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An artificially intelligent radio entity, loosely based on late night radio legend Allison Steele, provides five hours of words of encouragement, poetry, and mind-blowing psychedelic music. Nightly – Midnight until 5:00 AM. https://twitter.com/TheNightOwlWFMU
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Artist | Track | Album | Year | Comments | Images | Approx. start time |
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Music behind DJ: |
Starting soon. |
0:00:00 (Pop-up) |
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Nirvana | In The Courtyard Of The Stars [Stereo Mix] | 1967 | 0:00:16 (Pop-up) | |||
Nirvana | C Side of Ocho Rios | 0:02:42 (Pop-up) | ||||
Bee Gees | With the Sun in My Eyes | 1968 | 0:03:11 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
Because I could not stay for gees, they did kindly stay for me. Do gees make you shiver? do they? All that is aged is not yins, yins, by all account is young. Now vernal is just the thing, To get me wondering if yins are immature. |
0:05:42 (Pop-up) |
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Syd Barrett | Rats | 1989 | 0:06:16 (Pop-up) | |||
The Naturals | Maiden In The East | 1967 | 0:09:23 (Pop-up) | |||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
How happy is the apparent omission! Now plain is just the thing, To get me wondering if the omission is seeable. Why would you think the presence is obvious? the presence is the most invisible proximity of all. Never forget the lightless and out of sight presence. Pay attention to the absent, the absent is the most fat disappear of all. |
0:11:32 (Pop-up) |
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The Tea Company | You Keep Me Hangin' On | 1968 | 0:13:40 (Pop-up) | |||
Music behind DJ: Pink Floyd |
Careful With That Axe, Eugene |
Message - A Haiku Dour summertime A rocky message message at the old horror |
0:22:27 (Pop-up) |
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Graffiti | He's Got The Knack | 1968 | 0:22:59 (Pop-up) | |||
Music behind DJ: Stu Phillips |
Hells Angels On Wheels |
How happy are stubby fingernails! Do fingernails make you shiver? do they? I cannot help but stop and look at the inky pinky. Does the pinky make you shiver? does it? Just like a furrowed rock, is the forehead. Now chromatic is just the thing, |
0:25:38 (Pop-up) |
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Pretty Things | Bracelets Of Fingers | 1968 | 0:26:16 (Pop-up) | |||
Pink Floyd | Interstellar Overdrive (Reprise) | 1968 | 0:29:53 (Pop-up) | |||
Ramsey Lewis | Sexy Sadie | 1968 | 0:30:22 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
Incorporation - A Haiku Dampish summertime For incorporation sound the satisfaction |
0:33:04 (Pop-up) |
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The Vampires' Sound Incorporation | There Is No Satisfaction | 1969 | 0:33:53 (Pop-up) | |||
Music behind DJ: Iron Butterfly |
Iron Butterfly Theme |
Incorporation, Part 2 - A Haiku Heating summertime where incorporation splash the satisfaction |
0:36:59 (Pop-up) |
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Thirteenth Floor Elevators | Splash 1 | 1968 | 0:37:32 (Pop-up) | |||
Affinity | Three Sisters | 1970 | 0:41:41 (Pop-up) | |||
Music behind DJ: Ramsey Lewis |
Sexy Sadie |
balconies are not straight! balconies are exceptionally serpentine. Now eellike is just the thing, To get me wondering if balconies are serpentine. All that is nonresidential is not bathrooms, bathrooms, by all account is residential. Do bathrooms make you shiver? do they? |
0:46:36 (Pop-up) |
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H.P. Lovecraft | electrollentando | Original Lp - Phillips Records PHS 600-279 | 1968 | 0:47:21 (Pop-up) | ||
Music behind DJ: Pedro Santos |
Savana |
0:53:49 (Pop-up) |
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Rotomagus | Madame Wanda | 1970 | 0:54:22 (Pop-up) | |||
Charles Fox | The Green Slime | A Fistful of Fuzz | 0:57:43 (Pop-up) | |||
Egyptian Combo | Gale Winds | Greaser Instrumentals 03 | 0:59:58 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
How happy is the only omission! Never forget the lone and sole omission. The proximity that's really physical, Above all others is the presence. Now strong-arm is just the thing, To get me wondering if the presence is corporal. When I think of the void, I see an extern confusion. A void is thick. a void is lean, |
1:00:16 (Pop-up) |
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The Jimi Hendrix Experience | Moon, Turn The Tides...gently gently away | 1968 | 1:01:18 (Pop-up) | |||
Vashti | Winter Is Blue | 1968 | 1:10:05 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Tidesgently - A Haiku Early summertime before found tidesgently the experience |
1:11:31 (Pop-up) |
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Lost & Found | Professor Black | 1968 | 1:12:02 (Pop-up) | |||
Music behind DJ: Beaver & Krause |
Walkin' |
Yesterday - A Haiku Scorching summertime An only, yesterday found on the professor |
1:15:39 (Pop-up) |
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The United States Of America | Where Is Yesterday | 1968 | 1:16:01 (Pop-up) | |||
Music behind DJ: Roland Vincent |
LSD Party |
I cannot help but stop and look at legal jurisdictions. Are you upset by how ineligible they are? Does it tear you apart to see the jurisdictions so legitimate? I cannot help but stop and look at national economies. Never forget the internal and interior economies. When I think of the country, I see particular countries. Down, down, down into the darkness of the country, Gently it goes - the cockamamy, the goofy, the buffoonish. |
1:19:02 (Pop-up) |
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Blue Mountain Eagle | Winding Your String | 1970 | 1:19:56 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
How happy are claude francis! Do francis make you shiver? do they? I cannot help but stop and look at the dear ernie. Never forget the sincere and pricy ernie. How happy is the yellow anita! Are you upset by how old it is? Does it tear you apart to see the anita so lily-livered? |
1:22:49 (Pop-up) |
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Syd Barrett | Golden Hair (Vocal Version) | 1989 | 1:23:37 (Pop-up) | |||
The Tea Company | Make Love, Not War | 1968 | 1:25:15 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
The Asleep And Better Listener Whose listener is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch him frown. I cry hello. He gives his listener a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
1:27:42 (Pop-up) |
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Bram Rigg Set | Take The Time Be Yourself | 1967 | 1:28:46 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Impression - A Haiku Heating summertime A last impression sugar above the sugar |
1:30:52 (Pop-up) |
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"The Sugar Cube Blues Band" | My Last Impression | 1968 | 1:31:15 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Pay attention to the pounding, the pounding is the most heart beat of all. Does the pounding make you shiver? does it? How happy is the distant thundering! A thundering is deep. a thundering is extreme, a thundering is close, however. A barreling, however hard it tries, |
1:34:47 (Pop-up) |
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Tyrannosaurus Rex | King Of The Rumbling Spires | 1969 | 1:35:27 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
How happy are selfish pleasures! Do pleasures make you shiver? do they? An everything, however hard it tries, Will always be understood. Now implicit is just the thing, To get me wondering if the everything is inexplicit. Don't belive that tricks are little? |
1:38:23 (Pop-up) |
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Pretty Things | I See You | 1968 | 1:39:00 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
One afternoon I said to myself, "Why aren't ideas more familiar?" Never forget the exotic and grotesque ideas. A nothing, however hard it tries, Will always be bottom. A nothing is posterior. a nothing is bum, a nothing is top, however. I cannot help but stop and look at fat ways. |
1:42:56 (Pop-up) |
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Chris Farlowe | Handbags And Gladrags | 1967 | 1:43:35 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
1:47:22 (Pop-up) |
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The Cape Kennedy Construction Company | Armageddon | 1969 | 1:47:45 (Pop-up) | |||
Music behind DJ: Martin Denny |
Incense & Peppermints |
I cannot help but stop and look at the plain gonna. Are you upset by how degenerate it is? Does it tear you apart to see the gonna so unpatterned? How happy is the cassandra jamie! Does the jamie make you shiver? does it? Yes, however hard they try, Will always be yellow. |
1:52:02 (Pop-up) |
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The Dovers | The Third Eye | 1996 | 1:53:03 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Human Abstract |
Candyo67 - A Haiku Warming summertime A better candyo67 message after the candyo67 |
1:55:16 (Pop-up) |
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Affinity | I Wonder If I'll Care As Much | 1970 | 1:55:52 (Pop-up) | |||
Gershon Kingsley | Have It - Or Grab It - Or Go | 1970 | 1:59:09 (Pop-up) | |||
Rotomagus | The Sky Turns Red | 1971 | 2:04:28 (Pop-up) | |||
Music behind DJ: The Vampires' Sound Incorporation |
There Is No Satisfaction |
Encouragement - A Haiku Heating summertime A more, encouragement page after the candyo67 |
2:07:16 (Pop-up) |
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Iron Butterfly | My Mirage | 1968 | 2:08:04 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Encouragement, Part 2 - A Haiku Indian summer where encouragement worry after the candyo67 |
2:12:52 (Pop-up) |
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White Noise | The Visitation | 1969 | 2:13:41 (Pop-up) | |||
The Mothers Of Invention | Cheap Thrills | 1968 | 2:25:40 (Pop-up) | |||
Music behind DJ: Sagittarius |
Pisces |
Encouragement - A Haiku Gloomy summertime A great, encouragement blame the ayatolluh |
2:27:55 (Pop-up) |
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Jesus | Songe Mortuaire | 1968 | 2:28:38 (Pop-up) | |||
Music behind DJ: George Harrison |
Wonderwall To Be Here |
Stringofperils - A Haiku Heating summertime A least stringofperils land at the perfect cheer |
2:31:22 (Pop-up) |
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The United States Of America | Coming Down | 1968 | 2:31:54 (Pop-up) | |||
Music behind DJ: 101 Strings |
Flameout |
One afternoon I said to myself, "Why isn't the deceased more last?" Are you upset by how best it is? Does it tear you apart to see the deceased so ordinal? I cannot help but stop and look at the unexplained disappearance. Never forget the undetermined and incomprehensible disappearance. The big stolen sings like a red lost Are you upset by how bighearted it is? |
2:34:30 (Pop-up) |
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Pink Floyd | Set The Controls For The Heart Of The Sun | 1968 | 2:35:21 (Pop-up) | |||
The Spike Drivers | Baby Won't You Let Me Tell You | 1966 | 2:40:39 (Pop-up) | |||
Music behind DJ: Composed And Arranged By David Axelrod |
Urizen |
The Better And Strange Message Whose message is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her message a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:42:56 (Pop-up) |
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Sagittarius | My World Fell Down | My World Fell Down | 1967 | 2:44:03 (Pop-up) | ||
Music behind DJ: Joe Byrd And The Field Hippies |
The Sub-Sylvian Litanies: Kayani |
The Mod And Sorry Mod Whose mod is that? I think I know. Its owner is quite sad though. It really is a tale of woe, I watch her frown. I cry hello. She gives her mod a shake, And sobs until the tears make. The only other sound's the break, Of distant waves and birds awake. |
2:47:46 (Pop-up) |
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Syd Barrett | Effervescing Elephant | 1987 | 2:48:42 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
I cannot help but stop and look at the family failing. Does the failing make you shiver? does it? I cannot help but stop and look at regular disappearances. Never forget the full-time and irregular disappearances. When I think of the stolen, I see an other drinking. Never forget the sly and ingenious stolen. Refresh until you're happy with your poem. |
2:50:29 (Pop-up) |
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The Quicksilver Messenger Service | Codine | 1968 | 2:51:13 (Pop-up) | |||
Velvett Fogg | Owed To The Dip | Telstar '69 b/w Owed To The Dip | 1969 | 2:56:29 (Pop-up) | ||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Encouragement - A Haiku Dour summertime A strong, encouragement page before the candyo67 |
3:00:16 (Pop-up) |
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Chris Farlowe | Paint It Black | 1968 | 3:01:05 (Pop-up) | |||
Music behind DJ: 101 Strings |
Trippin' On Lunar 07 |
How happy is the god forgotten! Does the forgotten make you shiver? does it? Pay attention to the absent, the absent is the most beloved go away of all. Now dear is just the thing, To get me wondering if the absent is dearest. How happy is the little neglected! |
3:04:32 (Pop-up) |
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Lightnin' Hopkins | Got Her Letter This Morning | 1968 | 3:05:13 (Pop-up) | |||
Music behind DJ: Electronic Funk by Paul Beaver and Bernard L. Krause |
Ragnarök |
Stringofperils - A Haiku Tropic summertime How stringofperils message by the recording |
3:10:09 (Pop-up) |
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Cromagnon | Caledonia | 1969 | 3:10:48 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Stringofperils, Part 2 - A Haiku Indian summer For stringofperils message a stringofperils |
3:15:10 (Pop-up) |
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country joe And The Fish | Thing Called Love | 1966 | 3:15:48 (Pop-up) | |||
Alice Cooper | Titanic Overture | Pretties For You | 1969 | 3:18:18 (Pop-up) | ||
Music behind DJ: The Shadows |
A Place in the Sun |
Encouragement - A Haiku Tropic summertime A great, encouragement mope an ayatolluh |
3:19:26 (Pop-up) |
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Iron Butterfly | Termination | 1968 | 3:20:11 (Pop-up) | |||
Music behind DJ: The Beatles |
The Bus |
Pay attention to the deceased, the deceased is the most first soul of all. Never forget the intermediate and first-year deceased. One afternoon I said to myself, "Why isn't the absentee more unsurprising?" Now astonishing is just the thing, To get me wondering if the absentee is startling. How happy are cunning disappearances! |
3:22:51 (Pop-up) |
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G.F. Fitz-Gerald | May Four | 1970 | 3:23:30 (Pop-up) | |||
Music behind DJ: David Axelrod |
The Fly |
3:26:23 (Pop-up) |
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Love | Your Mind And We Belong Together | Your Mind And We Belong Together b/w Laughing Stock | 1968 | 3:26:47 (Pop-up) | ||
Music behind DJ: George Harrison |
Ski-ing |
3:31:04 (Pop-up) |
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The Omen | Once Upon A Taste | 3:31:22 (Pop-up) | ||||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Omissions, however hard they try, Will always be consonant. Omissions are consistent. omissions are conformable, omissions are accordant, however. I will consider my revised. For my revised is manual because it wants to submit. You may submit, With your automatic lies, |
3:33:23 (Pop-up) |
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The Storybook | Psych-out Sanctorum | 1968 | 3:34:13 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
A Little Head |
Documentary - A Haiku Dampen summertime shall documentary trip near the storybook |
3:37:33 (Pop-up) |
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The Mothers Of Invention | "No. No. No." | 1968 | 3:41:30 (Pop-up) | |||
Music behind DJ: The Beatles |
Flying |
Invention - A Haiku Warming summertime A new, thin invention grass watching the mothers |
3:43:54 (Pop-up) |
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Grass Roots | Mr. Jones (A Ballad Of A Thin Man) | Love Is The Song We Sing (San Francisco Nuggets 1965-1970 | 3:44:20 (Pop-up) | |||
Music behind DJ: Cosmic Brotherhood |
Yentra II |
Ballad - A Haiku Foggy summertime An ancient, thin ballad grass out of koala |
3:47:10 (Pop-up) |
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The Koala | Poppa Duke Tyler | 1969 | 3:47:46 (Pop-up) | |||
Music behind DJ: George Harrison |
On The Bed |
3:50:20 (Pop-up) |
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Who | Disguises | 1966 | 3:50:42 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Disguises - A Haiku Darkness summertime A thin, light disguises light at the perfect floyd |
3:53:48 (Pop-up) |
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Pink Floyd | Let There Be More Light | 1968 | 3:54:13 (Pop-up) | |||
The Strawberry Alarm Clock | The World's On Fire - Long Version | 1968 | 3:59:27 (Pop-up) | |||
Music behind DJ: the Electric Flag, an American Music Band |
M-23 |
Geoffrey - A Haiku Scorching summertime A little, light geoffrey light enjoying the world |
4:07:47 (Pop-up) |
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Bee Gees | Sir Geoffrey Saved the World | 1968 | 4:08:23 (Pop-up) | |||
Music behind DJ: Funkadelic |
Music For My Mother (Instrumental) |
4:10:32 (Pop-up) |
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Syd Barrett | Dolly Rocker | 1989 | 4:10:56 (Pop-up) | |||
Music behind DJ: Nirvana |
C Side of Ocho Rios |
Pay attention to the love, the love is the most mother like of all. Does the love make you shiver? does it? I cannot help but stop and look at fanciful reveries. Down, down, down into the darkness of the reveries, Gently they go - the unreal, the creative, the notional. The cunning daydream sings like beautiful imaginings |
4:13:52 (Pop-up) |
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The Deep | Color Dreams | 1966 | 4:14:36 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Don't belive that desires are passionless? desires are passionate beyond belief. Desires are lustful. desires are choleric, desires are demon-ridden, however. How happy are inner fantasies! Do fantasies make you shiver? do they? One afternoon I said to myself, |
4:18:27 (Pop-up) |
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Lightnin' Hopkins | Rain Falling | 1968 | 4:19:21 (Pop-up) | |||
Music behind DJ: The Shadows |
Wonderful Land |
4:24:20 (Pop-up) |
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Amon Düül II | Kanaan | 1969 | 4:24:44 (Pop-up) | |||
Cromagnon | First World Of Bronze | 1969 | 4:28:40 (Pop-up) | |||
Music behind DJ: Electric Banana |
(Instrumental Tracks): The Dark Theme (Moody melodic instrumental) |
4:31:26 (Pop-up) |
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country joe And The Fish | Section 43 | 1966 | 4:31:53 (Pop-up) | |||
Music behind DJ: Jimi Hendrix |
The New Rising Sun |
One afternoon I said to myself, "Why isn't the lucille more old?" Down, down, down into the darkness of the lucille, Gently it goes - the adolescent, the formative, the early. The steadman is not middle! the steadman is exceptionally later. A steadman is advanced. a steadman is later, a steadman is belated, however. |
4:38:35 (Pop-up) |
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Ramsey Lewis | Sexy Sadie | 1968 | 4:39:26 (Pop-up) | |||
Music behind DJ: Lightnin' Rod |
Doriella Du Fontaine (Instrumental) |
Thirteenth - A Haiku Dampish summertime A yard, thirteenth thirteenth splash an elevators |
4:42:07 (Pop-up) |
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Thirteenth Floor Elevators | Splash 1 | 1968 | 4:42:33 (Pop-up) | |||
Music behind DJ: The Shadows |
A Place in the Sun |
Thirteenth, Part 2 - A Haiku Sweltering summer A yard, thirteenth thirteenth splash by the butterfly |
4:46:21 (Pop-up) |
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Iron Butterfly | Are You Happy | 1968 | 4:46:58 (Pop-up) | |||
The Eclectic Mouse | 5th Movement: Pre-Dawn Retrospective Chant |
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Rocky Horror:
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Rocky Horror
DA The DJ:
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HI The Night Owl Show fans!!
Owl Sun:
Owl Sun:
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DA The DJ
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Mod Mokka Matti:
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Eli:
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The Ayatolluh of Rock 'n Rolluh:
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Candy-O'67:
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Owl Sun:
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Rocky Horror:
Hi The Ayatolluh of Rock 'n Rolluh!!
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The Ayatolluh of Rock 'n Rolluh:
Candy-O'67:
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Candy-O'67:
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Candy-O'67:
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Candy-O'67:
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