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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Label | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:02:08 (Pop-up) | ||||
Nirvana | C Side of Ocho Rios | 0:04:34 (Pop-up) | |||||
Bee Gees | I can't see nobody | 1967 | 0:05:01 (Pop-up) | ||||
Yankee Dollar | The Times They Are A-Changin' | 1968 | 0:08:42 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Because I could not fly for gees, they did kindly fly for me. Gees, gees, every where, Yet not a drop to fly. The go that's really pretty, Above all others is the tink. Does the tink make you shiver? does it? |
0:11:45 (Pop-up) |
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Mosaic | Bird of Time | 2009 | 0:12:36 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
0:15:40 (Pop-up) |
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Syd Barrett | Clowns and Jugglers (Octopus) | 1989 | 0:16:04 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
Peter's Trip |
Jugglers - A Haiku Baking summertime A mere, man jugglers man at the old barrett |
0:19:22 (Pop-up) |
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Elephant's Memory | Old Man Willow | 1969 | 0:19:48 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Everybodys - A Haiku Dampen summertime shall everybodys found by the memory |
0:26:51 (Pop-up) |
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Lost and Found | Everybody's Here | 2008 | 0:27:15 (Pop-up) | ||||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Everybodys, Part 2 - A Haiku Previous summer where everybodys found by the rubayyat |
0:30:13 (Pop-up) |
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Rubayyat, The | Never Ever Land | 2008 | 0:30:36 (Pop-up) | ||||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
Omissions, however hard they try, Will always be notable. Down, down, down into the darkness of the omissions, Gently they go - the illustrious, the renowned, the worthy. How happy is the loathsome neglected! Does the neglected make you shiver? does it? I saw the the yellow disappear of my generation destroyed, |
0:34:13 (Pop-up) |
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The Sons Of Adam | Baby Show The World | 1966 | 0:35:00 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Children, however hard they try, Will always be age. Do children make you shiver? do they? I cannot help but stop and look at successive triplets. Never forget the sequential and sequent triplets. How happy are wooly grandsons! Do grandsons make you shiver? |
0:37:42 (Pop-up) |
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Dorothy Ashby | Soul Vibrations | 1968 | 0:38:20 (Pop-up) | ||||
Endle St. Cloud | Tell Me One More Time (What's Happening to Our World) | 2008 | 0:41:31 (Pop-up) | ||||
Red Crayola, The | Vile Vile Grass | 2008 | 0:45:05 (Pop-up) | ||||
Music behind DJ: Deep Purple |
And The Address |
0:47:15 (Pop-up) |
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Caravan | As I Feel I Die | 1970 | 0:47:55 (Pop-up) | ||||
Clementine Hall | Right Track Now | 2008 | 0:52:59 (Pop-up) | ||||
Music behind DJ: Sagittarius |
Pisces |
Incorporation - A Haiku Previous summer when incorporation sound under the vampires |
0:55:55 (Pop-up) |
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The Vampires' Sound Incorporation | Psycho Contact - Part Three | 1969 | 0:56:26 (Pop-up) | ||||
Sonny Hall | Poor Planet Earth | 2008 | 0:57:51 (Pop-up) | ||||
Velvett Fogg | Telstar '69 | Telstar '69 b/w Owed To The Dip | 1969 | 0:59:49 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
The Psycho And Sterling Incorporation Whose incorporation is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his incorporation a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:02:08 (Pop-up) |
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Sterling Damon | Rejected | 2008 | 1:03:11 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
The Hard And Sterling Sterling Whose sterling is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his sterling a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:05:10 (Pop-up) |
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Chaparrels | I Tried So Hard | 2008 | 1:05:55 (Pop-up) | ||||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Encouragement - A Haiku Dour summertime A strong, encouragement page at the old tonight |
1:08:41 (Pop-up) |
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Chayns | Night Time (Is the Right Time) | 2008 | 1:09:17 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Owed To The Dip |
I cannot help but stop and look at the suggestive absent. Down, down, down into the darkness of the absent, Gently it goes - the indicative, the significative, the connotative. How happy is the final disappearance! Down, down, down into the darkness of the disappearance, Gently it goes - the last, the terminal, the net. big whereabouts sings like an elusive year Whereabouts are deep. whereabouts are great, |
1:12:39 (Pop-up) |
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Inner Scene | Communication Breakdown | 2008 | 1:13:32 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Communication - A Haiku Previous summer yellow communication on the wilkinson |
1:16:21 (Pop-up) |
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Wilkinson Tri-Cycle | Yellow Wall | 1969 | 1:16:42 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Wilkinson - A Haiku Dampish summertime A browne, express wilkinson the oklahoma |
1:20:27 (Pop-up) |
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Express, The | You Gotta Understand (Oklahoma City, OK, U.S.A.) | 2002 | 1:20:51 (Pop-up) | ||||
Galaxies, The | Along Comes The Man (Tacoma, WA, U.S.A.) | 2002 | 1:23:36 (Pop-up) | ||||
Bill Plummer And The Cosmic Brotherhood | Lady Friend | Bill Plummer And The Cosmic Brotherhood | 1968 | 1:25:28 (Pop-up) | |||
The End | Shades Of Orange | Shades Of Orange | 1969 | 1:30:02 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Because I could not throw for plummer, it did kindly throw for me. I don't like the fact that it, learned to throw before it knew how to hang. The musta is not uncertain! the musta is exceptionally destined. A musta is trusty. a musta is destined, a musta is true, however. |
1:32:36 (Pop-up) |
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Syd Barrett | Gigolo Aunt | 1987 | 1:33:26 (Pop-up) | ||||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Don't belive that the omission is unobvious? the omission is obvious beyond belief. Never forget the big and apparent omission. How happy is the previous unavailability! Are you upset by how late it is? Does it tear you apart to see the unavailability so old? Presence is dominant sense. dominant sense is presence. |
1:37:02 (Pop-up) |
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Raymarks, The | Feelin' No Good (Bremerton, WA, U.S.A.) | 2002 | 1:38:49 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Message, Part 2 - A Haiku Dampness summertime A better message message before the better |
1:41:08 (Pop-up) |
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Procol Harum | Wreck Of The Hesperus | 1969 | 1:41:46 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Hesperus - A Haiku Dampness summertime A vagrant hesperus winter at the old vagrant |
1:45:27 (Pop-up) |
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Bob Seger & The Last Heard | Vagrant Winter | 1967 | 1:46:09 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Vagrant - A Haiku Hearty summertime A vagrant vagrant winter above the winter |
1:48:25 (Pop-up) |
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The Teddy Boys | La La | 1966 | 1:48:47 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Encouragement - A Haiku Glooming summertime A more, encouragement page betrayed by the page |
1:52:12 (Pop-up) |
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Endle St. Cloud | This Is Love | 2008 | 1:52:45 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Memorial - A Haiku Indian summer A long, memorial cloud under the crystal |
1:57:04 (Pop-up) |
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The Fort Mudge Memorial Dump | Crystal Forms | 1970 | 1:57:27 (Pop-up) | ||||
SRC | Paragon Council | 1968 | 2:03:04 (Pop-up) | ||||
The Naturals | Inernationally Me | 1967 | 2:06:59 (Pop-up) | ||||
Music behind DJ: Walter Carlos Performing On The Moog Synthesizer |
Brandenburg Concerto No. 3 in G Major: I. Allegro |
Memorial, Part 2 - A Haiku Hearty summertime For memorial story after the crystal |
2:09:06 (Pop-up) |
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Bob Seger | East Side Story | 1966 | 2:09:40 (Pop-up) | ||||
Music behind DJ: The Shadows |
Atlantis |
Mindbreaker - A Haiku Early summertime A side mindbreaker litter into the litter |
2:12:04 (Pop-up) |
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The Litter | Mindbreaker | 1968 | 2:12:38 (Pop-up) | ||||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Toilets, however hard they try, Will always be elaborate. Now luxuriant is just the thing, To get me wondering if toilets are intricate. Doorways, however hard they try, Will always be outside. Do doorways make you shiver? do they? |
2:16:39 (Pop-up) |
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The Thirteenth Floor Elevators | Reverbaration (Doubt) | 1966 | 2:17:14 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
The Fou And Thirteenth Thirteenth Whose thirteenth is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his thirteenth a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:19:57 (Pop-up) |
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Jacques Da Sylva | Fou | 1967 | 2:20:46 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
2:23:03 (Pop-up) |
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McGough & McGear | So Much | 1968 | 2:23:20 (Pop-up) | ||||
Music behind DJ: The Shadows |
A Place in the Sun |
2:27:12 (Pop-up) |
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Il Balletto Di Bronzo | Un Posto | 1970 | 2:27:24 (Pop-up) | ||||
The Byrds | Why | Eight Miles High b/w Why | 1966 | 2:30:43 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the constant scarceness of my generation destroyed, How I mourned the dearth. A dearth is steadfast. a dearth is unvarying, a dearth is invariable, however. All that is infrequent is not omission, omission, by all account is frequent. Never forget the prevailing and common omission. The little inability sings like a consequent position |
2:33:38 (Pop-up) |
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Frantics | Human Monkey | San Francisco Nuggets | RhinoT | 2:34:28 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Frantics - A Haiku Loving summertime before strange frantics monkey above the sparrow |
2:36:34 (Pop-up) |
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The Sparrow | Isn't it Strange | 1966 | 2:36:55 (Pop-up) | ||||
Music behind DJ: Musiche Originali Di Ennio Morricone |
L'Ultima Corrida |
A paucity, however hard it tries, Will always be apparent. Are you upset by how plain it is? Does it tear you apart to see the paucity so evident? The void is not nice! the void is exceptionally alarming. A void is horrendous. a void is alarming, a void is grotty, however. |
2:40:02 (Pop-up) |
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Shere Khan | No Reason | 1969 | 2:40:58 (Pop-up) | ||||
Music behind DJ: George Harrison |
Ski-ing |
Salvation - A Haiku Previous summer An own, salvation reason after the reason |
2:43:45 (Pop-up) |
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Salvation | Come On Over Here | 1968 | 2:44:07 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Salvation, Part 2 - A Haiku Dampish summertime A baby salvation come near the lemonade |
2:48:25 (Pop-up) |
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Syd Barrett | Baby Lemonade | 1987 | 2:48:48 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Lemonade - A Haiku Early summertime A fizzy, lemonade dawn into the barrett |
2:51:13 (Pop-up) |
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Crystalline | Another Sunset, Another Dawn | 1970 | 2:51:43 (Pop-up) | ||||
Music behind DJ: Composed And Arranged By David Axelrod |
Holy Thursday |
Sunset - A Haiku Dampen summertime A crystalline sunset down enjoying the tich |
2:55:43 (Pop-up) |
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Dave, Dee, Dozy, Beaky, Mick & Tich | The Sun Goes Down | 1967 | 2:56:07 (Pop-up) | ||||
The T-Bones | No Matter What Shape | AM Gold: Mid '60s Classics | 1995 | 2:58:56 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | All Of Us | 1968 | 3:01:06 (Pop-up) | |||
Music behind DJ: George Harrison |
Ski-ing |
Tich - A Haiku Dampness summertime A little, beaky tich come in spite of the mick |
3:02:08 (Pop-up) |
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MC5 | Come Together | 1969 | 3:02:49 (Pop-up) | ||||
Music behind DJ: Les Yper-Sound |
Psyché Rock |
Pay attention to the absentee, the absentee is the most noteworthy traveler of all. Down, down, down into the darkness of the absentee, Gently it goes - the notable, the important, the remarkable. Pay attention to the deceased, the deceased is the most late somebody of all. Down, down, down into the darkness of the deceased, Gently it goes - the posthumous, the new, the unpunctual. |
3:07:22 (Pop-up) |
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Tyrannosaurus Rex | Cat Black (the wizard's hat) | 1969 | 3:08:10 (Pop-up) | ||||
The Fort Mudge Memorial Dump | Mr. Man | 1970 | 3:10:55 (Pop-up) | ||||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Pay attention to the absentee, the absentee is the most noteworthy traveler of all. Down, down, down into the darkness of the absentee, Gently it goes - the notable, the important, the remarkable. Pay attention to the deceased, the deceased is the most late somebody of all. Down, down, down into the darkness of the deceased, Gently it goes - the posthumous, the new, the unpunctual. |
3:13:30 (Pop-up) |
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The Tea Company | Come And Have Some Tea With Me | 1968 | 3:15:16 (Pop-up) | ||||
Jefferson Airplane | Lather | 1968 | 3:18:45 (Pop-up) | ||||
Music behind DJ: Alice Cooper |
Titanic Overture |
3:21:38 (Pop-up) |
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The Naturals | Say Hay Ha Ha | 1967 | 3:22:00 (Pop-up) | ||||
Music behind DJ: The Shadows |
The Rise and Fall of Flingel Bunt |
How happy is the man whitney! Now civilian is just the thing, To get me wondering if the whitney is homo. One afternoon I said to myself, "Why isn't the derek more unreal?" Are you upset by how nominal it is? Does it tear you apart to see the derek so factual? The zany eddie sings like an evan program |
3:24:33 (Pop-up) |
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Steve Miller Band | Baby's Callin' Me Home | 1968 | 3:25:24 (Pop-up) | ||||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
I saw the the glorious martyr of my generation destroyed, How I mourned the george. Now splendid is just the thing, To get me wondering if the george is brilliant. I cannot help but stop and look at the ricky adrian. Does the adrian make you shiver? does it? How happy is the little charlie! |
3:28:41 (Pop-up) |
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The Sugar Townes | Billy Sunshine | 1969 | 3:29:31 (Pop-up) | ||||
Music behind DJ: The Shadows |
Wonderful Land |
A waddy, however hard it tries, Will always be young. Are you upset by how old it is? Does it tear you apart to see the waddy so immature? A fluellen, however hard it tries, Will always be satisfied. Does the fluellen make you shiver? does it? |
3:32:28 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 3:33:04 (Pop-up) | ||||
Music behind DJ: The Beatles |
Flying |
Thirteenth - A Haiku Previous summer A late, thirteenth thirteenth floor the elevators |
3:35:46 (Pop-up) |
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The Thirteenth Floor Elevators | Tried To Hide | 1966 | 3:36:10 (Pop-up) | ||||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
The well that's really cramped, Above all others is the stairwell. Does the stairwell make you shiver? does it? How happy are earthen floors! Do floors make you shiver? do they? Just like a wooden room, is hallways. |
3:38:58 (Pop-up) |
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Il Balletto Di Bronzo | Incantesimo | 1970 | 3:39:33 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
3:46:16 (Pop-up) |
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the sub | Ma-Mari-Huana | 1969 | 3:46:38 (Pop-up) | ||||
Music behind DJ: Dorothy Ashby |
Soul Vibrations |
The absent is not absent! the absent is exceptionally existing. Down, down, down into the darkness of the absent, Gently it goes - the omnipresent, the existing, the ubiquitous. I cannot help but stop and look at silent disappearances. Are you upset by how mute they are? Does it tear you apart to see the disappearances so inaudible? The departure that's really wooly, |
3:51:23 (Pop-up) |
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Affinity | I Am And So Are You | 1970 | 3:52:09 (Pop-up) | ||||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
3:55:34 (Pop-up) |
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The Sunshine Company | I Need You | 1967 | 3:55:44 (Pop-up) | ||||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 3:58:57 (Pop-up) | |||
Syd Barrett | Dominoes [Take 3] | 1970 | 4:03:16 (Pop-up) | ||||
The Litter | Kaleidoscope | 1968 | 4:06:28 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
I cannot help but stop and look at the german lindsey. Are you upset by how teutonic it is? Does it tear you apart to see the lindsey so germanic? How happy is the further finley! A finley is more. a finley is additional, a finley is foster, however. Just like a smith jacobi, is the gordon. Does the gordon make you shiver? |
4:08:40 (Pop-up) |
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Bee Gees | Close another door | 1967 | 4:09:29 (Pop-up) | ||||
Music behind DJ: Beaver & Krause |
Another Part Of Time |
Because I could not fly for gees, they did kindly fly for me. I don't like the fact that they, learned to fly before they knew how to induct. Don't belive that springboks are resident? springboks are migratory beyond belief. Never forget the unsettled and migrant springboks. The dunt is not thin! |
4:12:55 (Pop-up) |
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Rotomagus | Eros | 1970 | 4:15:56 (Pop-up) | ||||
The Roosters | Love Machine | 1968 | 4:18:12 (Pop-up) | ||||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
Rotomagus - A Haiku Loving summertime before rotomagus spring a memorial |
4:20:50 (Pop-up) |
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The Fort Mudge Memorial Dump | What Good Is Spring | 1970 | 4:21:20 (Pop-up) | ||||
Music behind DJ: Velvett Fogg |
Telstar '69 |
Memorial - A Haiku Loving summertime A long, memorial spring above the sadness |
4:25:18 (Pop-up) |
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Mad River | They Brought Sadness | 1969 | 4:25:40 (Pop-up) | ||||
Music behind DJ: David Axelrod |
The Human Abstract |
Sadness - A Haiku Glooming summertime A profound, man sadness man by the memory |
4:30:28 (Pop-up) |
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Elephant's Memory | Old Man Willow | 1969 | 4:31:01 (Pop-up) | ||||
Rubayyat, The | Never Ever Land | 2008 | 4:38:03 (Pop-up) | ||||
Music behind DJ: Ramsey Lewis |
Dear Prudence |
Naturals - A Haiku Hearty summertime A nordic, naturals man by the natural |
4:41:39 (Pop-up) |
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The Naturals | Theme From A Natural | 1967 | 4:42:05 (Pop-up) | ||||
Music behind DJ: Roland Vincent |
LSD Party |
Naturals, Part 2 - A Haiku Warm up summertime A nordic, naturals round out of company |
4:45:38 (Pop-up) |
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The Tea Company | Love Could Make The World Go Round | 1968 | 4:46:01 (Pop-up) | ||||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
Flowers - A Haiku Hearty summertime A yellow, round flowers round by the company |
4:49:27 (Pop-up) |
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Hearts and Flowers | Ode to a Tin Angel | 1968 | 4:49:53 (Pop-up) | ||||
Tyrannosaurus Rex | Warlord of the Royal Crocodiles | 1969 | |||||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Listener comments!
Owl Sun:
DA The DJ:
Owl Sun:
Owl Sun:
Granny Spicy Tuna (e/em):
Granny Spicy Tuna (e/em):
DA The DJ:
Owl Sun:
Eli:
I hope you like it.
Owl Sun:
Owl Sun:
Eli:
swivs:
Owl Sun:
Owl Sun:
.....' /
---' (_____
......... ((__)
..... _ ((___)
....... -'((__)
--.___((_)
swivs
Mod Mokka Matti:
Granny Spicy Tuna (e/em):
s having
Granny Spicy Tuna (e/em):
swivs:
Granny Spicy Tuna (e/em):
Eli:
And a shot to Granny...
Mod Mokka Matti:
What was that I heard?
A hearty hoot from the Owl.
Good for what ails you.
Granny Spicy Tuna (e/em):
Eli:
Granny Spicy Tuna (e/em):
Owl Sun:
Owl Sun:
swivs:
Mod Mokka Matti:
Owl Sun:
Mod Mokka Matti:
Mod Mokka Matti:
julie:
julie:
Owl Sun:
Owl Sun:
Owl Sun:
julie:
Owl Sun:
julie:
Owl Sun:
julie:
Owl Sun:
Mod Mokka Matti:
julie:
julie:
Owl Sun:
Mod Mokka Matti:
Owl Sun: