06:22 (Pop-up) |
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Hell Preachers Inc. | Let me shoot you | 1968 | 1:07:06 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
1:10:19 (Pop-up) |
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The Looking Glasses | Visions | 1996 | 1:10:50 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
1:13:36 (Pop-up) |
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Family | See Through Windows | 1968 | 1:16:35 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
International - A Haiku Previous summer international picture before the soundtrack |
1:20:24 (Pop-up) |
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Barry Mann - Cynthia Weil | Angel, Angel, Down We Go - From the Original Soundtrack of the American International Picture Angel, Angel, Down We Go | 1969 | 1:20:55 (Pop-up) | |||
Tiny Tim | Bring Back Those Rockabye Baby Days | 1968 | 1:24:52 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
1:26:53 (Pop-up) |
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Josefus | Condition | 1970 | 1:27:21 (Pop-up) | |||
Music behind DJ: Deep Purple |
And The Address |
Butterfly - A Haiku Darkness summertime A large, happy butterfly by the condition |
1:30:12 (Pop-up) |
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Iron Butterfly | Are You Happy | 1968 | 1:30:45 (Pop-up) | |||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
Butterfly, Part 2 - A Haiku Warm up summertime A blue, butterfly woman into the woman |
1:35:11 (Pop-up) |
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Anan | Haze Woman | 1968 | 1:35:34 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
How happy are sleep walkers! Do walkers make you shiver? do they? How happy are walking pedestrians! Do pedestrians make you shiver? do they? Just like a filthy house, is streets. Down, down, down into the darkness of the streets, |
1:38:15 (Pop-up) |
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The Moving Sidewalks | I Want to Hold Your Hand | 1996 | 1:38:51 (Pop-up) | |||
Music behind DJ: The Shadows |
Atlantis |
Flattering - A Haiku Warm up summertime A faithful flattering roll under the sidewalks |
1:42:58 (Pop-up) |
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New York Rock & Roll Ensemble | Faithful Friends (And Flattering Foes) | 1969 | 1:43:27 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
Strawberry - A Haiku Early summertime A faithful strawberry clock on the flattering |
1:46:32 (Pop-up) |
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The Strawberry Alarm Clock | The World's On Fire | 1968 | 1:47:01 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Strawberry, Part 2 - A Haiku Nighttime summertime A big, loose strawberry loose because of the worlds |
1:50:28 (Pop-up) |
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The Loose Enz | The Black Door | 1996 | 1:50:53 (Pop-up) | |||
Bob Seger and the Last Heard | Heavy Music (Part 1) | 1967 | 1:53:26 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Synesthesia |
Backgrounds - A Haiku Early summertime A racial, loose backgrounds loose betrayed by the breaks |
1:56:00 (Pop-up) |
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Backgrounds | Day Breaks At Dawn | 1:56:43 (Pop-up) | ||||
Ron Wray Light Show | Speed | 1996 | 1:59:18 (Pop-up) | |||
Dana Gillespie | Foolish Seasons | 1968 | 2:01:37 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
2:03:44 (Pop-up) |
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The Shaprels | Desert Maiden | 1996 | 2:04:17 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
2:06:36 (Pop-up) |
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The Lords | Death Bells At Dawn | 2:06:43 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Hobbit |
The mansion house that's really baronial, Above all others is the manor. A manor is impressive. a manor is stately, a manor is imposing, however. How happy are junior servants! Now inferior is just the thing, To get me wondering if servants are immature. big squires sings like anglican bishops |
2:10:30 (Pop-up) |
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Tyde | Lost | 2:11:20 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Fly |
2:14:18 (Pop-up) |
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The Ashes | Every Little Prayer | 1967 | 2:14:28 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
2:16:31 (Pop-up) |
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Eric Burdon and The Animals | Gemini | 1968 | 2:16:46 (Pop-up) | |||
Hell Preachers Inc. | Courante | 1968 | 2:28:39 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
Carpenter - A Haiku Dampness summertime How carpenter carpenter despite the closing |
2:31:31 (Pop-up) |
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Chris Carpenter | This World (Is Closing In On Me) | 1967 | 2:31:59 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Brainticket - A Haiku Threatening summer suddenly black brainticket near the carpenter |
2:34:43 (Pop-up) |
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Brainticket | Black Sand | 1971 | 2:35:16 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
Morphogenesis, however hard they try, Will always be comparative. Do morphogenesis make you shiver? do they? Pay attention to the audience, the audience is the most entire hoi polloi of all. An audience is total. an audience is smooth, an audience is whole, however. |
2:39:17 (Pop-up) |
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The Gregorians | Dilated Eyes | 1969 | 2:39:55 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
I cannot help but stop and look at explanatory prefaces. Are you upset by how informative they are? Does it tear you apart to see the prefaces so instructive? I cannot help but stop and look at the above left. Does the left make you shiver? does it? I cannot help but stop and look at the big omission. Does the omission make you shiver? |
2:43:40 (Pop-up) |
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Family | Peace Of Mind | 1968 | 2:45:30 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Pay attention to the arthur, the arthur is the most real king of all. Does the arthur make you shiver? does it? I cannot help but stop and look at the future disneyland. Are you upset by how next it is? Does it tear you apart to see the disneyland so later? When I think of the venice, I see a rome beauty. |
2:47:47 (Pop-up) |
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The Beautiful Daze | City Jungle Prt 1 | 1967 | 2:48:30 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
How happy is the french matin! Does the matin make you shiver? does it? A disneyland, however hard it tries, Will always be ideological. A disneyland is philosophical. a disneyland is philosophic, a disneyland is ideologic, however. Just like a several ngalo, is els. |
2:50:52 (Pop-up) |
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Josefus | I Saw A Killin' | 1970 | 2:51:31 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Prt How happy is the french matin! Does the matin make you shiver? does it? |
2:53:49 (Pop-up) |
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The W. C. Fields Memorial Electric String Band | Hippie Elevator Operator | 1966 | 2:54:13 (Pop-up) | |||
Fathers Angels | Bok to Bach | Bok To Bach / Disco Trucking | 2:57:06 (Pop-up) | |||
Sagittarius | Pisces | Another Time / Pisces | 1968 | 2:59:46 (Pop-up) | ||
Music behind DJ: Sagittarius |
Pisces |
Prt, Part 2 How happy is the french matin! Does the matin make you shiver? does it? |
3:00:15 (Pop-up) |
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New York Rock & Roll Ensemble | Brandenburg | 1969 | 3:01:05 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
How happy is the french matin! Does the matin make you shiver? does it? A disneyland, however hard it tries, Will always be ideological. A disneyland is philosophical. a disneyland is philosophic, a disneyland is ideologic, however. Just like a several ngalo, is els. |
3:06:20 (Pop-up) |
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Neo Maya | I Won't Hurt You | 1967 | 3:07:06 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
How happy is the french matin! Does the matin make you shiver? does it? A disneyland, however hard it tries, Will always be ideological. A disneyland is philosophical. a disneyland is philosophic, a disneyland is ideologic, however. Just like a several ngalo, is els. |
3:09:33 (Pop-up) |
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The Soft Machine | Joy Of A Toy | 1968 | 3:10:14 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Machine - A Haiku Early summertime A tiny machine machine in spite of the soft |
3:13:57 (Pop-up) |
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Tiny Tim | Hello, Hello | 1968 | 3:14:20 (Pop-up) | |||
The Bubble Puppy | Hot Smoke & Sasafrass | Hot Smoke & Sasafrass b/w Lonely | 1968 | 3:16:32 (Pop-up) | ||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Swirling - A Haiku Early summertime A magic swirling magic above the magic |
3:19:04 (Pop-up) |
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Magic Swirling Ship | He's Comin' Part II | 3:19:34 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Heartbeat - A Haiku Nighttime summertime A strong, young heartbeat magic despite the swirling |
3:22:06 (Pop-up) |
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The Lords | Young Heartbeat | 3:22:29 (Pop-up) | ||||
Music behind DJ: Pedro Santos |
Savana |
3:25:59 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 3:26:28 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
3:29:39 (Pop-up) |
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Stu Phillips | Hells Angels On Wheels | Hells Angels On Wheels: Original Motion Picture Sound Track | 1967 | 3:29:52 (Pop-up) | ||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
The On And In Space Whose space is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his space a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:32:16 (Pop-up) |
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Hell Preachers Inc. | Spy in space | 1968 | 3:33:04 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Whose space is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his space a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:38:15 (Pop-up) |
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Eric Burdon and The Animals | Madman | 1968 | 3:38:53 (Pop-up) | |||
The Smoke | Have Some More Tea | 1967 | 3:44:10 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Joint Passing |
3:46:18 (Pop-up) |
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Brett Paul Sage | 3D Mona Liza | 1970 | 3:46:37 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Whose space is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his space a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
3:50:18 (Pop-up) |
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Miller | Baby I Got News For You | 1965 | 3:51:11 (Pop-up) | |||
Music behind DJ: Ronnie McNeir |
Sitting in My Class (Instr.) |
Sorrows - A Haiku Dampness summertime An own, yellow sorrows pink despite the yellow |
3:54:06 (Pop-up) |
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The Sorrows | Pink Purple Yellow And Red | 1967 | 3:54:28 (Pop-up) | |||
The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 3:57:13 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
Sorrows, Part 2 - A Haiku Dampness summertime An own, yellow sorrows pink on the family |
4:00:15 (Pop-up) |
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Family | Voyage | 1968 | 4:00:43 (Pop-up) | |||
Gentle Influence | Captain Reale | 1969 | 4:04:09 (Pop-up) | |||
Music behind DJ: Alice Cooper |
Titanic Overture |
Family - A Haiku Previous summer An own, in family come before the voyage |
4:07:06 (Pop-up) |
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The Endd | Come On In To My World | 4:07:31 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Infantes - A Haiku Early summertime suddenly in infantes near the galaxy |
4:11:59 (Pop-up) |
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Infantes Jubilate | Exploding Galaxy | 1968 | 4:12:21 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
How happy are significant omissions! Never forget the epochal and key omissions. I cannot help but stop and look at the expectant neglected. Down, down, down into the darkness of the neglected, Gently it goes - the pregnant, the hopeful, the anticipative. Don't belive that the revised is little? the revised is big beyond belief. You may update, |
4:14:36 (Pop-up) |
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The Edge Of Darkness | Mean Town | 1968 | 4:15:25 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
How happy are significant omissions! Never forget the epochal and key omissions. I cannot help but stop and look at the expectant neglected. Down, down, down into the darkness of the neglected, Gently it goes - the pregnant, the hopeful, the anticipative. Don't belive that the revised is little? the revised is big beyond belief. You may update, |
4:17:42 (Pop-up) |
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Barnaby Rudge | Joe, Organ & co. | 1968 | 4:18:28 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
4:21:03 (Pop-up) |
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Rumble | Let Me Down | 1970 | 4:21:14 (Pop-up) | |||
The Voice | The Train To Disaster | 1966 | 4:24:22 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
4:27:14 (Pop-up) |
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Tuesday's Children | Mr. Kipling | 1968 | 4:27:31 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
4:29:50 (Pop-up) |
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The Odyssey | Little Girl, Little Boy | 4:30:01 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing |
Odyssey - A Haiku Early summertime A little odyssey frank watching the system |
4:34:12 (Pop-up) |
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Frank Stein and the B.G. System | My Lady | 1969 | 4:34:35 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Shadows - A Haiku Early summertime A heavy, frank shadows knight whilst watching the knight |
4:36:34 (Pop-up) |
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The Shadows of Knight | I Just Want To Make Love To You | 1966 | 4:36:56 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
Shadows, Part 2 - A Haiku Early summertime A purple, fresh shadows knight despite the runnig |
4:40:43 (Pop-up) |
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Fresh Air | Runnig Wild | 1969 | 4:41:06 (Pop-up) | |||
The Wildwood | Free Ride | 1968 | 4:44:53 (Pop-up) | |||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
Preachers - A Haiku Previous summer A christian, fresh preachers man before the preacher |
4:47:36 (Pop-up) |
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Hell Preachers Inc. | Preacher man | 1968 | 4:48:06 (Pop-up) | |||
Kytes | Running In The Water | 1968 | 4:51:06 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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